Legend In Blue Steel

Yukinari has created a viable system of agriculture for Friedland, and the town once reliant on their erdgod's whims looks like it might finally be able to thrive on its own. Yuki seems content to settle down at his sanctuary along with Dasa, Berta, and Ulrike, the erdgod from Rostruch, when a unit of the Missionary Order arrives in town with mercenaries on their heels. When the Order discovers that Friedland hasn't been converted, contrary to what the True Church of Harris was told, Yukinari and his friends find themselves in trouble as the missionaries prepare a fresh assault on their home. Arlen has built his life on the Church, while Berta has learned to fight but hates hurting people... In the upcoming battle, everyone will have their own difficult choices to make.

In this new retrospective collection spanning almost forty years, Pilgrim Award- and Collector's Award-winning fantasy novelist, critic, and bibliographer Robert Reginald contributes forty-five essays on writers of fantastic literature, including such major and minor figures as: Piers Anthony, Edwin Lester Arnold, Margaret Atwood, John Kendrick Bangs, Leslie Barringer, John Bellairs, Arthur Byron Cover, Lindsey Davis, Alexander de Comeau, Daphne du Maurier, R. Lionel Fanthorpe, H. Rider Haggard, Charlotte Haldane, Edward Heron-Allen, Eleanor M. Ingram, Vernon Knowles, Katherine Kurtz, Andrew Lang, Fritz Leiber, Bruce McAllister, Ward Moore, Robert Nathan, Sir Henry Newbolt, William F. Nolan, John Norman, Keith Roberts, Michael Reaves, Brian Stableford, and George Zebrowski. Also included is a comprehensive bibliography and history of the publications of Starmont House, Inc., and FAX Collector's Editions, a selection of reviews and obituaries, a bibliography, and detailed index. This unique literary collection will prove of interest both to students and researchers alike. This second edition features fifteen new pieces, including the author's earliest published critique (1968), and a number of original autobiographical reflections on his life and career penned shortly after his heart attack in 2003.

A collection of four all-new strange stories from the sleepy town of Gravity Falls in one original graphic novel. Written by Alex Hirsch. Illustrated by Asaf Hanuka, Dana Terrace, Ian Worrel, Jacob Chabot, Jim Campbell, Joe Pitt, Kyle Smeallie, Meredith Gran, Mike Holmes, Priscilla Tang, Serina Hernandez, Stephanie Ramirez, and Valerie Halla.

The ballad "John Henry" is the most recorded folk song in American history and John Henry--the mighty railroad man who could blast through rock faster than a steam drill--is a towering figure in our culture. In Steel Drivin' Man, Scott Reynolds Nelson recounts the true story of the man behind the iconic American hero, telling the poignant tale of a young Virginia convict who died working on one of the most dangerous enterprises of the time, the first rail route through the Appalachian Mountains. Using census data, penitentiary reports, and railroad company reports, Nelson reveals how John Henry, victimized by Virginia's notorious Black Codes, was shipped to the infamous Richmond Penitentiary to become prisoner number 497, and was forced to labor on the mile-long Lewis Tunnel for the C&O railroad. Equally important, Nelson masterfully captures the life of the ballad of John Henry, tracing the song's evolution from the first printed score by blues legend W. C. Handy, to Carl Sandburg's use of the ballad to become the first "folk singer," to the upbeat version by Tennessee Ernie Ford. Attractively illustrated with numerous images, Steel Drivin' Man offers a marvelous portrait of a beloved folk song--and a true American legend.

In Friedland, there's a new god in town: Yukinari Amano, who now keeps the area safe from the terrible creatures that routinely attack it. In hopes of raising Friedland's standard of living, Yuki decides to open trade negotiations with another village. However, this seemingly simple task leads to a shocking discovery: a human-erdgod symbiote! And as if that weren't enough, a monstrous new threat is bearing down on Friedland while Yuki is away... What will the village do? It's Volume 2 of the smash-hit guns-meet-swords action-fantasy, Bluesteel Blasphemer!

"Science Fiction & Fantasy Book Review" was founded in 1979 to provide comprehensive coverage of all the major and minor books being released in the genre at that time. This was the golden era of SF publishing, with a thousand titles (old and new) hitting the stands and the bookshelves each and every year. From the older classics to the newest speculative fiction, this was the period when the best and the brightest shined forth their talents. SF&FBR included reviews by writers in the field, by amateur critics, and by litterateurs and University professors. Over a thousand books were covered during the single year of publication, many of them having been reviewed no where else, before or since. The January 1980 issue includes a comprehensive index of all the works featured during the preceding year. This reprint will be a welcome addition to the literature of science fiction and fantasy criticism. Neil Barron is a retired bibliographer and literary critic, editor of the acclaimed "Anatomy of Wonder" series. Robert Reginald was the publisher for twenty-five years of Borgo Press, and has authored over 110 books of his own."

William Grant Still (1895-1978) dreamed of a world in which his eight operas--for him the ultimate form of musical expression--would be heard in the major opera houses in the United States, devoting most of his career toward the pursuit of this goal. The first part of I Dream a World creates a context for Still's operas and explores commonalities among them, including structural elements and musical characteristics. The second part traces the research, composition, and perform-ances of the operas as a way of documenting the history of the composer and his contributions to American opera. Although I Dream a World is not intentionally biographical, it is very pers-onal. It is more than the story of William Grant Still's love of operatic music, of the libretti that reflect his own life and philosophy, and of the world he dreamed through his work. It opens a window on Still the man as well as on Still the composer that offers important insights into the social milieu of this pioneering figure.

Vols. 24-52 include the proceedings of the A.N.A. convention. 1911-39.