Le Maya Qatzij Our Maya Word

Mikel Ruiz's The Errant Children, the first novel published in the Tsotsil Maya language, offers a bold and unflinching portrayal of contemporary Maya life in Chiapas, México. Pedro Ton Tsepente' has a position in his village's traditional council, but rather than taking just a few ceremonial drinks, he becomes an alcoholic, subject to blackouts and delirium tremens. His wife, Pascuala, rages at God to step in and change her husband's behavior, taking extreme measures when He does not. Their neighbor, seventeen-year-old Ignacio Ts'unun, learns about gender relations by watching television programs where beautiful women are lighter-skinned and about sex by watching pornography, which leads to disastrous choices. These characters' suffering comes not from conquerors, missionaries, or settlers but from invasive economic and cultural forces that can make Indigenous people devalue themselves. Do not expect to be uplifted, but do prepare to be astonished.

The illusionary aspect of life and its myths is revealed in a collection of poems that examine the mirage of history and time, the actual triviality of events, and other details of human existence

Bringing to the fore the voices of Maya authors and what their poetry tells us about resistance, sovereignty, trauma, and regeneration In 1954, Guatemala suffered a coup d’etat, resulting in a decades-long civil war. During this period, Indigenous Mayans were subject to displacement, disappearance, and extrajudicial killing. Within the context of the armed conflict and the postwar period in Guatemala, K’iche’ Maya scholar Emil’ Keme identifies three historical phases of Indigenous Maya literary insurgency in which Maya authors use poetry to dignify their distinct cultural, political, gender, sexual, and linguistic identities. Le Maya Q’atzij / Our Maya Word employs Indigenous and decolonial theoretical frameworks to critically analyze poetic works written by ten contemporary Maya writers from five different Maya nations in Iximulew/Guatemala. Similar to other Maya authors throughout colonial history, these authors and their poetry criticize, in their own creative ways, the continuing colonial assaults to their existence by the nation-state. Throughout, Keme displays the decolonial potentialities and shortcomings proposed by each Maya writer, establishing a new and productive way of understanding Maya living realities and their emancipatory challenges in Iximulew/Guatemala. This innovative work shows how Indigenous Maya poetics carries out various processes of decolonization and, especially, how Maya literature offers diverse and heterogeneous perspectives about what it means to be Maya in the contemporary world.

In the past few decades, indigenous movements throughout the Americas have become the cornerstone of popular mobilizations. These movements have made their mark in diverse institutional and political landscapes. Although this prominence has been considered a recent phenomenon, it is but the latest example of the ongoing creativity of indigenous peoples in their efforts to achieve civil rights and legal recognition as differentiated cultural entities. Their struggle has changed the makeup of Latin American nation-states to the point that these can no longer be conceived in conventional terms, that is, as culturally and linguistically homogenous. This book focuses on the emergence and political-cultural implications of Guatemala's Maya movement. It explores how, since the 1970s, indigenous peoples have been challenging established, hegemonic narratives of modernity, history, nation, and cultural identity as these relate to the indigenous world. For the most part, these narratives have been fabricated by non-indigenous writers who have had the power not only to produce and spread knowledge but also to speak for and about the Maya world. Contemporary Maya narratives promote nationalisms based on the reaffirmation of Maya ethnicity and languages that constitute what it means to be Maya in present-day society, as well as political-cultural projects oriented toward the future.

Time Commences in Xibalbá tells the story of a violent village crisis in Guatemala sparked by the return of a prodigal son, Pascual. He had been raised tough by a poor, single mother in the village before going off with the military. When Pascual comes back, he is changed—both scarred and “enlightened” by his experiences. To his eyes, the village has remained frozen in time. After experiencing alternative cultures in the wider world, he finds that he is both comforted and disgusted by the village’s lingering “indigenous” characteristics.

The Theologia Indorum by Dominican friar Domingo de Vico was the first Christian theology written in the Americas. Made available in English translation for the first time, Americas' First Theologies presents a selection of exemplary sections from the Theologia Indorum that illustrate Friar Vico's doctrine of god, cosmogony, moral anthropology, understanding of natural law and biblical history, and constructive engagement with pre-Hispanic Maya religion. Rather than merely condemn the Maya religion, Vico appropriated local terms and images from Maya mythology and rituals that he thought could convey Christianity. His attempt at translating, if not reconfiguring, Christianity for a Maya readership required his mastery of not only numerous Mayan languages but also the highly poetic ceremonial rhetoric of many indigenous Mesoamerican peoples. This book also includes translations of two other pastoral texts (parts of a songbook and a catechism) and eight early documents by K'iche' and Kaqchikel Maya authors who engaged the Theologia Indorum. These texts, written in Highland Mayan languages both by fellow Dominicans and by Highland Maya elites demonstrate the wider influence of Vico's ethnographic approach shared by a particular school of Dominicans. Altogether, The Americas' First Theologies provides a rich documentary case example of the translation, reception, and reaction to Christian thought in the indigenous Americas

An authoritative study of the indigenous religion still practiced in Guatemala based on extensive original research and participant observation. Jean Molesky-Poz draws on in-depth dialogues with Maya Ajq’ijab’ (keepers of the ritual calendar), her own participant observation, and inter-disciplinary resources to offer a comprehensive, innovative, and well-grounded understanding of contemporary Maya spirituality and its theological underpinnings. She reveals significant continuities between contemporary and ancient Maya worldviews and spiritual practices. Molesky-Poz opens with a discussion of how the public emergence of Maya spirituality is situated within the religious political history of the Guatemalan highlands, particularly the pan-Maya movement. She investigates Maya cosmovision and its foundational principles, as expressed by Ajq’ijab’. At the heart of this work, Ajq’ijab’ interpret their obligation, lives, and spiritual work. Molesky-Poz then explores aspects of Maya spirituality, including sacred geography, sacred time, and ritual practice. She confirms contemporary Maya spirituality as a faith tradition with elaborate historical roots that has significance for individual, collective, and historical lives, reaffirming its own public space and legal right to be practiced.