Le Grand Sophi

A reader favorite from the Queen of Regency Romance, The Grand Sophy is an utterly hilarious and completely endearing story of a charming young heroine and the outrageous lengths she goes to solve everyone else's problems, and the surprises in store for everyone! When Sir Horace Stanton-Lacy is ordered to South America on diplomatic business, he parks his only daughter, Sophy, with his sister in Berkeley Square. Forward, bold, and out-spoken, Sophy sweeps in and immediately takes the ton by storm. Upon her arrival, Sophy can see that her cousins are in a sad tangle: Ceclia is in love with a poet, Charles is engaged to a dour bluestocking, her uncle is of no use at all, and the younger children are in desperate need of some fun and freedom. They all need her help and it's providential that Sophy arrives when she does. The Georgette Heyer Signature Collection is a fresh celebration of an author who has charmed tens of millions of readers with her delightful sense of humor and unique take on Regency romance. Includes fun and fascinating bonus content—a glossary of Regency slang, a Reading Group Guide, and an Afterword by official biographer Jennifer Kloester sharing insights into what Georgette herself thought of The Grand Sophy and what was going on in her life as she was writing. What reviewers are saying about The Grand Sophy: "The Grand Sophy was an exciting, charming read. The characters grab you and don't let go." —Anna's Book Blog "Fun, engaging and hilarious, I cannot recommend it more highly. Sophy is a devilishly fine girl." — AustenProse "The Grand Sophy is a very entertaining Regency romance with wonderfully eccentric characters and a very humorous plot."—Once Upon a Romance "Georgette Heyer is the Queen of the Regency Romance. Long may she reign!" —New York Times bestselling author LAUREN WILLIG

A page-turning novel that is also an exploration of the great philosophical concepts of Western thought, Jostein Gaarder's Sophie's World has fired the imagination of readers all over the world, with more than twenty million copies in print. One day fourteen-year-old Sophie Amundsen comes home from school to find in her mailbox two notes, with one question on each: "Who are you?" and "Where does the world come from?" From that irresistible beginning, Sophie becomes obsessed with questions that take her far beyond what she knows of her Norwegian village. Through those letters, she enrolls in a kind of correspondence course, covering Socrates to Sartre, with a mysterious philosopher, while receiving letters addressed to another girl. Who is Hilde? And why does her mail keep turning up? To unravel this riddle, Sophie must use the philosophy she is learning—but the truth turns out to be far more complicated than she could have imagined.

Artist Sophie Benini Pietromarchi invites children on a journey into bookmaking, giving them ideas and inspiration to create their own books from everyday materials.

In recent years, global historians have painted an impressionistic picture of what they call the 'connected world' of the seventeenth century. Inspired perhaps by the globalised world in which they write, scholars have emphasised how the circulation of people, objects, and ideas linked the distant reaches of the early modern world. Yet for all the advocates of such a 'connected history', we are only beginning to make sense of what global connectedness meant in practice in the lives of ordinary people. To this end, The Whispers of Cities explores interactions between early modern Europe and the Ottoman Empire through the kaleidoscope of communication. It does so by focusing on how information flows linked Istanbul, London, and Paris in the late seventeenth century. Because individuals were at the heart of communication, the book offers a micro-historical reading of the experiences of Sir William Trumbull, English ambassador to Istanbul from 1687 to 1692. It follows Trumbull as he was transformed from a civil lawyer and state official in London to a European notable at the heart of Ottoman social networks in Istanbul. In this way, The Whispers of Cities reveals how information flows between Istanbul, London, and Paris were rooted in the personal encounters that took place between Ottomans and Europeans in everyday communication. At the intersection of global history and the history of communication, therefore, the author argues that worlds of information tied Europeans to their Ottoman counterparts long before the age of modernisation, as news, stories, and even fictions transcended linguistic and confessional boundaries and connected people across Europe and the Mediterranean world. What emerges here is a picture of globalization that is as much about networks, flows, and circulation as it is about the imperfections, asymmetries, and unevenness of connectedness in the early modern world.

During Napoleon's rule, Freemasonic circles in France invented rituals that allegedly first took place in the temple structures of ancient Egypt. This book looks at the cultural environment and intellectual background of one such pseudo-Egyptian secret society, the Sacred Order of the Sophisians.

MLN pioneered the introduction of contemporary continental criticism into American scholarship. Critical studies in the modern languages--Italian, Hispanic, German, French--and recent work in comparative literature are the basis for articles and notes in MLN. Four single-language issues and one comparative literature issue are published each year.

The Dream of Absolutism examines the political aesthetics of power under Louis XIV. What was absolutism, and how did it work? What was the function of the ostentatious display surrounding Louis XIV at Versailles? What is gained—and what is lost—by approaching such expressions of absolutism as propaganda, as present-day scholars tend to do? In this sweeping reconsideration of absolutist culture, Hall Bjørnstad argues that the exuberance of Louis XIV’s reign was not top-down propaganda in any modern sense, but rather a dream dreamt collectively, by king, court, image-makers, and nation alike. Bjørnstad explores this dream through a sustained close analysis of a corpus of absolutist artifacts, ranging from Charles Le Brun’s famous paintings in the Hall of Mirrors at Versailles via the king’s secret Mémoires to two little-known particularly extravagant verbal and textual celebrations of the king. The dream of absolutism, Bjørnstad concludes, lives at the intersection of politics and aesthetics. It is the carrier of a force that emerges as a glorious image; a participatory emotional reality that requires reality to conform to it. It is a dream, finally, that still shapes our collective political imaginary today.