Latin American Songs For Guitar

This is a collection of songs in Spanish, Portuguese, and Haitian French from 19 countries including Argentina, Brazil, Cuba, Ecuador, Guatemala, Haiti, Mexico, Peru, and Uraguay. All Lyrics appear in their original languages as well as in singable transliterated English. Each song is presented as a vocal/guitar arrangement with suggested guitar chords, as well as a guitar solo in tablature and standard notation. In Spanish and English.

This superb collection features 31 solo guitar settings of a colorful spectrum of music from Brazil, Venezuela, Columbia, Mexico, Cuba, Puerto Rico, Bolivia, Chile, Costa Rica, Ecuador, Guatemala, Peru, the Dominican Republic, and Uruguay. the music is derived largely from 19th and 20th century piano literature. While many anonymously composed selections are included here, most of these tunes were written by professional musicians who happened to be pianists, band directors or arrangers. Typical of the period, some orchestral scores appears as piano reductions, which Professor Barreiro has also used as a source for his guitar transcriptions. All of these selections are presented in standard notation and tablature with historical and performance notes. A companion CD is included featuring 16 selections from the book performed by Barreiro.

An collection of over 50 guitar solos by composers of the genre from the 19th and early 20th Century.

The presentation of this album marks a special event in classic guitar publishing! This anthology contains 11 truly representative examples of the folklore of Latin America, all highly revered folk songs considered jewels of the musical traditions of: Argentina, Bolivia, Colombia, Chile, Ecuador, Panama, Peru, Uruguay, Venezuela and Mexico. Artfully arranged by the renowned Mexican composer and guitarist, Guillermo Diego, students and professionals alike will discover multiple items of interest and important technical challenges while learning some of the most popular Latin-American folk tunes. To facilitate dialog between teacher and student, rehearsal numbers have been added at key points of each arrangement; additionally, the guitarist will find a handful of pieces faithful to various Latin-American styles composed by Diego. Written in standard notation only for the intermediate to advanced classic guitarist, these arrangements will make delightful additions to recital and concert programs. La presentación de este álbum es una buena nueva para la guitarra; se trata de la publicación de una antología sumamente representativa de obras pertenecientes al Folklore latinoamericano, piezas por demás apreciadas y consideradas joyas de la tradición musical. La música incluída en este álbum abarca los siguientes países: Argentina, Bolivia, Colombia, Chile, Ecuador, Panamá, Perú, Uruguay, Venezuela y México. Los arreglos, realizados de forma artística y amorosa fueron realizados bajo el tamiz y experiencia del reconocido compositor y guitarrista mexicano, Guillermo Diego. Tanto estudiantes como profesionales, encontrarán múltiples puntos de interés y retos técnicos importantes al abordar piezas notables de la música latinoamericana. Como un elemento extra y para lograr el estudio más eficaz de estas obras entre profesor y alumno, cada pieza cuenta con Números de Ensayo; adicionalmente, el guitarrista encontrará un puñado de piezas fieles a diversos estilos latinoamericanos compuestas por Diego. Música Tradicional Latinoamericana para Guitarra de Concierto, sin duda, una novedad para el mundo de la guitarra que aportará a los programas de concierto deliciosos ejemplos de la música de América Latina.

(Easy Guitar). Easy arrangements with tab of favorites by Albeniz, Granados, Sor, Tarrega, and others. Includes: Cielito Lindo * Lagrima * Leyenda * Malaguena * La Paloma * Salamanca * and more. Also includes a demonstration CD.

Books in Mel Bay's Acoustic Guitar category are written to be played fingerstyle on either nylon or steel string guitars. the titles in this category are extremely eclectic. Subjects range from Latin American music to Renaissance classics. Music of Mexico for Acoustic Guitar is a superb solo collection. Ruben Delgado has penned wonderful solos based on 11 favorite Mexican songs. Contents include such standards as Maria Elena; Donde Estas, Corazon?; and Noche de Ronda. All arrangements are written in notation and tablature.

(Guitar Solo). 15 carefully arranged, intermediate-level solos with melody and harmony combined for rich and satisfying performance material. This volume includes: Aquellos Ojos Verdes (Green Eyes) * Call Me * Desafinado (Off Key) * The Girl from Ipanema (Garota De Ipanema) * Little Boat * More (Ti Guardero Nel Cuore) * Quiet Nights of Quiet Stars (Corcovado) * Quizas, Quizas, Quizas (Perhaps, Perhaps, Perhaps) * So Nice (Summer Samba) * Triste * Watch What Happens * and more.

This superb collection features 31 solo guitar settings of a colorful spectrum of music from Brazil, Venezuela, Columbia, Mexico, Cuba, Puerto Rico, Bolivia, Chile, Costa Rica, Ecuador, Guatemala, Peru, the Dominican Republic, and Uruguay. The music is derived largely from 19th and 20th century piano literature. While many anonymously composed selections are included here, most of these tunes were written by professional musicians who happened to be pianists, band directors or arrangers. Typical of the period, some orchestral scores appears as piano reductions, which Professor Barreiro has also used as a source for his guitar transcriptions. All of these selections arepresented in standard notation and tablature with historical and performance notes. A companion CD is included featuring 16 selections from the book performed by Barreiro

Between Norteño and Tejano Conjunto analyzes the origin, evolution, and dissemination of the norteño and tejano conjunto. This group represents a marginalized local identity that was transformed primarily into an identity of the northeast. It then gave way to the whole of northern México and the American Southwest, and was later assimilated internationally as a mainstream genre. This book provides a long-term historic vision of conjunto and the various musical forms it uses, such as polka, corrido, or canción (song), and, more recently, bolero and cumbia, as well as its transformations and contributions to other musical cultures.

A colorful song collection containing music from 19 Latin American countries, including Ecuador,Costa Rica, the Dominican Republic, Peru, Puerto Rico, Uruguay, Panama, Guatemala, Honduras, and others. All lyrics are in Spanish and singable English. Arranged for voice and piano with guitar chords.