Lalita Madhava

Play on Radha and Krishna, Hindu deities.

Lalita Mādhava is praised by Rāmānanda Rāya and Caitanya Mahāprabhu for its excellent verses depicting the emotions of the highest rasa. It begins in Vṛndāvana with separation from Kṛṣṇa and ends in Dvārakā when the gopīs reunite with Kṛṣṇa as his queens, while maintaining their previous identities. Thus separation resolves into union and marriage in Dvārakā. The story included details different from the pastimes described in Bhāgavatam. Thus Viśvanātha Cakravartī explains that details of the drama were enacted in a different kalpa of Brahmā.

Sri Lalita Madhav is a timeless and spiritually profound literary masterpiece that delves into the divine love and pastimes of Lord Krishna. Written by the renowned saint and philosopher Srila Rupa Goswami, this classical work is a captivating exploration of the eternal love between Lord Krishna and His beloved consort, Srimati Radharani, set against the backdrop of Vrindavan’s enchanting landscapes.

The book explores the various histories and aspects of Indian drama in different languages.

The Vaisnava poetry of Bengal in the sixteenth and seventeenth centuries.

The book attempts to trace an overview of the different components that define the cultural landscape of the state of Odisha in relation to its history, religious cults, art, and literature and to link the development of the various aspects to the role played over the centuries by the Geeta Govinda poem in its different manifestations. From being an important component of the rituals performed in the Jagannath Temple to becoming an essential part of the people’s daily lives and artistic expressions, this immortal poem has exercised its influence on the cultural landscape of the state from its early inception in the twelfth century until present times. Religious beliefs, visual representations, performative expressions, and literary compositions have been influenced by the strong emotional appeal contained in its verses. Its musical structure, spiritual underline and histrionic content have been an essential font of inspiration in the process of the rediscovery of a cultural identity during the last century and continue to exercise a strong influence on the performing arts of the present times. Among all the art forms, the classical style of Odissi dance, the way it has been re-structured in the middle of the last century, is perhaps the one which bears the closest contact with the poem, almost being synonymous with it. The dance’s lyrical quality and its emotional appeal steeped in a long history of association with devotional and spiritual values make it an ideal form of visual expression for the literary content of the poem.

SHAKTI MANTRAS Tapping into the Great Goddess Energy Within • Enhance your spiritual gifts • Lighten your karmic burden • Improve your health and increase prosperity • Live in harmony with the universe Now, with Shakti Mantras, we can all benefit from this ancient practice. Thomas Ashley-Farrand, a Vedic priest, is an American expert in the intricacies of Sanskrit mantra. With nearly thirty years and thousands of hours of experience in chanting, he is supremely well-equipped to write the first book that teaches women (and men as well) to tap into the dynamic feminine energy of love in all its manifestations. By sharing enchanting Hindu myths and astonishing true stories from his own practice, Ashley-Farrand helps us to understand the real power that this age-old art awakens in those who perform it. Through dozens of actual mantras–each one presented with phonetic spelling for easy pronunciation and recommendations for specific applications–he enables us to increase our “shakti” (power) and use it to solve problems, ensure abundance, create health and well-being, summon protection, and invoke personal and universal peace. Whether you’re new to chanting or an old hand, Shakti Mantras will take you places you’ve never been before . . . and measurably enrich your life.

The Lalita Cult has figured and still figures prominently among the countless cults of ancient India. Lalita is looked upon by the Hindus as a divine manifestation of the goddess Durga. The cult of Lalita is intimately associated with the Sakti cult or the worship of the Divine as Energy in the feminine form. The present book studies the cult of Lalita from a historical point of view. Though this study is mainly based on the Lalitopakhayana section of the Brahmanda Purana, an endeavour is made to review other phases of the Sakti cult and its place in Vedic literature, and particularly to examine its philosophical basis. The study also aims to remove certain misconceptions and improved theories which have obscured the true import and value of the Sakti cult.