Lady Byron And Her Daughters

A startling reevaluation of Lady Byron’s marriage and the untold story of her complex life as single mother and progressive force. The center of public attention after her tumultuous marriage to Lord Byron, Annabella Milbanke transformed herself from a neglected wife into a figure of incredible resilience and social vision. After she and her infant child were cast out of their home, she was left to navigate the stifling and unsupportive social environment of Regency England. Far from a victim or an obstacle to Byron’s work, however, Lady Byron was a rebel against the fashionable snobbery of her class, founding the first Infants School and Co-Operative School in England. A poet and talented mathematician, Lady Byron supported the education of her precocious daughter, Ada Lovelace, now recognized and lauded as a pioneer of computer science, and saved from death her “adoptive daughter” Medora Leigh, the child of Lord Byron’s incest with his sister. Lady Byron was adored by the younger abolitionist Harriet Beecher Stowe and by many notable friends. Yet her complex relationships with her family, including the sister Byron loved, runs like a live wire through this skillfully told and groundbreaking biography of a remarkable woman who made a life for herself and became a leading light in her century.

In 1815, the clever and courted Annabella Milbanke married the notorious and brilliant Lord Byron. Just one year later, she fled, taking with her their baby daughter, Ada Lovelace. Byron himself escaped into exile and died as a revolutionary hero in 1824. Brought up by a mother who became one of the most progressive reformers of Victorian England, Byron’s little girl was introduced to mathematics as a means of calming her wild spirits. As a child invalid, Ada dreamed of building a steam-driven flying horse. As an exuberant and boldly unconventional young woman, she amplified her explanations of Charles Babbage’s unbuilt calculating engine to predict the dawn of the modern computer age.During her life, Lady Byron was praised as a paragon of virtue; within ten years of her death, she was vilified as a disgrace to her sex. Well over a hundred years later, Annabella Milbanke is still perceived as a prudish wife and cruelly controlling mother. But her hidden devotion to Byron and her tender ambitions for his mercurial, brilliant daughter reveal a deeply complex but unexpectedly sympathetic personality.Drawing on fascinating new material, Seymour reveals the ways in which Byron, long after his death, continued to shape the lives and reputations both of his wife and his daughter.

“[Ada Lovelace], like Steve Jobs, stands at the intersection of arts and technology."—Walter Isaacson, author of The Innovators Over 150 years after her death, a widely-used scientific computer program was named “Ada,” after Ada Lovelace, the only legitimate daughter of the eighteenth century’s version of a rock star, Lord Byron. Why? Because, after computer pioneers such as Alan Turing began to rediscover her, it slowly became apparent that she had been a key but overlooked figure in the invention of the computer. In Ada Lovelace, James Essinger makes the case that the computer age could have started two centuries ago if Lovelace’s contemporaries had recognized her research and fully grasped its implications. It’s a remarkable tale, starting with the outrageous behavior of her father, which made Ada instantly famous upon birth. Ada would go on to overcome numerous obstacles to obtain a level of education typically forbidden to women of her day. She would eventually join forces with Charles Babbage, generally credited with inventing the computer, although as Essinger makes clear, Babbage couldn’t have done it without Lovelace. Indeed, Lovelace wrote what is today considered the world’s first computer program—despite opposition that the principles of science were “beyond the strength of a woman’s physical power of application.” Based on ten years of research and filled with fascinating characters and observations of the period, not to mention numerous illustrations, Essinger tells Ada’s fascinating story in unprecedented detail to absorbing and inspiring effect.

Drawing on previously unpublished archival materials, this study spans three generations of the Lushington family. It investigates their personal histories through the themes of social, artistic, and cultural history. The author analyzes the Lushington family’s relationships with well-known figures like Lady Byron, Queen Caroline, and members of the Bloomsbury Group. Most importantly, this study examines Lushington family members’ roles within larger trends, including abolitionism, the Pre-Raphaelite movement, and Positivism.

Ada Lovelace was the only legitimate child of Lord Byron, the dangerous romantice poet whose name became a byword for scandal. Over the past decades, she herself has become a surprising underground star for digital pioneers all over the world, starting with Alan Turing. Embraced by programmers and women intechnology, Ada even has her own day that is commemorated every year on Google's search engine.

One was the mother who bore him; three were women who adored him; one was the sister he slept with; one was his abused and sodomized wife; one was his legitimate daughter; one was the fruit of his incest; another was his friend Shelley's wife, who avoided his bed and invented science fiction instead. Nine women; one poet named George Gordon, Lord Byron – mad, bad and very very dangerous to know. The most flamboyant of the Romantics, he wrote literary bestsellers, he was a satirist of genius, he embodied the Romantic love of liberty (the Greeks revere him as a national hero), he was the prototype of the modern celebrity – and he treated women (and these women in particular) abominably. In BYRON'S WOMEN, Alex Larman tells their extraordinary, moving and often shocking stories. In so doing, he creates a scurrilous 'anti-biography' of one of England's greatest poets, whose life he views – to deeply unflattering effect – through the prism of the nine damaged woman's lives.

A contentious, deeply moving ode to friendship, love, and urban life in the spirit of Fierce Attachments A memoir of self-discovery and the dilemma of connection in our time, The Odd Woman and the City explores the rhythms, chance encounters, and ever-changing friendships of urban life that forge the sensibility of a fiercely independent woman who has lived out her conflicts, not her fantasies, in a city (New York) that has done the same. Running steadily through the book is Vivian Gornick's exchange of more than twenty years with Leonard, a gay man who is sophisticated about his own unhappiness, whose friendship has "shed more light on the mysterious nature of ordinary human relations than has any other intimacy" she has known. The exchange between Gornick and Leonard acts as a Greek chorus to the main action of the narrator's continual engagement on the street with grocers, derelicts, and doormen; people on the bus, cross-dressers on the corner, and acquaintances by the handful. In Leonard she sees herself reflected plain; out on the street she makes sense of what she sees. Written as a narrative collage that includes meditative pieces on the making of a modern feminist, the role of the flaneur in urban literature, and the evolution of friendship over the past two centuries, The Odd Woman and the City beautifully bookends Gornick's acclaimed Fierce Attachments, in which we first encountered her rich relationship with the ultimate metropolis.

History, mystery, and science collide in a new series for middle-grade readers, perfect for fans of The Mysterious Benedict Society and Lemony Snicket! Jordan Stratford imagines an alternate 1826, where Ada Lovelace (the world’s first computer programmer) and Mary Shelley (author of Frankenstein) meet as girls and form a secret detective agency! Lady Ada Byron, age eleven, is a genius. Isolated, awkward and a bit rude—but a genius. Mary Godwin, age fourteen, is a romantic. Adventurous, astute, and kind, Mary is to become Ada’s first true friend. And together, the girls conspire to form the Wollstonecraft Detective Agency—a secret constabulary for the apprehension of clever criminals. Their first case involves a stolen heirloom, a false confession, and an array of fishy suspects. But it’s no match for the deductive powers and bold hearts of Ada and Mary. Mystery fans will love this tween girl riff on Sherlock Holmes and John Watson. History buffs will be delighted to see all the real figures who play a role in this story and appreciate the extensive backmatter that helps separate truth from fiction. Parents and educators hoping to promote the STEM fields for girls will be thrilled to have a series where two girls use math, science, and creative analytical thinking to solve crimes. But most especially--emerging readers will love this series filled with humor, action, intrigue and wonderful artwork from Kelly Murphy.

“860 glittering pages” (Janet Maslin, The New York Times): The first volume of the full-scale astonishing life of one of our greatest screen actresses—her work, her world, her Hollywood through an American century. Frank Capra called her, “The greatest emotional actress the screen has yet known.” Now Victoria Wilson gives us the first volume of the rich, complex life of Barbara Stanwyck, an actress whose career in pictures spanned four decades beginning with the coming of sound (eighty-eight motion pictures) and lasted in television from its infancy in the 1950s through the 1980s. Here is Stanwyck, revealed as the quintessential Brooklyn girl whose family was in fact of old New England stock; her years in New York as a dancer and Broadway star; her fraught marriage to Frank Fay, Broadway genius; the adoption of a son, embattled from the outset; her partnership with Zeppo Marx (the “unfunny Marx brother”) who altered the course of Stanwyck’s movie career and with her created one of the finest horse breeding farms in the west; and her fairytale romance and marriage to the younger Robert Taylor, America’s most sought-after male star. Here is the shaping of her career through 1940 with many of Hollywood's most important directors, among them Frank Capra, “Wild Bill” William Wellman, George Stevens, John Ford, King Vidor, Cecil B. Demille, Preston Sturges, set against the times—the Depression, the New Deal, the rise of the unions, the advent of World War II, and a fast-changing, coming-of-age motion picture industry. And at the heart of the book, Stanwyck herself—her strengths, her fears, her frailties, losses, and desires—how she made use of the darkness in her soul, transforming herself from shunned outsider into one of Hollywood’s most revered screen actresses. Fifteen years in the making—and written with full access to Stanwyck’s family, friends, colleagues and never-before-seen letters, journals, and photographs. Wilson’s one-of-a-kind biography—“large, thrilling, and sensitive” (Michael Lindsay-Hogg, Town & Country)—is an “epic Hollywood narrative” (USA TODAY), “so readable, and as direct as its subject” (The New York Times). With 274 photographs, many published for the first time.

The Burning of Byron’s Memoirs is a collection of new and uncollected essays, and papers given at many conferences over a two-decade period. They cover many aspects of Byron’s life and work, including his relationship with his parents, his library, his attitude to Shakespeare, his borrowings from other writers, and his feelings about women and men. Two essays centre on his close friends Hobhouse and Kinnaird. All are informed by first-hand acquaintance with primary texts. The title essay has been hailed as the best-ever documentation of the disgraceful way in which Byron’s Memoirs were destroyed within days of his death being announced. For anyone interested in Byron either as a man, a poet, or as a cultural phenomenon, The Burning of Byron’s Memoirs is essential reading.