Lacewood

From Pulitzer Prize-winning and New York Times bestselling author of The Overstory, Richard Powers's Gain braids together two stories on very different scales. In one, Laura Body, divorced mother of two and a real-estate agent in the small town of Lacewood, Illinois, plunges into a new existence when she learns that she has ovarian cancer. In the other, Clare & Company, a soap manufacturer begun by three brothers in nineteenth-century Boston, grows over the course of a century and a half into an international consumer products conglomerate based in Laura's hometown. Clare's stunning growth reflects the kaleidoscopic history of America; Laura Body's life is changed forever by Clare. Gain's stunning conclusion reveals the countless invisible connections between the largest enterprises and the smallest lives.

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Fictions Inc. explores how depictions of the corporation in American literature, film, and popular culture have changed over time. Beginning with perhaps the most famous depiction of a corporation—Frank Norris’s The Octopus—Ralph Clare traces this figure as it shifts from monster to man, from force to “individual,” and from American industry to multinational “Other.” Clare examines a variety of texts that span the second half of the twentieth century and beyond, including novels by Thomas Pynchon, William Gaddis, Don DeLillo, Richard Powers, and Joshua Ferris; films such as Network, Ghostbusters, Gung Ho, Office Space, and Michael Clayton; and assorted artifacts of contemporary media such as television’s The Office and the comic strips Life Is Hell and Dilbert. Paying particular attention to the rise of neoliberalism, the emergence of biopolitics, and the legal status of “corporate bodies,” Fictions Inc. shows that representations of corporations have come to serve, whether directly or indirectly, as symbols for larger economic concerns often too vast or complex to comprehend. Whether demonized or lionized, the corporation embodies American anxieties about these current conditions and ongoing fears about the viability of a capitalist system.

It has been approximately nine years since Rob Nixon coined the term ‘slow violence’ to express the slow but deadly changes in the environment which cause the suffering of the poor. These environmental catastrophes take place so gradually and out of sight that they are often ignored. While Nixon dealt with the issues of slow violence in the Global South, this book argues that slow violence is not limited to this region, showing that poorer parts of America suffer from slow violence. Concentrating on Illinois and the Appalachian region, it reveals how slow violence occurs in these places and discusses the reflections of slow violence in various novels set in these locations.

2020 John Esten Cooke Award for Southern Fiction A love story that spans centuries… Two people trying to escape their pasts find a connection through an old house—and fulfill a destiny through the secrets it shares. Part love story, part ghost story, Lacewood is a timeless novel about love and loss, roots and belonging, and spirits of the past that refuse to be quieted. MOVING TO A SMALL TOWN in Virginia is a big change for New York socialite Katie McCain. But when she stumbles across an abandoned 200-year-old mansion, she’s enthralled by the enduring beauty of the neglected estate—and captivated by the haunting portrait of a woman in mourning. Purchasing the property on a whim, Katie attempts to fit in with the colorful characters in the town of New Hope, while trying to unravel the mystery of the “widow of Lacewood.” As she pieces together the previous owner’s heartrending story, Katie uncovers secrets the house has held for centuries, and discovers the key to coming to terms with her own sense of loss. The past and present converge when hometown hero Will Durham returns and begins his own healing process by helping restore the place that holds so many memories. As the mystic web of destiny is woven, a love story that might have been lost forever is exposed, and a destiny that has been waiting in the shadows for centuries is fulfilled. A powerful and poignant tale that vividly conveys the heartache of war, the tragedy of loss, and the fulfillment of destiny…even when souls are separated by centuries. Lacewood takes readers on a journey that connects the past with the present—and the present with eternity.

A raging war An unexpected love A selfless sacrifice A romantic tale of two people thrown together by war, and torn apart by Destiny. Confederate spy Sarah Duvall risks all to help cavalry officer Douglas Benton escape a trap set by the Yankees. Will his love be enough to bring her back? Or will a promise he made keep them apart forever? Suitable for mid-teens and up. "Jessica James has a gift for reaching into the past and bringing it back to life." —T. Kohler, CO.

For the sake of the old Earl, who has fallen ill, Angela and Lord Daventry have agreed to a sham engagement. After the death of the Earl, when she is supposed to call the engagement off, Angela realizes that she loves Lord Daventry. “Though we’re as different as night and day, I want this to be a real engagement.” She conveys her feelings to him, but Lord Daventry, thinking she’s confusing love with pity, turns her down. Lord Daventry believes that Angela should marry the vicar, who loves her, and not a man who hides his terrible wound behind a mask and is feared as “Lord Lucifer.”

From Heiress to Nanny When heiress Victoria Templeton learns her fortune is gone, she has to move to the Colorado frontier to live with her uncle. But with no money to pay for the trip, she must accept a position as a traveling nanny for a widowed rancher. And, much to the chagrin of the man entrusting his children to her care, she soon finds herself in over her head. Mitch MacLeod lives for two things: his ranch and his children. And pampered Victoria isn't qualified to help with either. But the former socialite has more grit—and determination—than he first thinks. If her uncle has his way, though, Mitch will soon lose his ranch—and any hope of a future with Victoria.

A fifty-year-old cold case involving California royalty comes back to life—with potentially fatal consequences—in this gripping standalone novel from the New York Times bestselling author of the Mary Russell and Sherlock Holmes series. ONE OF THE BEST BOOKS OF THE YEAR: PopSugar A magnificent house, vast formal gardens, a golden family that shaped California, and a colorful past filled with now-famous artists: the Gardener Estate was a twentieth-century Eden. And now, just as the Estate is preparing to move into a new future, restoration work on some of its art digs up a grim relic of the home’s past: a human skull, hidden away for decades. Inspector Raquel Laing has her work cut out for her. Fifty years ago, the Estate’s young heir, Rob Gardener, turned his palatial home into a counterculture commune of peace, love, and equality. But that was also a time when serial killers preyed on innocents—monsters like The Highwayman, whose case has just surged back into the public eye. Could the skull belong to one of his victims? To Raquel—a woman who knows all about colorful pasts—the bones clearly seem linked to The Highwayman. But as she dives into the Estate’s archives to look for signs of his presence, what she unearths begins to take on a dark reality all of its own. Everything she finds keeps bringing her back to Rob Gardener himself. While he might be a gray-haired recluse now, back then he was a troubled young Vietnam vet whose girlfriend vanished after a midsummer festival at the Estate. But a lot of people seem to have disappeared from the Gardener Estate that summer when the commune mysteriously fell apart: a young woman, her child, and Rob’s brother, Fort. The pressure is on, and Raquel needs to solve this case—before The Highwayman slips away, or another Gardener vanishes.

No project has more universal appeal among woodworkers at every skill level than the blanket chest. This is a collection of 30 original designs by artisans from around the globe. It features approximately 200 photographs and 50 illustrations.