La Resistance Individuelle

In the aftermath of World War II, historical accounts and public commentaries enshrined the French Resistance as an apolitical, unified movement committed to upholding human rights, equality, and republican values during the dark period of German occupation. Valerie Deacon complicates that conventional view by uncovering extreme-right participants in the Resistance, specifically those who engaged in conspiratorial, anti-republican, and quasi-fascist activities in the 1930s, but later devoted themselves to freeing the country from Nazi control. The political campaigns of the 1930s—against communism, republicanism, freemasonry, and the government—taught France’s ultra-right-wing groups to organize underground movements. When France fell to the Germans in 1940, many activists unabashedly cited previous participation in groups of the extreme right as their motive for joining the Resistance. Deacon’s analysis of extreme-right participation in the Resistance supports the view that the domestic situation in Nazi-controlled France was more complex than had previously been suggested. Extending beyond past narratives, Deacon details how rightist resisters navigated between different options in the changing political context. In the process, she refutes the established view of the Resistance as apolitical, united, and Gaullist. The Extreme Right in the French Resistance highlights the complexities of the French Resistance, what it meant to be a resister, and how the experiences of the extreme right proved incompatible with the postwar resistance narrative.

The study of resistance developed here, by Dr Esther Rowlands, consists of a fresh interrogation of the notion of resistance discourse. Here, for the first time, this detailed study of selected, wartime texts produced by Francis Ponge, Benjamin Péret, Henri Michaux and Antonin Artaud, compiled between 1936 and 1946, presents a specific critique of resistance which investigates the possibility for opposition and subversion to take place without direct allusion to the object of resistance. This investigation questions the criteria according to which literature is perceived as being ‘resistant’ and suggests that historical and political referentiality may be deemed retaliative and reactionary, thereby risking replication of the dominant order. The relationship between language and power structures is elucidated through allusion to modern theorists Michel de Certeau, Michel Foucault, Ross Chambers and Françoise Proust. The necessary framework for a study of the poetic voice draws upon aspects of the post-structuralist work of Jacques Derrida and Giles Deleuze, incorporating specific theories expounded by the Surrealist leader, André Breton. The works of the above theorists are foundational to this new critique of poetic discourse which, when applied by Dr Esther Rowlands, to the wartime works of the four named writers, suggests that language itself may be recognised as a locus of resistance. This book is designed to be of interest both to undergraduates and to researchers studying Surrealism, Second World Wartime Literature and Critical Theory.

This book is a centennial volume celebrating the enormous progress made in hematology in the 20th century. It is edited by Marshall Lichtman, a distinguished senior hematologist, past president of the American Society of Hematology, and co-editor of the leading text in the field. Hematology is a compendium, with commentaries, of the most important papers published in the field from 1900-1999. The book will be useful for reference--many of the older papers can no longer be found in most libraries, yet are still referred to in current publications, especially review articles--as well as teaching. The Editor and a team of associate editors have included the most important papers covering eight categories: anemia; phagocytic cells; platelets; coagulation and thrombosis; lymphocytes and immune disorders; transfusion medicine; hematologic malignancies and therapeutics; and laboratory developments. Each paper is accompanied by a 1-2 page commentary explaining its impact, and references to the developments that resulted. Key Features * Contains 86 landmark articles from the last 100 years of research in clinical hematology * Includes expert commentaries discussing the impact of each article * Cites approximately 1000 preceding or subsequent articles of consequence in the commentaries * Includes the English translations of nine articles originally published in other languages * Provides easy access to several papers that may no longer be found in libraries

Clear and accessible, this textbook provides a step-by-step guide to textual analysis for beginning translators and translation students. Covering a variety of text types, including business letters, recipes, and museum guides in six languages (Chinese, English, French, German, Russian, and Spanish), this book presents authentic, research-based materials to support translation among any of these languages. Translating Texts will provide beginning translators with greater text awareness, a critical skill for professional translators. Including discussions of the key theoretical texts underlying this text-centred approach to translation and sample rubrics for (self) assessment, this coursebook also provides easy instructions for creating additional corpora for other text types and in other languages. Ideal for both language-neutral and language-specific classroom settings, this is an essential text for undergraduate and graduate-level programs in modern languages and translation. Additional resources are available on the Routledge Translation Studies Portal: http://routledgetranslationstudiesportal.com

Proceedings of the Commission of the European Communities and the International Organization for Biological and integrated Control International Symposium held in Rome, April 1987. No subject index. Annotation copyright Book News, Inc. Portland, Or.

Sembene is one of the major figures of African literature, and also one of Africa's foremost film directors. This is the first study to give an overview of his work in fiction and on screen. This book examines Sembene Ousmane's radical reinterpretation of African history and culture, focusing on representations of the African city, animism, the role of women, colonialism and neo-colonialism. The author argues that Sembene 'imagines alternatives' to the dominant narratives of both Africa in general, and Senegal in particular. North America: Africa World Press