La Croisade Des Enfants Edition Integrale Revue Et Mise A Jour

Les enfants sont les premières victimes des guerres et de la barbarie des adultes. L’auteur fait pour sa part référence aux croisades des enfants... Histoire vraie de ces très jeunes chrétiens envoyés vers « l’abattoir », à travers 8 récits sous forme de témoignages... Ce texte aurait pu servir d’introduction à l’excellent film espagnol de Narciso Ibáñez Serrador, « Les révoltés de l’an 2000 »... Format professionnel électronique © Ink Book édition.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

The Pataphysician’s Library is a study of aspects of 1890s French literature, with specific reference to the traditions of Symbolism and Decadence. Its main focus is Alfred Jarry, who has proved, perhaps surprisingly, to be one of the more durable fin-de-siècle authors. The originality of this study lies in its use of the enigmatic list of books termed the livres pairs, which appears in Jarry’s 1898 novel Gestes et Opinions du docteur Faustroll, pataphysicien, his best-known prose work. The greatest interest of the livres pairs lies in a group of works by Jarry’s friends and contemporaries, primarily Leon Bloy, Georges Darien, Gustave Kahn, Catulle Mendes, Josephin Madan, Rachilde, and Henri de Regnier. Several of these authors feature as the lords of islands visited by the pataphysician Dr Faustroll in his curious voyage around Paris. In conjunction with Jarry’s own works, the contemporary livres pairs serve to illustrate the vibrant and experimental atmosphere in which these authors worked.

Printmaking exploded with creative energy at the end of the nineteenth century in France. Artists such as Pierre Bonnard, Edouard Vuillard, Henri de Toulouse-Lautrec, Paul Gauguin and Odilon Redon were at the forefront of the avant-garde movement to reinvigorate the applied arts through colour printmaking.Prints Abound probes the phenomenal outpouring of print publications in late nineteenth-century France. Exploring the artistic, technical, economic, commercial and cultural circumstances of 1890s Paris, Prints Abound reaches a fuller understanding of Art Nouveau, which emphasised the fusion of exquisite design with the everyday. The achievements of Bonnard are stressed and his work is represented in depth, with spirited posters, contributions to solo and collective portfolios, designs for music primers and illustrated books, and an outstanding four-panel folding screen of a fashionable street scene in fin-de-siècle Paris.Phillip Dennis Cate, Director of the Zimmerli Art Museum at Rutgers University, has written the introduction and a text on illustrated books; Richard Thomson, Chair of the Art History Department at the University of Edinburgh, discusses single-artist print albums; and Gale B. Murray, Chair of the Art History Department at Colorado College, considers music illustration.Prints Abound will be fascinating reading for print collectors and dealers, art historians and all those with an interest in this important period of French culture.

This book explores the policy objectives underlying the gift of this Order, to sixty men, on January 1 1403. Drawing primarily on Philip's household accounts, it undertakes complementary iconographical and prosopographical analyses (of the Order insignia's form, materials, design and motto; and of distinguishing common features among its recipients), refined by reference to his policy concerns around the occasion of its bestowal, to test seven hypotheses. The evidence from the analyses enables six of these (that it was purely decorative; a courtly conceit; crusade-related; a military chivalric order; a livery badge; or a military alliance) progressively to be discarded, pointing strongly to the seventh, that the Order was a specific policy alliance, designed in fashionable form, to obscure its politically sensitive purpose. The nature of that purpose then permits a revision of Philip's role in history, particularly in relation to the creation of an independent Burgundian state, and the use of a co-ordinated propaganda campaign of slogan, badge, and supporting literature, to legitimise and popularise his plans. The analytical approach also offers insights into the significance of decorative, material gift-giving; the identification of networks; Christine de Pisan's earlier political writings, and the origins of the Order of the Golden Fleece. Carol Chattaway is Honorary Research Assistant at the Royal College of Art and University College, London University. She researches on the political significance of material objects at the Burgundian Court, in the later middle ages.

This book explores the treatment of junevile offenders in modern Western history. The last few decades have witnessed major debates over youth justice policies. Juvenile and youth justice legislation has been reviewed in a number of countries. Despite the fact that new perspectives, such as restorative justice, have emerged, the debates have largely focused on issues that bring us back to the inception of juvenile justice: namely whether youth justice ought to be more akin to punitive adult criminal justice, or more sensitive to the welfare of youths. This issue has been at the core of policy choices that have given juvenile justice its orientations since the beginning of the twentieth century. It also gave shape to the evolution that paved the way for the creation of juvenile courts in the nineteenth century. Understanding those early debates is essential if we are to understand current debates, and place them into perspective. Based on primary archival research, this comprehensive study begins by presenting the roots, birth and evolution of juvenile justice, from the nineteenth century up to the beginning of the twenty-first. The second part deals with nineteenth century responses to juvenile delinquency in England and Canada, while the third focuses on the welfare orientation that characterized juvenile courts in the first half of the twentieth century in Switzerland, the Netherlands, Germany and Belgium. Finally, the fourth part focuses on the perspective of the youths and their families in Belgium, France and Canada.