Killing Joke On Track

Forged in a London fire ritual in 1979 and reborn with their original line-up in 2008, Killing Joke have been creating uncompromising music for over 40 years. In addition to their incandescent self-titled debut in 1980, they have released essential albums in each of the past four decades: Night Time (1985), Pandemonium (1994), Killing Joke (2003) and Pylon (2015). But Killing Joke are more than a band; they are a primal force that exerts an intangible gravity on both its members and its fans. They have influenced countless groups across multiple genres – including Metallica, Nirvana and Nine Inch Nails – while their own style ranges across post-punk, dub, industrial, world music, electronica and alt-metal. Their equally eclectic lyrics traverse social alienation, dystopian futures, the folly of hubris, Cold War dread, paganism and the occult. Above all, their work embodies a process of self-discovery whose aim is nothing less than the revelation and integration of our darkest urges. Killing Joke On Track covers the fifteen studio albums and almost 200 songs of Killing Joke’s vocation to date, including obscure gems, live albums and compilations. It’s a celebration of a band who are often challenging, always provocative, but ultimately life-affirming. Nic Ransome spent most of the past 20 years as a screenwriter and is currently researching toward a PhD. Straight out of school in the mid-1980s, he self-published a rock fanzine then played bass in a short-lived space-punk band, before dabbling in theatre. He spent the next ten years doing a series of bullshit jobs to earn a living before rekindling a teenage obsession with movies, which eventually led to a seven-year stint at legendary British film company Hammer. This book is Nic turning full circle back to his first love as an adult: writing about music, specifically a band of which he’s been a fan going on 42 years. He lives in Suffolk, UK.

The complete story of the post-punk originators Killing Joke. From squats of London to chart topping singles and recording in the Great Pyramid of Giza. New insight into the band's ground breaking, genre-defining albums with exclusive interviews from past and present band members, the producers including Grammy Award winning, Hugh Padgham, journalists, record label executives, film makers and contemporaries such as Public Image Limited. Interviews from the graphic artists give insight to the visual aspect of the musical geniuses. With over 20 interviewees the book gives unique insight to the band that influenced everyone from Nirvana to Metallica.

A NEW YORK TIMES Bestseller! Presented for the first time with stark, stunning new coloring by Brian Bolland, BATMAN: THE KILLING JOKE is Alan Moore's unforgettable meditation on the razor-thin line between sanity and insanity, heroism and villainy, comedy and tragedy. According to the grinning engine of madness and mayhem known as the Joker, that's all that separates the sane from the psychotic. Freed once again from the confines of Arkham Asylum, he's out to prove his deranged point. And he's going to use Gotham City's top cop, Commissioner Jim Gordon, and the Commissioner’s brilliant and beautiful daughter Barbara to do it.

Killing Joke are worthy of more than a quiet mention on the back of the socially acceptable bands who rip off their riffs, so who else than a big-mouthed truth speaker to share her views and observations about a post punk / industrial rock band who remain superior to most, unknown to many, an inpiration to more and yet still utterly offensive to some. An extended review of a unique band with a massive cult following, coupled with the real life soap opera of a jackanapes...

From humble beginnings, as they emerged pimple-popped and sweaty out of a global New Wave of British Heavy Metal scene infiltrating California in the early 80s, through to almost complete world domination, sell-out tours and Billboard chart success, Metallica’s story is like few others. With an insatiable hunger and hell-for-leather attitude, they helped to forge a new direction for metal music across the world, combining progressive anger with, at times, sweeping ballads. In the space of just a few albums, they went from thrashing wannabes (Kill ‘Em All) to real heavy rock contenders (...And Justice for All), before unleashing a new blend of chart-topping heavy metal on the masses (Black Album). Through a succinct and detailed song-by-song analysis, this book charts every twist and turn, heartbreak and line-up change peppered throughout their more than 40-year career. As well as studio albums, an all-encompassing round-up of live, cover, collaboration and compilation albums solidifies this comprehensive study. If they aren’t on the road, it seems they’re in the recording studio, with an incessant hunt for the next loudest, ground-breaking sound spurring them on. They rode a wave, then started a tsunami, so prepare to be blown away. Metallica give you ‘heavy baby!’. Barry Wood, born in Ely, Cambridgeshire in 1977, grew up in Lincolnshire, studied drums at music college and graduated with a degree in Journalism from the University of Lincoln in 2005. Cutting his teeth as a news reporter at a local daily paper for a few years, he then moved into communications for the NHS. A lover of all things musical, he’s drummed in various bands (covers and original) since school and completed an MA in Creative Writing while writing his first novel. A dad of four living in Lincolnshire, Metallica has always been a passion.

CMJ New Music Report is the primary source for exclusive charts of non-commercial and college radio airplay and independent and trend-forward retail sales. CMJ's trade publication, compiles playlists for college and non-commercial stations; often a prelude to larger success.

An exhaustive, day-by-day diary-like study of modern music, "Post Punk Diary" details every day of Punk's existence in the early 1980s with the minutiae of musical history, graphics, and photographs. "It's a top-notch fan book".--"Rolling Stone".