Kill The Major

The true story of the 42 Australian, New Zealand and British guerrillas and their Borneo warrior allies who fought behind Japanese lines in World War II and forced the surrender of the last two Japanese companies, ten weeks after World War II’s official end. Over 1,000 Japanese were killed in the Semut I operation, a casualty rate out of all proportion to the small size and armaments of the force. But rather than revere and praise their leader, after the war, many of the guerrillas recounted their hatred for their British major, Tom Harrisson. “One of those amazing stories that wars throw up.” Steven Carroll The Sydney Morning Herald/The Age “Kill the Major reveals much that will be news to the descendants of the Kelabit warriors.” Dr Philip Raja President, Rurum Kelabit Sarawak “While it is now 75 years since Special Operations Australia (SOA) conducted its most successful operation throughout the course of the Second World War, the author has provided a refreshing review of events, and he has reignited much debate over the legacy of Operation Semut!” Major (Rtd.) Jim Truscott Commando—The Magazine of the Australian Commando Association “Malone’s fascinating book reveals that the Allied guerrillas, with the help of traditional headhunting local tribesmen, did an outstanding job after being dropped into the Borneo jungle during the Pacific War. In particular, Malone builds a strong argument that the 9th Division should have accepted the guerrillas’ accurate intelligence and moved inland to round up the two big groups of Japanese roaming the interior. Instead, following the official Japanese surrender, they chose to withdraw, leaving the loyal locals at the mercy of the Japanese.” Brian Toohey National security writer and former Canberra and Washington correspondent, Australian Financial Review

This wide-ranging, insightful book will make readers keenly aware of the media’s power, while underscoring the role that we all play in fostering a media climate that cultivates a greater sense of humanity, cooperation, and fulfillment of human potential. What role do the media have in creating the conditions for atrocities such as occurred in Rwanda? Conversely, can the media be used to preserve democracy and safeguard the human rights of all citizens in a diverse society? How will the media, now global in scope, affect the fate of the planet itself? The author explores these intriguing questions and more in this in-depth examination of the media’s power to either help or harm. She begins by documenting how the media were used to spread a contagion of hate in three deadly conflicts: Rwanda, Nazi Germany, and the former Yugoslavia. She then turns to areas of the world where the media acted constructively—by aiding the peace process in Northern Ireland, rebuilding democracy in Chile, bridging ethnic divides in South Africa, improving the lot of women in Senegal, and boosting transparency and democratization in Mexico and Taiwan. Finally, she explains how the media interact with psychological and cultural forces to impact perceptions, fears, peer-pressure, "groupthink," and the creation of heroes and villains.

What caused four recently bar mitzvahed middle-class youths to go on a crime spree of assault and murder in 1954? This book provides a compelling narrative retelling of the boys, their crimes, and a U.S. culture obsessed with juvenile delinquency. After ongoing months of daily headlines about gang shootouts, stomp-killings, and millions of dollars worth of vandalism, by the summer of 1954, America had had enough of juvenile delinquency. It was in this environment that 18-year-old Jack Koslow and the other three teenage members of the Brooklyn Thrill Killers committed their heinous crimes and achieved notoriety. The Brooklyn Thrill-Kill Gang and the Great Comic Book Scare of the 1950s exposes the underbelly of America's mid-century, the terrible price of assimilation, the uncomfortable bedfellows of comic books and juvenile delinquency, and the dystopia already in bloom amongst American youth well before the 1960s. Readers will be engrossed and horrified by the tale of the Brooklyn Thrill-Kill Gang whose shocking, front-page story could easily have been copy-pasted from today's online news sites. Author Mariah Adin takes readers along for a breathtaking moment-by-moment retelling of the crime spree, the subsequent interrogations, and the dramatic courtroom showdown, interspersed with expository chapters on juvenile delinquency, America's Jewish community in the post-Holocaust period, and the anti-comics movement. This book serves to merge the history of juvenile delinquency with that of the Great Comic Book Scare, highlights the assimilation of immigrants into America's white mainstream gone wrong, and complicates our understanding of America's "Golden Age."

THE PERFECT THRILLER Ted has it all: a beautiful wife, two daughters, a high-paying job. But after he is diagnosed with a terminal brain tumour he finds himself with a gun to his temple, ready to pull the trigger. That's when the doorbell rings. A stranger makes him a proposition: kill two deserving men before dying. The first is a criminal, and the second is, like Ted, terminally ill, and wants to die. If Ted kills these men he will then become a target himself in a kind of suicidal daisy chain—and won't it be easier for his family if he's a murder victim? Kill the Next One is an audacious, immersive psychological thriller in which nothing is what it seems.

A controversial psychological examination of how soldiers’ willingness to kill has been encouraged and exploited to the detriment of contemporary civilian society. Psychologist and US Army Ranger Dave Grossman writes that the vast majority of soldiers are loath to pull the trigger in battle. Unfortunately, modern armies, using Pavlovian and operant conditioning, have developed sophisticated ways of overcoming this instinctive aversion. The mental cost for members of the military, as witnessed by the increase in post-traumatic stress, is devastating. The sociological cost for the rest of us is even worse: Contemporary civilian society, particularly the media, replicates the army’s conditioning techniques and, Grossman argues, is responsible for the rising rate of murder and violence, especially among the young. Drawing from interviews, personal accounts, and academic studies, On Killing is an important look at the techniques the military uses to overcome the powerful reluctance to kill, of how killing affects the soldier, and of the societal implications of escalating violence.

A journey to the front lines of the battle for the future of American cities, uncovering the massive, systemic forces behind gentrification -- and the lives that are altered in the process. The term gentrification has become a buzzword to describe the changes in urban neighborhoods across the country, but we don't realize just how threatening it is. It means more than the arrival of trendy shops, much-maligned hipsters, and expensive lattes. The very future of American cities as vibrant, equitable spaces hangs in the balance. P. E. Moskowitz's How to Kill a City takes readers from the kitchen tables of hurting families who can no longer afford their homes to the corporate boardrooms and political backrooms where destructive housing policies are devised. Along the way, Moskowitz uncovers the massive, systemic forces behind gentrification in New Orleans, Detroit, San Francisco, and New York. The deceptively simple question of who can and cannot afford to pay the rent goes to the heart of America's crises of race and inequality. In the fight for economic opportunity and racial justice, nothing could be more important than housing. A vigorous, hard-hitting expose, How to Kill a City reveals who holds power in our cities-and how we can get it back.

When his commanding officer crossed the line in Iraq by giving the one order he thought he should not have given, that did it for Maj. Eddy Matthews Graves. He was so pissed off that he sent something incriminating about the war to an editor at the New York Times. Shortly thereafter, he took it on the lam and went AWOL. Days after receiving the sealed envelope, the New York Times wrote a scathing half-page editorial that openly admonished the army and demanded that the commanding officer, Gen. Milton Xavier Fletcher, resign. The editorial did not say what the general had done. Two days after, tired and beaten, the general abruptly resigned, and he also didnt say why. He kept his lips sealed and left everyone wondering what couldve happened in Iraq. Right away, the congress, led by the opposing party, smelled a rat and began calling for all sorts of hearings and demanded that the rogue major be found and brought home for questioning. The White House panicked, and rightfully so, they shouldit was an election year. The polls were beginning to favor the opposition. If whatever caused the general to resign was damaging, they felt it would definitely tilt the upcoming election in favor of the opposing party if the major was brought home. They couldnt let that happenthe presidency was at stake. A decision had to be madefast. So they secretly ordered the major killed. However, they never counted on the resourcefulness and perseverance of those who wanted to see the major brought home-they wanted him alive. They were willing to go to any length to assure his safety even if it meant sacrificing other lives. The question is, will the major survive?

Describes how sixteen-year-old Alec Kreider murdered his best friend, Kevin Haines, and Kevin's parents, Tom and Lisa, for no apparent reason, and showed no remorse for the brutal crime.

The New York Times–bestselling debut story of four superfan friends whose devotion to their favorite band has darkly comical and deadly results. Just know from the start that it wasn’t supposed to go like this. All we wanted was to get near them. That’s why we got a room in the hotel where they were staying. We were not planning to kidnap one of them. Especially not the most useless one. But we had him—his room key, his cell phone, and his secrets. We were not planning on what happened next. We swear. Praise for Kill the Boy Band “Moldavsky’s sharp, shocking debut is like no other.” —Entertainment Weekly “Fiercely entertaining . . . One of the smartest YA releases of the year.” —New York Daily News “Misery for the Belieber generation.” —Observer.com “Boy bands gets the Heathers treatment in this madcap macabre . . . A sendup of the artificiality of the fame-making machine from both sides, the novel’s humor is mercilessly black, and no one comes up smelling like roses.” —Kirkus Reviews “Wickedly funny.” —NPR.org “Bitingly satirical.” —Publishers Weekly “[For] anyone who’s ever had the fortune-or misfortune-of being a fan.” —Booklist “Hilarious . . . A must-have.” —School Library Journal