Kevin And The Three Headed Alien

Grey Beard the pirate, arguing classmates, science work, and a Three-Headed Alien that is intent on blowing up the world, all make Kevin's week. Oh yeah, then there are the illegal fireworks. Is Kevin going to make it through? Kevin and the Three-Headed Alien continues the story of Kevin, from Kevin and the Seven Lions, and introduces Jared, Sam, TJ and Sarah. Follow Kevin as his classmates discover that he writes down his daydreams and decides that Kevin needs to share his work, despite Kevin's determination to keep his work quiet. Kevin and the Three-Headed Alien is an 11,000 word early chapter book, with illustrations by Carla Tracy, leveled for third and fourth grade readers. Chapters are 1-3 pages each. It is a story of friendship, and the joy of creativity.

When Kevin and his friends decide set up a film festival to show the movie they made "Attack of the Three-Headed Alien", other kids at school want to join in and make their own movies. Will Kevin's parents still allow them to have the festival? Will his friends turn it too much into a competition? More importantly, will Kevin survive the week? Kevin and the Triple Creature Feature continues the story from "Kevin and the Three-Headed Alien. It is a 12,000 word early chapter book leveled for 2nd through 4th graders, with five illustrations.

Aliens: They have taken the form of immigrants, invaders, lovers, heroes, cute creatures that want our candy or monsters that want our flesh. For more than a century, movies and television shows have speculated about the form and motives of alien life forms. Movies first dipped their toe into the genre in the 1940s with Superman cartoons and the big screen's first story of alien invasion (1945's The Purple Monster Strikes). More aliens landed in the 1950s science fiction movie boom, followed by more television appearances (The Invaders, My Favorite Martian) in the 1960s. Extraterrestrials have been on-screen mainstays ever since. This book examines various types of the on-screen alien visitor story, featuring a liberal array of alien types, designs and motives. Each chapter spotlights a specific film or TV series, offering comparative analyses and detailing the tropes, themes and cliches and how they have evolved over time. Highlighted subjects include Eternals, War of the Worlds, The X-Files, John Carpenter's The Thing and Attack of the 50-Foot Woman.

In November, 2001, I was sued, along with almost everyone else connected with the film version of my novel K-PAX, for plagiarizing an Argentinean movie called Man Facing Southeast (the suit was later dismissed). At about the same time, dozens of letters arrived from fans asking where the ideas for the book/film originated. Together, these developments led me to ponder how my difficult life had led me to become a writer, and how I came to write K-PAX in particular. The resulting memoir includes excerpts from unpublished work, and ends with a chapter of advice for other would-be novelists.

Sci-fi action meets steamy paranormal romance in the Alien novels, as Katherine “Kitty” Katt faces off against aliens, conspiracies, and deadly secrets. • “Futuristic high-jinks and gripping adventure.” —RT Reviews It’s a typical day of bureaucracy and stress for President and First Lady Jeff and Kitty Katt-Martini, made more stressful when alien spacecraft are spotted making a beeline for Earth, none of them from the Alpha Centauri system. Then a cryptic request from an old adversary pulls Kitty out of the White House and into an explosion—and an even more explosive situation. Not only is the Mastermind back in the game, influencing the Club 51 True Believers to find and destroy all Centaurion bases, but he’s also found a dangerous benefactor and created some frightening new cloning abilities. And, just to make things a little more challenging, those alien spacecraft are coming to ask Kitty for protection, and asylum on Earth. Police stations being blown up and war helicopters in play aren’t enoughto keep Kitty down, especially when she’s got some new alien friends helping out. But what these aliens share will rock the world—the other aliens on their way to Earth are fleeing an enemy so terrifying that even a Z’porrah ship is trying to get to Earth for safety and protection. And if Earth isn’t able to stop this threat, there may not be anything left of humanity. Now Kitty and Company have to figure out where the Mastermind is and stop him, before any new aliens land. And then they have to save the world from a deadly invasion. Or, as Kitty calls it, Thursday.

Rooted in the creative success of over 30 years of supermarket tabloid publishing, the Weekly World News has been the world's only reliable news source since 1979. The online hub www.weeklyworldnews.com is a leading entertainment news site.

America's favorite cultural historian and author of Ghostland takes a "thought-provoking and delicoiusly unsettling" (Publisher's Weekly) tour of the country's most persistent "unexplained" phenomena In a world where rational, scientific explanations are more available than ever, belief in the unprovable and irrational--in fringe--is on the rise: from Atlantis to aliens, from Flat Earth to the Loch Ness monster, the list goes on. It seems the more our maps of the known world get filled in, the more we crave mysterious locations full of strange creatures. Enter Colin Dickey, Cultural Historian and Tour Guide of the Weird. With the same curiosity and insight that made Ghostland a hit with readers and critics, Colin looks at what all fringe beliefs have in common, explaining that today's Illuminati is yesterday's Flat Earth: the attempt to find meaning in a world stripped of wonder. Dickey visits the wacky sites of America's wildest fringe beliefs--from the famed Mount Shasta where the ancient race (or extra-terrestrials, or possibly both, depending on who you ask) called Lemurians are said to roam, to the museum containing the last remaining "evidence" of the great Kentucky Meat Shower--investigating how these theories come about, why they take hold, and why as Americans we keep inventing and re-inventing them decade after decade. The Unidentified is Colin Dickey at his best: curious, wry, brilliant in his analysis, yet eminently readable.

A simpler and more user-friendly visual approach to gull identification This unique photographic field guide to North America’s gulls provides a comparative approach to identification that concentrates on the size, structure, and basic plumage features of gulls—gone are the often-confusing array of plumage details found in traditional guides. Featuring hundreds of color photos throughout, Gulls Simplified illustrates the variations of gull plumages for a variety of ages, giving readers strong visual reference points for each species. Extensive captions accompany the photos, which include comparative photo arrays, digitized photo arrays for each age group, and numerous images of each species—a wealth of visual information at your fingertips. This one-of-a-kind guide includes detailed species accounts and a distribution map for each gull. An essential field companion for North American birders, Gulls Simplified reduces the confusion commonly associated with gull identification, offering a more user-friendly way of observing these marvelous birds. Provides a simpler approach to gull identification Features a wealth of color photos for easy comparison among species Includes detailed captions that explain identification criteria and aging, with direct visual reinforcement above the captions Combines plumage details with a focus on size, body shape, and structural features for easy identification in the field Highlights important field marks and physical features for each gull

Audiences never have a lukewarm opinion of a Subiela film. They either love it passionately or hate it profoundly. That Eliseo Subiela (Buenos Aires, 1944-2016), an original and sensitive thinker, survived, and indeed throve in economically challenged Argentina while garnering more accolades abroad than in his own country, is a tribute to his grit, intelligence, imagination and persistence of vision. With an astounding list of prizes and honors, he was a world-class auteur. Even when he was making a TV commercial, his surreal style and poetic sensibility were unmistakable. This book represents the culmination of 20 years of research and personal correspondence with Eliseo Subiela. Through ten scholarly studies and five interviews, it sheds light on his life, esthetics, obsessions, struggles with madness, and, of course, his films. It addresses his earlier career in advertising, lifelong artistic influences, screenwriting techniques, critical reactions to his films, and what Subiela's example has to offer aspiring filmmakers, especially those in Latin America.