Kahn Engelmann

A critical and commercial success in German, Kahn & Engelmann tells the story of a Jewish family from rural Hungary, their immigration to Vienna in the great days of the Austro-Hungarian Empire, their loves, business ventures and failings, and their eventual tragic destruction. Narrated by Peter Engelmann, who wishes only to forget his past, this highly original novel recreates a vanished Vienna with salty humour and humanity. In a voice which is appealing without being sentimental, Peter describes his escape from the Nazis through snowy woods, his attempts to start a new life in England and Canada, and his decision to immigrate to Israel. Written by an eminent scholar, himself a survivor of Nazism, Kahn & Engelmann is both an entertaining novel and a major work of Holocaust literature.

It has become a commonplace assumption in modern political debate that white and rural working- and middle-class citizens in the United States who have been rallied by Republicans in the “culture wars” to vote Republican have been voting “against their interests.” But what, exactly, are these “interests” that these voters are supposed to have been voting against? It reveals a lot about the role of the notion of interest in political debate today to realize that these “interests” are taken for granted to be the narrowly self-regarding, primarily economic “interests” of the individual. Exposing and contesting this view of interests, Dean Mathiowetz finds in the language of interest an already potent critique of neoliberal political, theoretical, and methodological imperatives—and shows how such a critique has long been active in the term’s rich history. Through an innovative historical investigation of the language of interest, Mathiowetz shows that appeals to interest are always politically contestable claims about “who” somebody is—and a provocation to action on behalf of that “who.” Appeals to Interest exposes the theoretical and political costs of our widespread denial of this crucial role of interest-talk in the constitution of political identity, in political theory and social science alike.

In this masterful narrative, acclaimed historian Giles MacDonogh chronicles Adolf Hitler's consolidation of power over the course of one year. Until 1938, Hitler could be dismissed as a ruthless but efficient dictator, a problem to Germany alone; after 1938 he was clearly a threat to the entire world. It was in 1938 that Third Reich came of age. The Fuhrer brought Germany into line with Nazi ideology and revealed his plans to take back those parts of Europe lost to ''Greater Germany'' after the First World War. From the purging of the army in January through the Anschluss in March, from the Munich Conference in September to the ravages of Kristallnacht in November, MacDonogh offers a gripping account of the year Adolf Hitler came into his own and set the world inexorably on track to a cataclysmic war.

In The Baron in the Grand Canyon, Steven Rowan presents the first comprehensive look at the life of Baron Friedrich Wilhelm von Egloffstein, mapmaker, artist, explorer, and inventor. Utilizing new German and American sources, Rowan clarifies many mysteries about the life of this major artist and cartographer of the American West. This revealing account concentrates on Egloffstein’s activity in the American mountain West from 1853 to 1858. The early chapters cover his roots as a member of an imperial baronial family in Franconia, his service in the Prussian army, his arrival in the United States in 1846, and his links to his scandalous gothic-novelist cousin, Baron Ludwig von Reizenstein. Egloffstein’s work as a cartographer in St. Louis in the 1840s led to his participation in John C. Frémont’s final expedition to the West in 1853 and 1854. He left Frémont for Salt Lake City where he joined the Gunnison Expedition under the leadership of Edward Beckwith. During this time, Egloffstein produced his most outstanding panoramas and views of the expedition, which were published in Pacific Railroad Reports. Egloffstein also served along with Heinrich Balduin Möllhusen as one of the artists and as the chief cartographer of Joseph Christmas Ives’s expedition up the Colorado River. The two large maps produced by Egloffstein for the expedition report are regarded as classics of American art and cartography in the nineteenth century. While with the Ives expedition, Egloffstein performed his revolutionary experiments in printing photographic images. He developed a procedure for working from photographs of plaster models of terrain, and that led him to invent “heliography,” a method of creating printing plates directly from photographs. He later went on to launch a company to exploit his photographic printing process, which closed after only a few years of operation. Among the many images in this engaging narrative are photographs of the Egloffstein castle and of Egloffstein in 1865 and in his later years. Also include are illustrations that were published in the PRR, such as “View Showing the Formation of the Cañon of Grand River [today called the Gunnison River] / near the Mouth of Lake Fork with Indications of the Formidable Side Cañons” and Beckwith Map 1: “From the Valley of Green River to the Great Salt Lake.”

Telephone wires, dark as a line in a schoolboy's notebook against the dawn; paint flakes from houses drifting down like dust; the hulking shadow of a desk that emerges, stock-still as a cow, in the moment of waking. Join poet Robert Melançon for a quiet celebration of his city, its inhabitants, and the language that gives it life. From "Eden": You go forth drunk on the multitudes, drunk on everything, while the lampposts sprinkle nodding streets with stars. Robert Melançon, former poetry columnist for Le Devoir is a recipient of the Governor General's Award, the Prix Victor-Barbeau, and the Prix Alain-Grandbois.