Justice For Athena

Athena is recognized as an allegory or representative of Athens in most Athenian public art except in tragedy. Perhaps this is because tragedy is rarely studied as a public art form or, perhaps, because her character is not static in tragedy. Although Athena's characterization changes to fit the needs of a particular drama, her clear connection with justice remains true throughout and suggests that she is always the representative of the city and its institutions. Athens, the city Athena protected, experienced a dramatic transformation in the fifth century: its political institutions, physical landscape, military power and international prestige underwent dynamic change. Athena, its goddess and its symbol, simultaneously transformed as well, although not always for the better. Athena's Justice follows the question of civic identity and ideology in Athenian tragedy, focusing specifically on the link between tragedy and its influence upon identity creation and promotion during the period when Athens was asserting itself as an imperial power. Through examination of tragedies in which Athena appears, this book traces the process by which Athens came to identify itself with its legal system, symbolized by Athena on stage, and then suffered the corruption of that system by the exercise of imperial power. Athena's Justice is essential reading not just for classicists and ancient historians, but for anyone interested in the interaction between art and politics and the process by which human beings in any period seek to shape their identity as a people.

A playwright turned amateur sleuth who is “the perfect protagonist” solves a murder at a celebration in this historical mystery set in ancient Greece (Financial Times). It’s festival time in Athens, and Philocles is looking forward to the holiday. Visitors are coming from across the Hellenic world for eight days of sporting competitions, musical contests, and sacred rites to honor Athena, the city’s patron goddess. Thousands will flock to the Pnyx to be enthralled by the dramatic three-day performance of Homer’s Iliad, an entertainment unique to the Great Panathenaea. Taking part is the highest honor and greatest challenge for an epic poet. Then one of the poets is brutally murdered. Is this random misfortune, an old score being settled, or is someone trying to sabotage the festival? The authorities want this cleared up quickly and quietly. Philocles finds himself on the trail of a killer once more . . . Longlisted for the 2021 CWA Sapere Books Historical Dagger Praise for the writing of J. M. Alvey: “Historical writing at its best. Riveting.” —Manda Scott, author of the Boudica series “Superb . . . A fabulous read.” —The Irish Times “If you like C J Sansom's Tudor sleuth Matthew Shardlake, you'll love this.” —James Wilde, author of Hereward and Pendragon “Great sense of place, terrific characters and a cracking plot.” —Joanne Harris, New York Times–bestselling author of Chocolat “As vivid and lively as a Greek wedding—but with rather more blood!” —Val McDermid, author of the Kate Brannigan Mysteries “It's about time someone did for ancient Athens what Lindsey Davis’ Falco novels do for Ancient Rome.” —Jack Grimwood, author of Moskva

Bourne Identity meets Karen McManus in this action-packed series opener about a spy gone rogue, perfect for fans of Ally Carter and Killing Eve. Jessie Archer is a member of the Athena Protocol, an elite organization of female spies who enact vigilante justice around the world. Athena operatives are never supposed to shoot to kill—so when Jessie can’t stop herself from pulling the trigger, she gets kicked out of the organization, right before a huge mission to take down a human trafficker in Belgrade. Jessie needs to right her wrong and prove herself, so she starts her own investigation into the trafficking. But going rogue means she has no one to watch her back as she delves into the horrors she uncovers. Meanwhile, her former teammates have been ordered to bring her down. Jessie must face danger from all sides if she’s to complete her mission—and survive. Don’t miss this gripping page-turner that New York Times bestselling author Patrick Ness called “a ferocious, take-no-prisoners thriller that actually thrills!”

Imagine growing up in a country where one in every four girls will be raped before they turn eighteen. Now realize that you already live there. For one family, that statistic became an impossible reality when their teenage daughter was assaulted by A friend when she was just fifteen. The rape of teenage girls by boys they know, and often trust, is a silent epidemic in North America. Bravely, Athena stepped up to become one of only an estimated 1 to 2 percent of acquaintance-rape victims who report the crime to police. What could keep a rape victim from coming forward to demand justice? It was a question that haunted the familyand one that inspired Athenas mother, Marion Schuler, to action. Written from a mothers point of view, Persecuting Athena tells the heartbreaking story of one teen survivors fight for justice in Canadas legal system only to be treated as a criminal herself. Marion believed that her daughters rape was the worst thing that could have happened to herbut she could not have been more wrong. At times, the family feared for Athenas survival. The young woman endured victim blaming by all levels of the legal system, and the experience almost destroyed what had been a stellar young woman. The events in Persecuting Athena are shocking but painfully true. It is past the time when concerned citizens must demand the social changes needed to save our daughters.

This book is unique in its critical inquiry into the new woman warrior's appropriation of violence and the Western war narrative. Informed by feminist theoretical debates regarding women's new roles, the authors delve into the meaning of that appropriation for alternative storytelling. To date, television's "ferocious few" have received little scholarly attention. By inviting a variety of perspectives, editors Frances Early and Kathleen Kennedy provide a cutting-edge forum to recognize women's increasing role in popular culture as they are cast as action heroes. As a timely and accessible work, this book will appeal to scholars, feminists, cultural critics, and the general reader.

The book aims to introduce the Homeric oeuvre into the law and literature canon. It argues for a reading of Homer's The Iliad and The Odyssey as primordial narratives on the significance of the rule of law. The book delineates moments of correspondence between the transition from myth to tragedy and the gradual transition from a social existence lacking formal law to an institutionalized legal system as practiced in the polis. It suggests the Homeric epics are a significant milestone in the way justice and injustice were conceptualized, and testify to a growing awareness in Homer’s time that mechanisms that protect both individuals and the collective from acts of unbridled rage are necessary for the continued existence of communities. The book fills a considerable gap in research on ancient Greek drama as well as in discourses about the intersections of law and literature and by doing so, offers new insights into two of the foundational texts of Western culture.

Kas Skoros, his marriage to Alex’s former fiancée now annulled and no longer intimidated by Athena’s psychic gifts, begs her to move to San Francisco and manage an art gallery that his family’s company owns. However, burned once, Athena holds him at arm’s length. Athena is enticed to consult in another serial killer case. As time passes and secrets are leaked, others—including the killer’s brother—find out that Athena is the one who’s helping the police. Meanwhile, a strange young woman on a motorcycle appears to be stalking her. Warning bells go off as Athena realizes the woman is not who she seems to be.

This book examines how justice and reconciliation in world politics should be conceived in response to the injustice and alienation of modern colonialism?