Just Around Midnight

By the time Jimi Hendrix died in 1970, the idea of a black man playing lead guitar in a rock band seemed exotic. Yet a mere ten years earlier, Chuck Berry and Bo Diddley had stood among the most influential rock and roll performers. Why did rock and roll become “white”? Just around Midnight reveals the interplay of popular music and racial thought that was responsible for this shift within the music industry and in the minds of fans. Rooted in rhythm-and-blues pioneered by black musicians, 1950s rock and roll was racially inclusive and attracted listeners and performers across the color line. In the 1960s, however, rock and roll gave way to rock: a new musical ideal regarded as more serious, more artistic—and the province of white musicians. Decoding the racial discourses that have distorted standard histories of rock music, Jack Hamilton underscores how ideas of “authenticity” have blinded us to rock’s inextricably interracial artistic enterprise. According to the standard storyline, the authentic white musician was guided by an individual creative vision, whereas black musicians were deemed authentic only when they stayed true to black tradition. Serious rock became white because only white musicians could be original without being accused of betraying their race. Juxtaposing Sam Cooke and Bob Dylan, Aretha Franklin and Janis Joplin, Jimi Hendrix and the Rolling Stones, and many others, Hamilton challenges the racial categories that oversimplified the sixties revolution and provides a deeper appreciation of the twists and turns that kept the music alive.

By the time Jimi Hendrix died in 1970, the idea of a black man playing lead guitar in a rock band seemed exotic. Yet a mere ten years earlier, Chuck Berry and Bo Diddley had stood among the most influential rock and roll performers. Why did rock and roll become “white”? Just around Midnight reveals the interplay of popular music and racial thought that was responsible for this shift within the music industry and in the minds of fans. Rooted in rhythm-and-blues pioneered by black musicians, 1950s rock and roll was racially inclusive and attracted listeners and performers across the color line. In the 1960s, however, rock and roll gave way to rock: a new musical ideal regarded as more serious, more artistic—and the province of white musicians. Decoding the racial discourses that have distorted standard histories of rock music, Jack Hamilton underscores how ideas of “authenticity” have blinded us to rock’s inextricably interracial artistic enterprise. According to the standard storyline, the authentic white musician was guided by an individual creative vision, whereas black musicians were deemed authentic only when they stayed true to black tradition. Serious rock became white because only white musicians could be original without being accused of betraying their race. Juxtaposing Sam Cooke and Bob Dylan, Aretha Franklin and Janis Joplin, Jimi Hendrix and the Rolling Stones, and many others, Hamilton challenges the racial categories that oversimplified the sixties revolution and provides a deeper appreciation of the twists and turns that kept the music alive.

The author of Snowblind shares his true story of surviving a 1979 plane crash in the woods on Cape Cod, and reconnects with other survivors in an attempt to come to terms with the emotional ramifications of the incident.

Book 1 in the "Lords of Midnight" series. Paranormal Vampire Romance set in the Regency time period. "Our sister is marrying a vampire." When the ever practical Caroline Cabot first hears those words from the lips of her fanciful youngest sister, she accuses Portia of having a wild imagination. But when she discovers their sister Vivienne is actually being courted by Adrian Kane, the mysterious viscount rumored to be a vampire, she decides to accept his invitation to a midnight supper and do some sleuthing of her own. To both her delight and her dismay, she soon finds herself falling under Kane's bewitching spell. After all, what's a proper young lady to do when her sister's suitor arouses more than just her suspicions?

A shifter detective’s case heats up when he meets the one woman who could expose his secret—or seduce his wild side—in this steamy paranormal romance. Dr. Emily Drake's psychotherapy patients tend to be a little unusual. Instead of midlife crises and mother fixations, Emily treats vampires with blood phobias and sex-demons looking for meaningful relationships. But healing these powerful beings requires an important rule: Never trust a shifter. Especially not one like Detective Colin Gyth. Helping him catch a killer won’t be easy—especially when his gold-flecked eyes and predatory air make Emily long to lose control. Colin can't believe the doctor he has to work with on the Night Butcher murder case is the one person who could expose his true identity as a wolf shifter. Smart and sexy, Emily brings out the alpha male in Colin, unleashing a wild desire that takes them both over the edge . . . . But in the shadows, the Night Butcher waits, eager to spill Emily's blood and taste her terror. And he'll use any means to destroy her, including the one person she has grown to trust . . . "Highly sensual and definitely dangerous." —Shannon McKenna "A cross between CSI and Medium, only hotter and with a hero that truly has bite!" —Jacquelyn Frank

"Nick and Norah’s Infinite Playlist meets Cinderella in this thoroughly modern romance." —HelloGiggles Late one night in a dingy Los Angeles club, Nate and Cameron meet and discover they have much more in common than their love of an obscure indie band. But when Nate learns that Cameron is the heir to a soul-sucking record label—the very one that destroyed his father’s life—he runs away as fast as he can. The only evidence of their brief but intense connection is the blurry photo Cameron snaps of Nate’s Sharpied Chuck Taylors. When Cameron’s sister Tess—a famous model and socialite—posts the photo on Instagram for her legions of fans, the internet just about breaks with the news of this modern fairy tale. “Anyone know the owner of these shoes?” she writes. “My Prince Charming brother is looking for his Cinderfella!” But while the viral sensation begins to bring the pair back together, their own demons and pasts might get in the way of any happily ever afters . . .

A rat, a missing iguana, and a mystery all converge in this funny and heartwarming middle-grade novel illustrated by "New York Times" bestseller Lies ("Bats at the Beach").

“If McBride is trying to prove—that if you change one life, you change the world—she succeeds magnificently.”—Booklist From the author of the acclaimed novel We Are Called to Rise comes a “jewel of a novel” (BookPage) about four vivid and complicated women in Las Vegas whose lives become connected by secrets, courage, tragedies, and small acts of kindness. Fun-loving and rebellious, twenty-one-year-old June Stein abandons the safe world of her New Jersey childhood for edgy 1950s Las Vegas. For the next 60 years, June will dare to live boldly. She will upend conventions, risk her heart and her life, rear a child, lose a child, love more than one man, and stand up for more than one woman. June’s story will intertwine with those of three unlikely strangers: a one-time mail order bride from the Philippines, a high school music teacher, and a young mother from Mexico working as a hotel maid. Knit together around June’s explosive secret, they forge a future that none of them foresee. This jubilant, compassionate novel explores the unexpected ways that life connects us, changes us, and even perfects us. A powerful story of lust and of hope, of redemption and of compassion, In the Midnight Room is a smart, sagacious novel about womanhood, family bonds, and how we live in America now.

She wanted to save lives. The killer wanted to end hers. The first warning was triggered hundreds of miles away. The second warning exploded only yards from where she and her son stood. Now Kate Denby realizes the frightening truth: She is somebody's target. Danger has arrived in Kate's backyard with a vengeance. And the gifted scientist is awakening to a nightmare world where a ruthless killer is stalking her...where her innocent son is considered expendable...and where the medical research to which she has devoted her life is the same research that could get her killed. Her only hope of protecting her family and making that medical breakthrough is to elude her enemy until she can face him on her own ground, on her own terms—and destroy him.

Winner of the Guild of Food Writers General Cookbook Award 2020 'A manual for living and a declaration of hope' Nigella Lawson 'A moving testimonial to the redemptive power of cooking. Generous, honest and uplifting' Diana Henry There are lots of ways to start a story, but this one begins with a chicken... When the world becomes overwhelming, Ella Risbridger focuses on the little things that bring her joy, like enjoying a glass of wine when cooking, FaceTiming with a friend whilst making bagels, and sharing recipes that are good for the soul. One night she found herself lying on her kitchen floor, wondering if she would ever get up – and it was the thought of a chicken, of roasting it, and of eating it, that got her to her feet and made her want to be alive. Midnight Chicken is a cookbook. Or, at least, you'll flick through these pages and find recipes so inviting that you will head straight for the kitchen: roast garlic and tomato soup, uplifting chilli-lemon spaghetti, charred leek lasagne, squash skillet pie, spicy fish finger sandwiches and burnt-butter brownies. It's the kind of cooking you can do a little bit drunk, that is probably better if you've got a bottle of wine open and a hunk of bread to mop up the sauce. But if you settle down and read it with a cup of tea (or a glass of that wine), you'll also discover that it's an annotated list of things worth living for – a manifesto of moments worth living for. This is a cookbook to make you fall in love with the world again. Featuring an entire chapter on storecupboard recipes. 'Risbridger is the most talented British debut writer in a generation' Sunday Times 'A big old massive heart exploding love story' The Times