Juan In A Hundred

Latinos constitute the fastest-growing and largest ethnic minority in the United States, yet less than one percent of network news coverage deals with Latinos as the focus of a story. Out of that one percent, even fewer stories are positive in either content or tone. Author of the acclaimed Brown Tide Rising: Metaphors of Latinos in Contemporary American Public Discourse, Otto Santa Ana has completed a comprehensive analysis of this situation, blending quantitative research with semiotic readings and ultimately applying cognitive science and humanist theory to explain the repercussions of this marginal, negative coverage. Santa Ana’s choice of network evening news as the foundation for Juan in a Hundred is significant because that medium is currently the single most authoritative and influential source of opinion-generating content. In his 2004 research, Santa Ana calculated that among approximately 12,000 stories airing across four networks (ABC, CBS, CNN, NBC), only 118 dealt with Latinos, a ratio that has remained stagnant over the past fifteen years. Examining the content of the stories, from briefs to features, reveals that Latino-tagged events are apparently only broadcast when national politics or human calamity are involved, and even then, the Latino issue is often tangential to a news story as a whole. On global events involving Latin America, U.S. networks often remain silent while BBC correspondents prepare fully developed, humanizing coverage. The book concludes by demonstrating how this obscurity and misinformation perpetuate maligned perceptions about Latinos. Santa Ana’s inspiring calls for reform are poised to change the face of network news in America.

If you've heard them once, you've heard them all. This book contains 101 Juan Jokes. There is a joke for every juan!. Every Juan joke you could ever make up is in this book.

Labelled a 'splendid little war' by Senator John Hay, the Spanish American War was a peculiar event in America's history, provoked as much by the press as by political pressures. Here, aided by superbly detailed maps and artwork, the author deals with the clashes at Las Guasimas and El Caney, the capture of San Juan Hill, and the naval battle and siege of Santiago. The war was to mark the end of Spanish sovereignty in her 'New World', and the establishment of the United States of America as a world power.

If you've heard them once, you've heard them all. This book contains 101 Juan Jokes. There is a joke for every juan!. Every Juan joke you could ever make up is in this book.

“We walked toward the part of the library where the air smelled as if it had been interred for years….. Finally, we got to the hallway where the wooden floor was the creakiest, and we sensed a strange whiff of excitement and fear. It smelled like a creature from a bygone time. It smelled like a dragon.” Thirteen-year-old Juan’s favorite things in the world are koalas, eating roast chicken, and the summer-time. This summer, though, is off to a terrible start. First, Juan’s parents separate and his dad goes to Paris. Then, as if that wasn’t horrible enough, Juan is sent away to his strange Uncle Tito’s house for the entire break! Uncle Tito is really odd: he has zigzag eyebrows; drinks ten cups of smoky tea a day; and lives inside a huge, mysterious library. One day, while Juan is exploring the library, he notices something inexplicable and rushes to tell Uncle Tito. “The books moved!” His uncle drinks all his tea in one gulp and, sputtering, lets his nephew in on a secret: Juan is a Princeps Reader––which means books respond magically to him––and he’s the only person capable of finding the elusive, never-before-read Wild Book. Juan teams up with his new friend Catalina and his little sister, and together they delve through books that scuttle from one shelf to the next, topple over unexpectedly, or even disappear altogether to find The Wild Book and discover its secret. But will they find it before the wicked, story-stealing Pirate Book does?

A brilliant debut from 'one of the most original new voices of Latin American literature' (Mario Vargas Llosa) 'For anyone who has read the entire works of Gabriel García Márquez, The Informers is a thrilling new discovery' Colm Toibin, Guardian 'One of this year's outstanding books' Financial Times When Gabriel Santoro publishes his first book, a biography of a Jewish family friend who fled Germany for Colombia shortly before World War Two, it never occurs to him that his father will write a devastating review in a national newspaper. Why does he attack him so viciously? Do the pages of his book unwittingly hide some dangerous secret? As Gabriel sets out to discover what lies behind his father's anger, he finds himself undertaking an examination of the guilt and complicity at the heart of Colombian society, as one treacherous act perpetrated in those dark days returns with a vengeance half a century later.

Latinos constitute the fastest-growing and largest ethnic minority in the United States, yet less than one percent of network news coverage deals with Latinos as the focus of a story. Out of that one percent, even fewer stories are positive in either content or tone. Author of the acclaimed Brown Tide Rising: Metaphors of Latinos in Contemporary American Public Discourse, Otto Santa Ana has completed a comprehensive analysis of this situation, blending quantitative research with semiotic readings and ultimately applying cognitive science and humanist theory to explain the repercussions of this marginal, negative coverage. Santa Ana’s choice of network evening news as the foundation for Juan in a Hundred is significant because that medium is currently the single most authoritative and influential source of opinion-generating content. In his 2004 research, Santa Ana calculated that among approximately 12,000 stories airing across four networks (ABC, CBS, CNN, NBC), only 118 dealt with Latinos, a ratio that has remained stagnant over the past fifteen years. Examining the content of the stories, from briefs to features, reveals that Latino-tagged events are apparently only broadcast when national politics or human calamity are involved, and even then, the Latino issue is often tangential to a news story as a whole. On global events involving Latin America, U.S. networks often remain silent while BBC correspondents prepare fully developed, humanizing coverage. The book concludes by demonstrating how this obscurity and misinformation perpetuate maligned perceptions about Latinos. Santa Ana’s inspiring calls for reform are poised to change the face of network news in America.

Over one hundred vignettes in Stories of Life and Death create haunting images of the author's favorite subjects: women in love, children coping with tragedy, eccentrics, the emotions of compassion, bitterness, envy and longing.Meet Mercedita Saro, the shy, perfectly-groomed beggar-child of the local drunk, whom Jimenez loves, protects, and treats with sweets, forbidden by her father. And Max, "the blue child," a West Indian boy traveling on the same ship as Jimenez to live with relatives in South America, who covered his black face with white powder "to look whiter to my brothers." See a woman in love, "white tender, bray, submissive, delicate." and the tiny ray of sun awakening a baby, which "has opened in his eyes a magic and flowery garden that holds him bewitched." Feel sadness at the death of a village girl, empathy for the mother of a sailor lost at sea, and compassion for an angry man who gets drunk for the first time.The author creates an impressionistic landscape with subtle nuances of light and shadow, leaving tantalizing ambiguities to be resolved only in the eye of the beholder.As might be assumed from the title bestowed on this work, Jimenez's prose and poetical observations of the world around him, previously encountered in Platero and I, take on a somewhat darker more transcendent hue in this further collection. Gone is the unifying theme of itinerant man and donkey, and the physical boundaries of time and space. Here Jimenez allows his poetic vision to sweep far and wide, distilling and concentrating his art into thumbnail sketches of such disparate characters among many are a beggar-girl, a grape-harvester, an elderly canary and even the moon itself. Prefaced by a scholarly introduction from the translator, this is a fine and sensitive translation which captures gloriously the sheer lyrical beauty of Jimenez's writing. British Bulletin of Publications