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This book contains a first systematic study of compressible fluid flows subject to stochastic forcing. The bulk is the existence of dissipative martingale solutions to the stochastic compressible Navier-Stokes equations. These solutions are weak in the probabilistic sense as well as in the analytical sense. Moreover, the evolution of the energy can be controlled in terms of the initial energy. We analyze the behavior of solutions in short-time (where unique smooth solutions exists) as well as in the long term (existence of stationary solutions). Finally, we investigate the asymptotics with respect to several parameters of the model based on the energy inequality. Contents Part I: Preliminary results Elements of functional analysis Elements of stochastic analysis Part II: Existence theory Modeling fluid motion subject to random effects Global existence Local well-posedness Relative energy inequality and weak–strong uniqueness Part III: Applications Stationary solutions Singular limits

An essential exploration of video game aesthetic that decenters the human player and challenges what it means to play. Do we play video games or do video games play us? Is nonhuman play a mere paradox or the future of gaming? And what do video games have to do with quantum theory? In Playing at a Distance, Sonia Fizek engages with these and many more daunting questions, forging new ways to think and talk about games and play that decenter the human player and explore a variety of play formats and practices that require surprisingly little human action. Idling in clicker games, wandering in walking simulators, automating gameplay with bots, or simply watching games rather than playing them—Fizek shows how these seemingly marginal cases are central to understanding how we play in the digital age. Introducing the concept of distance, Fizek reorients our view of computer-mediated play. To “play at a distance,” she says, is to delegate the immediate action to the machine and to become participants in an algorithmic spectacle. Distance as a media aesthetic framework enables the reader to come to terms with the ambiguity and aesthetic diversity of play. Drawing on concepts from philosophy, media theory, and posthumanism, as well as cultural and film studies, Playing at a Distance invites a wider understanding of what digital games and gaming are in all their diverse experiences and forms. In challenging the common perception of video games as inherently interactive, the book contributes to our understanding of the computer’s influence on practices of play—and prods us to think more broadly about what it means to play.