Journey Of A Lost Child

Fear Of a Mother's Love My mom made me lie to my Dad threatening my life. She would say to me, "Who do you think he's going to believe? Me or You? She had me believing that if I told my Dad the truth he would KILL ME. My mind would go back to the time my Dad beat me so fiercely that I bled for six weeks to the point of death. Read the story of my abuse and the run for my life because of the fear of my parents. What happened to me shaped my future and made me grow into the woman I am today.

The Story of the Lost Child is the long-awaited fourth volume in the Neapolitan novels (My Brilliant Friend, The Story of a New Name, Those Who Leave and Those Who Stay). The quartet traces the friendship between Elena and Lila, from their childhood in a poor neighbourhood in Naples, to their thirties, when both women are mothers but each has chosen a different path. Their lives are still inextricably linked, for better or worse, especially when it comes to the drama of a lost child. Elena Ferrante was born in Naples. She is the author of seven novels: The Days of Abandonment, Troubling Love, The Lost Daughter, and the quartet of Neapolitan novels: My Brilliant Friend, The Story of a New Name, Those Who Leave and Those Who Stay, and The Story of the Lost Child. Frantugmalia, a selection of interviews, letters and occasional writings by Ferrante, will be published in 2016. She is one of Italy’s most acclaimed authors. Ann Goldstein has translated all of Elena Ferrante’s work. She is an editor at the New Yorker and a recipient of the PEN Renato Poggioli Translation Prize. Praise for Ferrante and the Neapolitan novels ‘[Ferrante’s] charting of the rivalries and sheer inscrutability of female friendship is raw. This is high stakes, subversive literature.’ Sunday Telegraph ‘Ferrante is an expert above all at the rhythm of plotting...Whether it’s work, family, friends or sex–and Ferrante, perhaps thanks to her anonymity as an author, is blisteringly good on bad sex–our greatest mistakes in life aren’t isolated acts; we rehearse them over and over until we get them as badly wrong as we can.’ Independent ‘Great novels are intelligent far beyond the powers of any character or writer or individual reader, as are great friendships, in their way. These wonderful books sit at the heart of that mystery, with the warmth and power of both.’ Harper’s ‘Elena Ferrante is one of the great novelists of our time. Her voice is passionate, her view sweeping and her gaze basilisk...In these bold, gorgeous, relentless novels, Ferrante traces the deep connections between the political and the domestic. This is a new version of the way we live now—one we need, one told brilliantly, by a woman.’ New York Times Sunday Book Review ‘When I read [the Neapolitan novels] I find that I never want to stop. I feel vexed by the obstacles—my job, or acquaintances on the subway—that threaten to keep me apart from the books. I mourn separations (a year until the next one—how?). I am propelled by a ravenous will to keep going.’ New Yorker ‘The best thing I’ve read this year, far and away...She puts most other writing at the moment in the shade. She’s marvellous.’ Richard Flanagan ‘The Neapolitan series stands as a testament to the ability of great literature to challenge, flummox, enrage and excite as it entertains.’ Sydney Morning Herald ‘The depth of perception Ms. Ferrante shows about her character’s conflicts and psychological states is astonishing...Her novels ring so true and are written with such empathy that they sound confessional.’ Wall Street Journal ‘The older you get, the harder it is to recapture the intoxicating sense of discovery that comes when you first read George Eliot, Nabokov, Tolstoy or Colette. But this year it came again when I read Elena Ferrante’s remarkable Neapolitan novels.’ Jane Shilling, New Statesman ‘There is nothing remotely tiring or trying about the experience of reading the Neapolitan novels, which I, and a great many others, now rank among our greatest book-related pleasures...it is writing that holds honesty dear.’ Weekend Australian ‘Dickens gave working people a voice. Ferrante, whoever she might be, presents a new paradigm for being female in the world...Ferrante’s great literary creations, Lenu and Lila, have the same emotional weight as Anne in Persuasion, Jo in Little Women, Maggie in The Mill on the Floss, Jane in Jane Eyre.’ Helen Elliott in the Monthly ‘This stunning conclusion further solidifies the Neapolitan novels as Ferrante’s masterpiece and guarantees that this reclusive author will remain far from obscure for years to come.’ Publishers Weekly ‘The Neapolitan novels are smart, thoughtful, serious literature. At the same time, they are violent, suspenseful soap operas populated with a vivid cast of scheming characters...Ferrante’s novels are deeply personal and intimate, getting to the very heart of what it means to be a woman, a friend, a daughter, a mother.’ Debrief Daily ‘Shattering and enthralling, intimate and vicious...The Neapolitan Novels are the kind of books that swallow me whole. As soon as I pick one up, I don’t want to breathe or move lest I break the spell...The Neapolitan Novels are among the most important in my reading life. I can’t recommend them highly enough.’ Readings ‘Ferrante captures the complexities of women, friendship and motherhood in ways that make your heart soar and ache in equal measures. If you haven’t already, treat yourself to this series.’ ELLE Australia ‘[Ferrante’s] Neapolitan novels contain real life – recognisable anxiety, joy, love and heartbreak. This is an incredibly difficult feat to achieve in the first place, let alone sustain, over four books. We will be talking about Elena and Lila for years to come.’ Sydney Morning Herald ‘There's a bright, sinewy humanness to Ferrante’s writing that is so alive it's alarming...The Story of the Lost Child is a full emotional experience, and a fitting end to a huge, arresting series.’ New Zealand Listener ‘I was one of the many who wept and wondered over Elena Ferrante’s The Story of the Lost Child. I plan to re-read the entire series soon.’ Favourite Feminist Reads from 2016, Feminist Writers Festival

Kerry Alderuccio's introduction to all things of a psychic nature came to her relatively late in life. It was after the tragic loss of her adored nineteen-year-old son Sam in a car accident that she realised an instinct she'd always had might be something more profound. Throughout her life, Kerry had always been aware of changes in the energy around her: as her loved ones gradually passed away, she always remained aware of their presence. She had naively assumed that everyone felt such things. It was after Sam's untimely passing that Kerry decided to act on this instinct and look for answers as to where Sam was and how contact could be made. She began her mediumship studies at Arthur Findlay College in the United Kingdom, and her career in mediumship progressed quickly from there. This is Kerry's first book and is the result of her desire to share her amazing story, her moment of truth and her hope that others may find answers and peace in her words.

Discover this heartrending story of orphans, outcasts and the grip of the past from award-winning novelist Caryl Phillips – inspired by Wuthering Heights. It is the 1960s. Isolated from her parents after falling in love with a foreigner, Monica Johnson raises her sons in the shadow of the wild Yorkshire moors. But when her younger son Tommy, a loner who is bullied at school, disappears, the family bond is demolished – with devastating consequences. Deftly intertwined with this modern narrative is the story of the ragged childhood of Emily Brontë’s Heathcliff, one of literature’s most enigmatic lost boys. Recovering the mysteries of the past to illuminate the predicaments of the present, The Lost Child is an exquisite novel about exile, freedom and what it is to belong. ‘Heartbreaking...compelling’ Independent

Inside Hanna's mind, there were 26 separate personalities to contend with as she reached the point of no return: suicide. It was up to her new therapist, Rachel Gunner, to determine whether Hanna could find wholeness or would end her life...Written with stark details about Hanna's therapy and the incredible pain of Hanna's condition --DID (Disassociative Identity Disorder), which created 26 separate personalities trapped inside her...from cover.

This heartwarming true story of one lost cat's journey to be reunited with his refugee family gently introduces children to a difficult topic and shows how ordinary people can help with compassion and hope. When an Iraqi family is forced to flee their home, they can’t bear to leave their beloved cat, Kunkush, behind. So they carry him with them from Iraq to Greece, keeping their secret passenger hidden away. But during the crowded boat crossing to Greece, his carrier breaks and the frightened cat runs from the chaos, disappearing. After an unsuccessful search, his family has to continue their journey, leaving brokenhearted. A few days later, aid workers in Greece find the lost cat. Knowing how much his family has sacrificed already, they are desperate to reunite them. A worldwide community comes together to spread the word on the Internet and in the news media, and after several months the impossible happens—Kunkush’s family is found, and they finally get their happy ending in their new home. This remarkable true story is told by the real people involved, with the full cooperation of Kunkush’s family. “Bound to be a hit with cats and kids alike.” —People.com

DigiCat Publishing presents to you this special edition of "The Lost Child" by François Coppée. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

This is a tale of three souls, and of their origins that exist within the shadows. Of the madness that exists within the fabric of the backdrop of our world, and of the love that can spawn from within the darkest places... Since the very beginning of time, he has existed, lurked, stalked, and killed from within the dark shadows of time. Never has Raven felt anything except for the madness that tore at his mind, and the never-ending pain of knowing he would forever exist alone. Until fate led to a chance encounter, with two others like himself, and sent him onto an entirely new path towards the unknown. Together, the children of the night, the forever young, begin their journey of fate designed to love, unbreakable bonds, as the old prophecies begin to come to light as if every blood lust step they have taken, has already been written by the fates of old. Will Raven and Luna set their own paths, or is their fate already determined by a force they cannot stand against? Are Lilith's fears come to be a reality in which the madness of the abyss comes to be too much and consumes the very essence of these three dark souls? But now what of all the new unknown forces that are now making their pressence known, as they are lurking within the shadows of time, and within the very madness that lies within Raven's fragmented sanity. Could these be the very same forces that seem to be laying forth the path on which Raven, Luna, and Lilith begin to embark on? Will this journey lead them to the origins of the lost child, and bring forth the light in which the whispering shadows must reveal their faces to the children of the night. Stepping out of the darkness in which they hide, and elighten all with their true intent?

Life can sometimes seem like a complicated constellation of detours and winding roads - some of which teeter on the side of ease and predictability, while others... well, not so much. Follow along with a father who was dealt a difficult hand as he recounts the tragic story of his family, ravished by one of the greatest mistakes in modern medicine. With raw grit and vulnerability, Scott recounts his life growing up in small town USA and details the ways in which addiction and mental illness resulted in losses that no father, son, or brother should even have to endure. Alongside his youngest son, Wes, a medical professional in psychiatry, they take a closer look into the world of addiction and the epidemic we find ourselves to be in - revealing the causes, variables, and paths to consider moving forward. Scott shares the lessons he learned throughout the journey of trying to find his firstborn son, Daniel, help in battling a disease that few understand. Through Daniel's story, the cracks in our system - the injustice, corruption, and discrimination - are directly illuminated and should inspire each of us to work better together. Little Boy Lost is a call to action.

A Butterfly's Journey offers a unique approach to enduringthe loss of a child,with the authors diverse perspective as a multiplebereaved parentand support group facilitator. In this grippingmemoirthat commences with the day she got "the call" alerting her that her 21-year-old son had been seriously injured in a motorcycle accident, Hopkinson bares her soul in moving through a journey of grief that changed her life forever. She alsogives families a reason to believe in their child's continued spiritual existence. With great skill, Hopkinson's approach helps bereaved parents and families understand the variety of waysgriefcan be felt, expressed and supported. For example, genders grieve differently and infant loss can be as traumatic as the death of an older or adult child. She gently reminds us to be tolerant: we all grieve in our own way and on our own schedule. Courageously sharing the impact of grief in her own life, Hopkinson reveals that her 30-year-marriage did not survive the untimely death of her adult son. Additionally, while going through a divorce that dramatically altered her lifestyle, her remaining son flunked out of college as a result of the loss of his brother. Like many bereaved parents, Hopkinson briefly contemplated suicide after these and other unexpected events. InA Butterfly's Journey,shedetails finding an inner strength she now believes has prepared her to handle any life challenge with greater ease. She also models how she found love, hope and happiness again by turning outward and helping others.