Johannes Brahms Hungarian Dances For Solo Guitar

While originally conceived as piano duets, Johannes Brahms' Hungarian Dances (Op. 39) have been transcribed for various instrumental ensembles, including the orchestral version provided by the composer himself. In this edition, outstanding Hungarian guitarist Jozsef Eotvos has transcribed all twenty-one of the dances for solo guitar, in standard notation only with suggested fingerings. While many of these transcriptions lie well on the fretboard, this volume is recommended for the advanced classic guitarist.

This modern reprint of the original scores features clear, large margins, making it ideal for students and musicians alike. Johannes Brahms (1833 – 1897) was a seminal German composer and pianist. He was incredibly popular and influential during his lifetime and, Together with Johann Sebastian Bach and Ludwig van Beethoven, is often referred to as one of the “Three Bs”. He is widely considered to be both a traditionalist and an innovator, and wrote for piano, organ, symphony orchestra, chamber ensembles, and for voice and chorus. Featuring large, clear note heads and wide margins, this edition is perfect for studying and following the music. Classic Music Collection constitutes an extensive library of the most well-known and universally-enjoyed works of classical music ever composed, reproduced from authoritative editions for the enjoyment of musicians and music students the world over.

Brahms brilliantly captured the spontaneity and passion of Hungarian gypsy music in his 21 Hungarian Dances. In this volume containing dances 11-21, editors Carol Ann Bell and Digby Bell have scrutinized all available autograph manuscripts of the duet, solo and orchestral versions and compared them with the earliest printed editions to produce the most scholarly, critical body of these works available today. Performance notes, helpful fingering suggestions, ornament realizations, and a wealth of historical background are provided.

Brahms brilliantly captured the spontaneity and passion of Hungarian gypsy music in his 21 Hungarian Dances. In this volume containing the first 10 dances, editors Carol Ann Bell and Digby Bell have scrutinized all available autograph manuscripts of the duet, solo and orchestral versions and compared them with the earliest printed editions to produce the most scholarly, critical body of these works available today. Performance notes, helpful fingering suggestions, ornament realizations, and a wealth of historical background are provided. Hungarian Dances Nos. 5, 6, and 8 are Federation Festivals 2016-2020 selections.

This publication presents a lightly modernized, fully corrected, reliable edition of Francisco Tárrega’s more idiomatic transcriptions and arrangements for the classic guitar. Tárrega, who was also an able pianist, chose works by diverse composers such as Ludwig van Beethoven, Frédéric Chopin, and Robert Schumann to arrange for his own guitar performances, greatly expanding the concert guitar repertoire of his time.This publication provides today’s players with a dependable edition of these works that can be seamlessly incorporated into any modern concert program. Written in standard notation only for the intermediate to advanced guitarist, this collection features pieces that were less commonly heard on the guitar and sound remarkably fresh to this day.

(Piano Solo Songbook). This unique collection features 100 piano solo arrangements of light classics by George Gershwin, Leroy Anderson, Edith Piaf, and more. Songs include: An American in Paris * Bohemian Rhapsody * Bugler's Holiday * Clair de Lune * Come Sunday * Eleanor Rigby * Forrest Gump Main Title (Feather Theme) * Great Escape * Hymne a L'Amour * James Bond Theme * A Lover's Concerto * Midnight Cowboy * The Music of the Night * Nessun Dorma * Theme from "Ordinary People" * Rhapsody in Blue * River Flows in You * Somewhere in Time * Star Wars (Main Theme) * Waltz of the Flowers * A Whiter Shade of Pale * and many more.

"Four Dances" for Guitar Trio is an exquisite collection of dance compositions arranged for guitar trio by the talented Matteo Rigotti. GUITAR 1 part. With a focus on ensemble play as a crucial moment for socialization and skill development in instrumental learning, the author emphasizes the importance of each musician's contribution and the synergy of their combined abilities. Rigotti has skillfully reduced complex orchestral scores to create arrangements that maintain the original form without compromising their essence. At the same time, he has struck a delicate balance between the inherent difficulty of the pieces and the skill level of the students for whom they are intended. In addition to the musical scores, the file includes informative pages in 10 different languages: English, French, German, Spanish, Italian, Portuguese, Korean, Japanese, and Chinese. These translations provide readers with deep insights into the music and its cultural significance, promising a comprehensive and culturally rich experience for musicians worldwide. The selection includes Brahms' "Hungarian Dance No. 5," Bizet's "Habanera," Tchaikovsky's "Trépak," and Ponchielli's "Dance of the Hours," offering a satisfying journey through ensemble music. Score and Parts available in series. - sheet music for guitar, guitar ensemble, trío de guitarras, partitura, trio de guitares, partition, Gitarrentrio, Notenblatt, trio di chitarre, spartito, trio de guitarras, partitura, трио гитар, ноты, 吉他三重奏,乐谱, गिटार त्रयी, संगीत वर्णपत्र, ثلاثي الجيتار، أوراق الموسيقى, ギタートリオ、楽譜, 기타 트리오, 악보

"Four Dances" for Guitar Trio is an exquisite collection of dance compositions arranged for guitar trio by the talented Matteo Rigotti. GUITAR 3 part. With a focus on ensemble play as a crucial moment for socialization and skill development in instrumental learning, the author emphasizes the importance of each musician's contribution and the synergy of their combined abilities. Rigotti has skillfully reduced complex orchestral scores to create arrangements that maintain the original form without compromising their essence. At the same time, he has struck a delicate balance between the inherent difficulty of the pieces and the skill level of the students for whom they are intended. In addition to the musical scores, the file includes informative pages in 10 different languages: English, French, German, Spanish, Italian, Portuguese, Korean, Japanese, and Chinese. These translations provide readers with deep insights into the music and its cultural significance, promising a comprehensive and culturally rich experience for musicians worldwide. The selection includes Brahms' "Hungarian Dance No. 5," Bizet's "Habanera," Tchaikovsky's "Trépak," and Ponchielli's "Dance of the Hours," offering a satisfying journey through ensemble music. Score and Parts available in series. - sheet music for guitar, guitar ensemble, trío de guitarras, partitura, trio de guitares, partition, Gitarrentrio, Notenblatt, trio di chitarre, spartito, trio de guitarras, partitura, трио гитар, ноты, 吉他三重奏,乐谱, गिटार त्रयी, संगीत वर्णपत्र, ثلاثي الجيتار، أوراق الموسيقى, ギタートリオ、楽譜, 기타 트리오, 악보

Brahms brilliantly captured the spontaneity and passion of Hungarian gypsy music in his 21 Hungarian Dances. In this volume containing the first 10 dances, editors Carol Ann Bell and Digby Bell have scrutinized all available autograph manuscripts of the duet, solo and orchestral versions and compared them with the earliest printed editions to produce the most scholarly, critical body of these works available today. Performance notes, helpful fingering suggestions, ornament realizations, and a wealth of historical background are provided.

In this book, guitarist and music historian David Grimes presents 20 “small sonatas” or sonatinas, complete with detailed performance notes and bio sketches of each of the contributing composers: Leonhard von Call, Matteo Carcassi, Ferdinando Carulli, Mauro Giuliani, Francesco Molino, and Antonio Nava. While flexible, the early 19th-century sonatina form usually consists of 2 - 4 contrasting movements, here in guitar-friendly keys, making these pieces ideal for performance by intermediate-level students. In all but the most challenging passages, Grimes has intentionally kept fingering to a minimum to allow students to form their own concept of this critical skill. Then, as many bass notes in these pieces are played on open strings, the player must develop a sense of when to selectively damp dissonant tones or observe a rest— exposing and overcoming yet another shortcoming in the education of many guitarists. Most classic guitar teachers are familiar with the easy didactic studies by Carcassi, Carulli and Giuliani; Favorite Sonatinas offers more highly developed, but not yet virtuoso pieces by the same Italian triumvirate— plus three more composers in a similar vein— promoting confident, enjoyable sight-reading by guitarists of all levels.