Joe Hill

Judas Coyne is a collector of the macabre: a cookbook for cannibals . . . a used hangman's noose . . . a snuff film. An aging death-metal rock god, his taste for the unnatural is as widely known to his legions of fans as the notorious excesses of his youth. But nothing he possesses is as unlikely or as dreadful as his latest purchase, an item he discovered on the Internet: I will sell my stepfather's ghost to the highest bidder . . . For a thousand dollars, Jude has become the owner of a dead man's suit, said to be haunted by a restless spirit. But what UPS delivers to his door in a black heart-shaped box is no metaphorical ghost, no benign conversation piece. Suddenly the suit's previous owner is everywhere: behind the bedroom door . . . seated in Jude's restored Mustang . . . staring out from his widescreen TV. Waiting—with a gleaming razor blade on a chain dangling from one hand . . .

From the New York Times bestselling author of NOS4A2 and Horns comes this e-short story—from Joe Hill’s award-winning collection 20th Century Ghosts. Imogene is young and beautiful. She kisses like a movie star and knows everything about every film ever made. She's also dead and waiting in the Rosebud Theater for Alec Sheldon one afternoon in 1945. . . . Arthur Roth is a lonely kid with big ideas and a gift for attracting abuse. It isn't easy to make friends when you're the only inflatable boy in town. . . . Francis is unhappy. Francis was human once, but that was then. Now he's an eight-foot-tall locust and everyone in Calliphora will tremble when they hear him sing. . . . John Finney is locked in a basement that's stained with the blood of half a dozen other murdered children. In the cellar with him is an antique telephone, long since disconnected, but which rings at night with calls from the dead. . . .

A smart and spooky story about a boy who plays in his bassement, making tunnels out of cardboard boxes, and the unexpected results of his adventures. Joe Hill is the New York Times bestselling author of NOS4R2, Horns, and Heart-Shaped Box, and the prize-winning story collection 20th Century Ghosts. He is also the co-author, with Stephen King, of In the Tall Grass.

From the award-winning, New York Times bestselling author of NOS4A2 and Heart-Shaped Box comes a chilling novel about a worldwide pandemic of spontaneous combustion that threatens to reduce civilization to ashes and a band of improbable heroes who battle to save it, led by one powerful and enigmatic man known as the Fireman. The fireman is coming. Stay cool. No one knows exactly when it began or where it originated. A terrifying new plague is spreading like wildfire across the country, striking cities one by one: Boston, Detroit, Seattle. The doctors call it Draco Incendia Trychophyton. To everyone else it’s Dragonscale, a highly contagious, deadly spore that marks its hosts with beautiful black and gold marks across their bodies—before causing them to burst into flames. Millions are infected; blazes erupt everywhere. There is no antidote. No one is safe. Harper Grayson, a compassionate, dedicated nurse as pragmatic as Mary Poppins, treated hundreds of infected patients before her hospital burned to the ground. Now she’s discovered the telltale gold-flecked marks on her skin. When the outbreak first began, she and her husband, Jakob, had made a pact: they would take matters into their own hands if they became infected. To Jakob’s dismay, Harper wants to live—at least until the fetus she is carrying comes to term. At the hospital, she witnessed infected mothers give birth to healthy babies and believes hers will be fine too. . . if she can live long enough to deliver the child. Convinced that his do-gooding wife has made him sick, Jakob becomes unhinged, and eventually abandons her as their placid New England community collapses in terror. The chaos gives rise to ruthless Cremation Squads—armed, self-appointed posses roaming the streets and woods to exterminate those who they believe carry the spore. But Harper isn’t as alone as she fears: a mysterious and compelling stranger she briefly met at the hospital, a man in a dirty yellow fire fighter’s jacket, carrying a hooked iron bar, straddles the abyss between insanity and death. Known as The Fireman, he strolls the ruins of New Hampshire, a madman afflicted with Dragonscale who has learned to control the fire within himself, using it as a shield to protect the hunted . . . and as a weapon to avenge the wronged. In the desperate season to come, as the world burns out of control, Harper must learn the Fireman’s secrets before her life—and that of her unborn child—goes up in smoke.

Joe Hill (1877-1915) is the best-known figure in the heroic history of the Industrial Workers of the World (a.k.a. Wobblies). US labour's most world-renowned martyr and celebrated songwriter, he is remembered above all for his songs in the Little Red Song Book: "The Preacher and the Slave" ("Pie in the Sky"), "Mr Block," "There Is Power in a Union," and many more that are still popular on picket lines today. A monumental work that explores the issues that Joe Hill raised--capitalism, white supremacy, gender, religion, wilderness, law, prison, industrial unionism--and their enduring relevance and impact in the century since his death. Collected too is all of his art, plus scores of other illustrations featuring Hill-inspired art by IWWs from Ralph Chaplin to Carlos Cortez, as well as other labour artists.

From the New York Times bestselling author of NOS4A2 and Horns comes this e-short story—from Joe Hill’s award-winning collection 20th Century Ghosts. Imogene is young and beautiful. She kisses like a movie star and knows everything about every film ever made. She's also dead and waiting in the Rosebud Theater for Alec Sheldon one afternoon in 1945. . . . Arthur Roth is a lonely kid with big ideas and a gift for attracting abuse. It isn't easy to make friends when you're the only inflatable boy in town. . . . Francis is unhappy. Francis was human once, but that was then. Now he's an eight-foot-tall locust and everyone in Calliphora will tremble when they hear him sing. . . . John Finney is locked in a basement that's stained with the blood of half a dozen other murdered children. In the cellar with him is an antique telephone, long since disconnected, but which rings at night with calls from the dead. . . .

The spine-tingling, bone-chilling novel of supernatural suspense from the #1 New York Times bestselling author of The Fireman and Horns—now an AMC original series starring Zachary Quinto, Ebon Moss-Bachrach, and Ashleigh Cummings. "A masterwork of horror."— Time Victoria McQueen has an uncanny knack for finding things: a misplaced bracelet, a missing photograph, answers to unanswerable questions. When she rides her bicycle over the rickety old covered bridge in the woods near her house, she always emerges in the places she needs to be. Charles Talent Manx has a gift of his own. He likes to take children for rides in his 1938 Rolls-Royce Wraith with the vanity plate NOS4A2. In the Wraith, he and his innocent guests can slip out of the everyday world and onto hidden roads that lead to an astonishing playground of amusements he calls Christmasland. The journey across the highway of Charlie's twisted imagination transforms his precious passengers, leaving them as terrifying and unstoppable as their benefactor. Then comes the day when Vic goes looking for trouble...and finds her way to Charlie. That was a lifetime ago. Now, the only kid ever to escape Charlie's evil is all grown up and desperate to forget. But Charlie Manx hasn't stopped thinking about Victoria McQueen. On the road again, he won't slow down until he's taken his revenge. He's after something very special—something Vic can never replace. As a life-and-death battle of wills builds, Vic McQueen prepares to destroy Charlie once and for all—or die trying.

The legendary songwriter and labor rights activist reveals his personal struggles and political philosophy in this collection of letters. As a proud member of the Industrial Workers of the World, Joe Hill dedicated his life to the union cause. The original bard of the working class, he spread a message of solidarity and struggle through unforgettable, bitingly satirical songs. But after a suspicious arrest and controversial trial, Hill was convicted of murder in 1914. A year later, he was put to death by the capitalist state. In this collection of letters, many of which were written from prison in Salt Lake City, readers get to know the man behind the legendary songs. Hill corresponds with friends and fellow workers, discussing his case, his life, his music, and cheering on the Wobblies even as he faces death. “Joe Hill's influence is everywhere. Without Joe Hill, there's no Woody Guthrie, no Dylan, no Springsteen, no Clash, no Public Enemy, no Minor Threat, no System of a Down, no Rage Against the Machine.” —Tom Morello, from the foreword

Inspired by Richard Matheson's classic "Duel," "Throttle," by Joe Hill and Stephen King, is a duel of a different kind, pitting a faceless trucker against a tribe of motorcycle outlaws in the simmering Nevada desert. Their battle is fought out on twenty miles of the most lonely road in the country, a place where the only thing worse than not knowing what you're up against, is slowing down . . .

A monumental work, expansive in scope, and not only the life, times, and culture of that most famous of the Wobblies (songwriter, poet, hobo, thinker, humorist, martyr), but crucially - and in great detail - the issues that he raised then - capitalism, white supremacy, gender, religion, wilderness, law, prison, industrial unionism - and their enduring relevance, and impact in the century since his death. Collected too is all his art, plus scores of other illustrations featuring Hill-inspired art by IWWs from Ralph Chaplin to Carlos Cortez, as well as other labor artists. "It has been a long time since so much new material on Joe Hill and the Wobblies has been collected in one volume. All students of the IWW, labor cartoons and songs, radical humor, and the history of blue-collar countercultures in the US will find this book indispensable." [Salvatore Salerno] "In Franklin Rosemont, Joe Hill has finally found a chronicler worthy of his revolutionary spirit, sense of humor, and poetic imagination. This is no ordinary biography. It is a journey into the Wobbly culture that made Joe Hill and the capitalist culture that killed him. But as Rosemont suggests in this remarkable book, Joe Hill never really dies. He will live in the minds of young rebels as long as his songs are sung, his ideas are circulated, and his political descendants keep fighting for a better day." [Robin D G Kelley]