Jews In Old Rus

For the first time, this collection makes available a selection of documents on the history of Jews in old Rus’ that provide unique insight into Slavic–Jewish relations, offering both the original texts in Latin, Hebrew, Church Slavonic, and Arabic, and their English translations. Adding nuance to our understanding of the difficult relations Rus’ had with Khazaria, Jews in Old Rus’ also realigns the position of East European Jews within the larger diaspora of European Jews. This collection meticulously presents legal rulings, religious and liturgical customs, practices regarding food and garments, linguistic acculturation, and the political loyalties of Jews in old Rus’.

A collection of texts in Latin, Hebrew, Church Slavonic, and Arabic, and their English translations, Jews in Old Rus ́ offers unique insight into Slavic-Jewish relations, realigns the position of East European Jews within the larger diaspora of European Jews, and adds nuance to our understanding of the difficult relations Rus ́ had with Khazaria.

In post-1917 Russian and Yiddish literature, films, and reportage, Sasha Senderovich finds a new cultural figure: the Soviet Jew. Suddenly mobile after more than a century of restrictions under the tsars, Jewish authors created characters who traversed space and history, carrying with them the dislodged practices and archetypes of a lost world.

Over the course of the nineteenth century, some 84,500 Jews in imperial Russia converted to Christianity. Confessions of the Shtetl explores the day-to-day world of these people, including the social, geographic, religious, and economic links among converts, Christians, and Jews. The book narrates converts' tales of love, desperation, and fear, tracing the uneasy contest between religious choice and collective Jewish identity in tsarist Russia. Rather than viewing the shtetl as the foundation myth for modern Jewish nationhood, this work reveals the shtetl's history of conversions and communal engagement with converts, which ultimately yielded a cultural hybridity that both challenged and fueled visions of Jewish separatism. Drawing on extensive research with conversion files in imperial Russian archives, in addition to the mass press, novels, and memoirs, Ellie R. Schainker offers a sociocultural history of religious toleration and Jewish life that sees baptism not as the fundamental departure from Jewishness or the Jewish community, but as a conversion that marked the start of a complicated experiment with new forms of identity and belonging. Ultimately, she argues that the Jewish encounter with imperial Russia did not revolve around coercion and ghettoization but was a genuinely religious drama with a diverse, attractive, and aggressive Christianity.

A surprising number of Jews lived, literally and figuratively, 'beyond the Pale' of Jewish Settlement in tsarist Russia during the half-century before the Revolution of 1917. This text reinterprets the history of the Russian-Jewish encounter, using long-closed Russian archives and other sources.

This book makes accessibleÑfor the first time in EnglishÑdeclassified archival documents from the former Soviet Union, rabbinic sources, and previously untranslated memoirs, illuminating everyday Jewish life as the site of interaction and negotiation among and between neighbors, society, and the Russian state, from the beginning of the nineteenth century to World War I. Focusing on religion, family, health, sexuality, work, and politics, these documents provide an intimate portrait of the rich diversity of Jewish life. By personalizing collective experience through individual life storiesÑreflecting not only the typical but also the extraordinaryÑthe sources reveal the tensions and ruptures in a vanished society. An introductory survey of Russian Jewish history from the Polish partitions (1772Ð1795) to World War I combines with prefatory remarks, textual annotations, and a bibliography of suggested readings to provide a new perspective on the history of the Jews of Russia.

“Outstanding . . . A delightfully written work of serious scholarship.” —Jewish Book World Old Odessa, on the Black Sea, gained notoriety as a legendary city of Jewish gangsters and swindlers, a frontier boomtown mythologized for the adventurers, criminals, and merrymakers who flocked there to seek easy wealth and lead lives of debauchery and excess. Odessa is also famed for the brand of Jewish humor brought there in the nineteenth century from the shtetls of Eastern Europe and that flourished throughout Soviet times. From a broad historical perspective, Jarrod Tanny examines the hybrid Judeo-Russian culture that emerged in Odessa in the nineteenth century and persisted through the Soviet era and beyond. The book shows how the art of eminent Soviet-era figures such as Isaac Babel, Il’ia Ilf, Evgenii Petrov, and Leonid Utesov grew out of the Odessa Russian-Jewish culture into which they were born and which shaped their lives. “Traces the emergence, development, and persistence of the myth of Odessa as both Garden of Eden and Gomorrah . . . A joy to read.” —Robert Weinberg, Swarthmore College

In 1913, Abraham Rechtman journeyed through the Russian Pale of Settlement on a mission to record its Jewish folk traditions before they disappeared forever. The Lost World of Russia's Jews is the first English translation of his extraordinary experiences, originally published in Yiddish, documenting a culture best known until now through romanticized works like Life Is with People and Fiddler on the Roof. In the last years of the Russian Empire, Abraham Rechtman joined S. An-sky's Jewish Ethnographic Expedition to explore and document daily life in the centuries old Jewish communities of the Pale of Settlement. Rechtman described the key places where Jewish life and death were experienced and connected these sites to local folklore and customary practices. Among the many unique contributions of his memoir are riveting descriptions of traditional Jewish healers and exorcists—many of them women—and their methods and incantations. Rather than a nostalgic portrait of an imagined shtetl, Rechtman succeeded in producing an intimate account of Jewish life and death that is highly nuanced and richly detailed. The Lost World of Russia's Jews powerfully illuminates traditional Jewish life in Eastern Europe on the eve of its transformation and, ultimately, destruction.

This book proposes that the idea of the Jews in European cultures has little to do with actual Jews, but rather is derived from the conception of Jews as Christianity's paradigmatic Other, eternally reenacting their morally ambiguous New Testament role as the Christ-bearing and -killing chosen people of God. Through new readings of canonical Russian literary texts by Gogol, Turgenev, Chekhov, Babel, and others, the author argues that these European writers—Christian, secular, and Jewish—based their representation of Jews on the Christian exegetical tradition of anti-Judaism. Indeed, Livak disputes the classification of some Jewish writers as belonging to "Jewish literature," arguing that such an approach obscures these writers' debt to European literary traditions and their ambivalence about their Jewishness. This work seeks to move the study of Russian literature, and Russian-Jewish literature in particular, down a new path. It will stir up controversy around Christian-Jewish cultural interaction; the representation of otherness in European arts and folklore; modern Jewish experience; and Russian literature and culture.

Between 1917 and 1921, Jewish intellectuals and writers across the Russian empire pursued a “Jewish renaissance.” Here is a revisionist argument about the nature of cultural nationalism, the relationship between nationalism and socialism, and culture itself—the pivot point for the encounter between Jews and European modernity over the past century.