Japans Sexual Gods

Japan’s Sexual Gods is an authoritative and original work that describes the unique deities represented by sexual objects in certain Japanese shrines and temples. Hundreds of sexual shrines still exist in spite of previous repression and range from the Tagata Shrine with its well-known giant festival phallus to small obscure places. Many also contain female sexual imagery and some phalluses act in a protective role. The study is based on observations of over 500 sexual sites including phallic festivals, many of which are modern inventions created purely for commercial reasons. The study makes an assessment of the place of sexual beliefs in modern Japan and includes almost 300 stunning original photographs, a glossary and a highly detailed map.

Written by one of the leading scholars of Japanese religion, Protectors and Predators is the second installment of a multivolume project that promises to be a milestone in our understanding of the mythico-ritual system of esoteric Buddhism—specifically the nature and roles of deities in the religious world of medieval Japan and beyond. Bernard Faure introduces readers to medieval Japanese religiosity and shows the centrality of the gods in religious discourse and ritual. Throughout he engages theoretical insights drawn from structuralism, post-structuralism, and Actor-Network Theory to retrieve the “implicit pantheon” (as opposed to the “explicit orthodox pantheon”) of esoteric Japanese Buddhism (Mikkyō). His work is particularly significant given its focus on the deities’ multiple and shifting representations, overlappings, and modes of actions rather than on individual characters and functions. In Protectors and Predators Faure argues that the “wild” gods of Japan were at the center of the medieval religious landscape and came together in complex webs of association not divisible into the categories of “Buddhist,” “indigenous,” or “Shinto.” Furthermore, among the most important medieval gods, certain ones had roots in Hinduism, others in Daoism and Yin-Yang thought. He displays vast knowledge of his subject and presents his research—much of it in largely unstudied material—with theoretical sophistication. His arguments and analyses assume the centrality of the iconographic record as a complement to the textual record, and so he has brought together a rich and rare collection of more than 170 color and black-and-white images. This emphasis on iconography and the ways in which it complements, supplements, or deconstructs textual orthodoxy is critical to a fuller comprehension of a set of medieval Japanese beliefs and practices and offers a corrective to the traditional division of the field into religious studies, which typically ignores the images, and art history, which oftentimes overlooks their ritual and religious meaning. Protectors and Predators and its companion volumes should persuade readers that the gods constituted a central part of medieval Japanese religion and that the latter cannot be reduced to a simplistic confrontation, parallelism, or complementarity between some monolithic teachings known as “Buddhism” and “Shinto.” Once these reductionist labels and categories are discarded, a new and fascinating religious landscape begins to unfold.

"If he keeps licking me like that, I'm gonna-...!" Strange-looking customers bet on a figure being fiddled and played with on stage. The one on auction is my virginity...

"If he keeps licking me like that, I'm gonna-...!" Strange-looking customers bet on a figure being fiddled and played with on stage. The one on auction is my virginity...

"If he keeps licking me like that, I'm gonna-...!" Strange-looking customers bet on a figure being fiddled and played with on stage. The one on auction is my virginity...

Occult Japan: Or, The Way of the Gods: An Esoteric Study of Japanese Personality and Possession by Percival Lowell, first published in 1895, is a rare manuscript, the original residing in one of the great libraries of the world. This book is a reproduction of that original, which has been scanned and cleaned by state-of-the-art publishing tools for better readability and enhanced appreciation. Restoration Editors' mission is to bring long out of print manuscripts back to life. Some smudges, annotations or unclear text may still exist, due to permanent damage to the original work. We believe the literary significance of the text justifies offering this reproduction, allowing a new generation to appreciate it.

"If he keeps licking me like that, I'm gonna-...!" Strange-looking customers bet on a figure being fiddled and played with on stage. The one on auction is my virginity...

"Shinto, or The Way of the Gods, is the oldest religious faith of the Japanese people. Based on the aboriginal worship of nature and ancestors, it is a religion of innumberable deities and rituals." " Percival Lowell... drew these descriptions from his own observations and experiences during his travels throughout Japan at the end of the nineteenth century." -- Cover description.

"If he keeps licking me like that, I'm gonna-...!" Strange-looking customers bet on a figure being fiddled and played with on stage. The one on auction is my virginity...

Written by one of the leading scholars of Japanese religion, Rage and Ravage is the third installment of a milestone project in our understanding of the mythico-ritual system of esoteric Buddhism—specifically the nature and roles of deities in the religious world of medieval Japan and beyond. Bernard Faure introduces readers to medieval Japanese religiosity and shows the centrality of the gods in religious discourse and ritual; in doing so he moves away from the usual textual, historical, and sociological approaches that constitute the “method” of current religious studies. Throughout, he engages theoretical insights drawn from structuralism, post-structuralism, and Actor-Network Theory to retrieve the “implicit pantheon” (as opposed to the “explicit orthodox pantheon”) of esoteric Japanese Buddhism (Mikkyō). In volumes one and two, The Fluid Pantheon and Protectors and Predators, Faure argued against a polarity or dichotomy between buddhas and kami by emphasizing the existence of deities that did not belong to either category, and he rejected the retrospective notion of “hybridity.” The present work makes a similar case about the reified distinction between gods and demons to show that, due to the fluid nature of the Japanese pantheon, these terms do not represent stable identities: Gods can become demons, and demons are sometimes deified. Divine protectors were often former predators, and in some instances they retained their predatory features even after being converted. After emphasizing the demonic aspects of devas as “gods or spirits of obstacles” in the earlier volumes, Faure now focuses on the deva-like or “divine” aspects of deities that have been described as “demonic.” Rage and Ravage and its companion volumes persuade readers that the gods constituted a central part of medieval Japanese religion and that the latter cannot be reduced to a simplistic confrontation, parallelism, or complementarity between some monolithic teachings known as “Buddhism” and “Shinto.” Once these reductionist labels and categories are discarded, a new and fascinating religious landscape begins to unfold.