Jade Taniwha

This book provides a detailed historical and sociological context for Maori-Chinese New Zealanders concentrating on the role that schooling has played in the formation of their identity. Lee (Ngati Mahuta, Zhong Shan and Taishan Chinese) shows how racism in New Zealand's schools has impacted on members of this community. She shows that the identity of this unique cultural group is the result of a fascinating history on the margins of mainstream New Zealand society, one often intersected by racism, exclusion and colonialism. However, Maori-Chinese draw strength from their different traditions, taking pride in their unique identity while moving between the different worlds of Chinese, Maori and 'mainstream' New Zealand

Just when Jade has found pony heaven for her old horse Pip, a ruthless developer promises to destroy the idyllic seaside riding school Jade's summer is not looking too good. She needs to find a new home for Pip, her beautiful old mare, and is resigned to schooling troublesome taniwha. then she gets some good news. Becca's Aunt Flora, who has a riding school by the beach at Ocean Bay, is looking for a bombproof beginner's mount - namely, Pip! Better still, would Jade like to spend a few weeks helping out around the school and learning about endurance riding? Of course. to Jade, Samudra Riding School is heaven. Unfortunately, a property developer thinks so, too, and is determined to build luxury beach houses on the horses' land. Jade must find a way to save perfect Pip's new home.Ages: 8-12

From Oceania to North America, indigenous peoples have created storytelling traditions of incredible depth and diversity. The term 'indigenous storywork' has come to encompass the sheer breadth of ways in which indigenous storytelling serves as a historical record, as a form of teaching and learning, and as an expression of indigenous culture and identity. But such traditions have too often been relegated to the realm of myth and legend, recorded as fragmented distortions, or erased altogether. Decolonizing Research brings together indigenous researchers and activists from Canada, Australia and New Zealand to assert the unique value of indigenous storywork as a focus of research, and to develop methodologies that rectify the colonial attitudes inherent in much past and current scholarship. By bringing together their own indigenous perspectives, and by treating indigenous storywork on its own terms, the contributors illuminate valuable new avenues for research, and show how such reworked scholarship can contribute to the movement for indigenous rights and self-determination.

Presenting the stories behind several generations of seven Maori-Chinese families whose voices have seldom been heard before, this account casts a fascinating light on the historical and contemporary relations between Maori and Chinese in New Zealand. The two groups first came into contact in the late 19th century and often lived and interacted closely, leading to intermarriage and large families. By the 1930s, proximity and similarities had brought many Maori-Chinese families together, the majority of whom had to deal with cultural differences and discrimination. The growing political confidence of Maori since the 1970s and the more recent tensions around Asian immigration have put pressure on the relationship and the families’ dual identities. Today’s Maori-Chinese, reaffirming their multiple roots and cultural advantages, are playing increasingly important roles in New Zealand society. This account is oral history at its most compelling—an absorbing read for anyone interested in the complex yet rewarding topic of cultural interactions between indigenous and immigrant groups.

Tangata Whenua: A History presents a rich narrative of the Māori past from ancient origins in South China to the twenty-first century, in a handy paperback format. The authoritative text is drawn directly from the award-winning Tangata Whenua: An Illustrated History; the full text of the big hardback is available in a reader-friendly edition, ideal for students and for bedtime reading, and a perfect gift for those whose budgets do not stretch to the illustrated edition. Maps and diagrams complement the text, along with a full set of references and the important statistical appendix. Tangata Whenua: An Illustrated History was published to widespread acclaim in late 2014. This magnificent history has featured regularly in the award lists: winner of the 2015 Royal Society Science Book Prize, shortlisted for the international Ernest Scott Prize, winner of the Te Kōrero o Mua (History) Award at the Ngā Kupu ora Aotearoa Māori Book Awards, and Gold in the Pride in Print Awards. The importance of this history to New Zealand cannot be overstated. Māori leaders emphatically endorsed the book, as have reviewers and younger commentators. They speak of the way Tangata Whenua draws together different strands of knowledge – from historical research through archaeology and science to oral tradition. They remark on the contribution this book makes to evolving knowledge, describing it as ‘a canvas to paint the future on’. And many comment on the contribution it makes to the growth of understanding between the people of this country.

At the time, offering to take home the worst behaved pony at the Showjumping Champs seemed like a brave decision. Now, back in Mr White's paddock, too nervous to even mount her five-year-old monster, Taniwha, Jade is feeling stupid.

This Companion provides an authoritative overview of how cultural diversity is managed in Asia. Although the Asian context appears at first sight to be irreconcilably divergent in terms of diversity management approaches, the contributing authors seek to explore thematic and geographical demarcations of the notions of cultural diversity and equality at work. Managing Cultural Diversity in Asia not only examines cultural diversity management in a particular geography but also makes a distinct contribution to the wider theory of managing diversity and equality by revealing the significance of context, time and place in framing policies and practices of management. With empirical and conceptual contributions from eminent scholars from across the Asian continent as well as the Asian diaspora, this volume highlights practices of equality and diversity management in settings across Asia and reveals the key drivers and implications of such practices. This important and path-breaking Companion will be an invaluable resource for both undergraduate and research-based postgraduate students on international and comparative human resource management, employment relations and industrial relations courses.

This book is the first ever collection on diasporic screen production in New Zealand. Through contributions by a diverse range of local and international scholars, it identifies the central characteristics, histories, practices and trajectories of screen media made by and/or about migrant and diasporic peoples in New Zealand, including Asians, Pacific Islanders and other communities. It addresses issues pertinent to representation of migrant and diasporic life and experience on screen, and showcases critical dialogues with directors, scriptwriters, producers and other key figures whose work reflects experiences of migration, diaspora and multiculturalism in contemporary New Zealand. With a foreword by Hamid Naficy, the key theorist of accented cinema, this comprehensive collection addresses essential questions about migrant, multicultural and diasporic screen media, policies of representation, and the new aesthetic styles and production regimes emerging from New Zealand film and TV. Migrant and Diasporic Film and Filmmaking in New Zealand is a touchstone for emerging work concerned with migration, diaspora and multiculturalism in New Zealand’s screen production and practice.

Analyzing for the first time the relationship between the tangata whenua and the country's earliest non-European immigrant group, this study investigates how two different marginalized groups in New Zealand society--the Maori and the Chinese--have interacted over the last 150 years. Various aspects are explored, such as how Maori newspapers have portrayed Chinese publications and vice versa, the changing demography of Chinese and Maori populations, Maori-Chinese marriages, and the ancient migration of both groups. The ethnically diverse contributors--from Maori to Chinese to European scholars--tackle numerous questions from many angles as well, such as Do the Maori resent Chinese immigrants? Do Chinese New Zealanders understand the role of the tangata whenua? and Have Maori and Chinese formed alliances based on common values and history? The result is an engaging portrait of the past and present relationships between two important peoples. Since race relations in New Zealand have usually been examined in terms of Maori and Pakeha, this unique exploration of Maori-Chinese relations portrays a much richer and more complex social fabric.

When life gives you lemons… Her manager did her wrong, and a distraught Cassie returns to her home country of New Zealand. She’s checking out the property left to her by her grandfather. That’s her story… And she’s sticking to the script. Cassie Miller-Pope. Curvy. Betrayed, unlucky-in-love country star. Lives and breathes music. Hone Taniwha. Bad boy dragon shifter. Tattoos and charisma. Handsome as sin. For Cassie, it’s lust at first sight. Hone struggles to avoid the enticing woman who wears happy-ever-after on an invisible billboard above her head. The desire for the charming rogue places her in jeopardy. Danger to her beleaguered heart. Danger from creepy clowns. And more terrifying… A fiery aerial battle that’s the stuff of legends. You’ll love this romance because it contains a handsome dragon, a curvy girl-next-door singer, interfering family and friends, crime, dragon woo-woo, and a big pointy sword. Too much drama for a romance? Nah! It’s a perfect storm of happy-ever-after. Get it now!