Jackie Ormes

In the United States at mid-century, in an era when there were few opportunities for women in general and even fewer for African American women, Jackie Ormes blazed a trail as a popular artist with the major black newspapers of the day. Jackie Ormes chronicles the life of this multiply talented, fascinating woman who became a successful commercial artist and cartoonist. Ormes's cartoon characters (including Torchy Brown, Candy, and Patty-Jo 'n' Ginger) delighted readers of newspapers such as the Pittsburgh Courier and Chicago Defender, and spawned other products, including fashionable paper dolls in the Sunday papers and a black doll with her own extensive and stylish wardrobe. Ormes was a member of Chicago's Black elite in the postwar era, and her social circle included the leading political figures and entertainers of the day. Her politics, which fell decidedly to the left and were apparent to even a casual reader of her cartoons and comic strips, eventually led to her investigation by the FBI. The book includes a generous selection of Ormes's cartoons and comic strips, which provide an invaluable glimpse into U.S. culture and history of the 1937-56 era as interpreted by Ormes. Her topics include racial segregation, cold war politics, educational equality, the atom bomb, and environmental pollution, among other pressing issues of the times. "I am so delighted to see an entire book about the great Jackie Ormes! This is a book that will appeal to multiple audiences: comics scholars, feminists, African Americans, and doll collectors. . . ." ---Trina Robbins, author of A Century of Women Cartoonists and The Great Women Cartoonists Nancy Goldstein became fascinated in the story of Jackie Ormes while doing research on the Patty-Jo Doll. She has published a number of articles on the history of dolls in the United States and is an avid collector.

Science fiction, fantasy, comics, romance, genre movies, games all drain into the Cultural Gutter, a website dedicated to thoughtful articles about disreputable art-media and genres that are a little embarrassing. Irredeemable. Worthy of Note, but rolling like errant pennies back into the gutter. The Cultural Gutter is dangerous because we have a philosophy. We try to balance enthusiasm with clear-eyed, honest engagement with the material and with our readers. This book expands on our mission with 10 articles each from science fiction/fantasy editor James Schellenberg, comics editor and publisher Carol Borden, romance editor Chris Szego, screen editor Ian Driscoll and founding editor and former games editor Jim Munroe.

Book Features: • Ages 6-10, Grades 1-4 • 24 pages, 7 1⁄2 inches x 10 inches • Simple, easy-to-read pages with full-color illustrations • Includes a time line and extension activity • Reading/teaching tips and discussion questions included Leader in Comics: In Leaders Like Us: Jackie Ormes, 1st—4th graders learn about the dedication, talent, and artistic abilities of Ormes who became the first syndicated female African American cartoonist. Inspirational: With captivating illustrations that bring Ormes’s story to life, readers learn about her fascinating life, how Jackie used her comics to challenge stereotypes about black people and culture, and her designs that took America by storm. Build Reading Skills: This engaging 24-page biography will help your child improve comprehension and build confidence with guided pre- and post-reading questions, a time line of events, and a fun extension activity. Leveled Books: Part of the Leaders Like Us series, early-elementary reading level and full-color illustrations support comprehension of the story of this amazing artist and activist. Why Rourke Educational Media: Since 1980, Rourke Publishing Company has specialized in publishing engaging and diverse non-fiction and fiction books for children in a wide range of subjects that support reading success on a level that has no limits.

Originally published by Chicago's Black press, long neglected by mainstream publishing, and now included in a Museum of Contemporary Art Chicago exhibition, these comics showcase some of the finest Black cartoonists. Between the 1940s and 1980s, Chicago’s Black press—from The Chicago Defender to the Negro Digest to self-published pamphlets—was home to some of the best cartoonists in America. Kept out of the pages of white-owned newspapers, Black cartoonists found space to address the joys, the horrors, and the everyday realities of Black life in America. From Jay Jackson’s anti-racist time travel adventure serial Bungleton Green, to Morrie Turner’s radical mixed-race strip Dinky Fellas, to the Afrofuturist comics of Yaoundé Olu and Turtel Onli, to National Book Award–winning novelist Charles Johnson’s blistering and deeply funny gag cartoons, this is work that has for far too long been excluded and overlooked. Also featuring the work of Tom Floyd, Seitu Hayden, Jackie Ormes, and Grass Green, this anthology accompanies the Museum of Contemporary Art Chicago’s exhibition Chicago Comics: 1960 to Now, and is an essential addition to the history of American comics. The book's cover is designed by Kerry James Marshall. Published in conjunction with the Museum of Contemporary Art Chicago, on the occasion of Chicago Comics: 1960s to Now, June 19–October 3, 2021. Curated by Dan Nadel.

Winner of the 2014 Will Eisner Award for Best Scholarly/Academic Work. Bringing together contributors from a wide-range of critical perspectives, Black Comics: Politics of Race and Representation is an analytic history of the diverse contributions of Black artists to the medium of comics. Covering comic books, superhero comics, graphic novels and cartoon strips from the early 20th century to the present, the book explores the ways in which Black comic artists have grappled with such themes as the Black experience, gender identity, politics and social media. Black Comics: Politics of Race and Representation introduces students to such key texts as: The work of Jackie Ormes Black women superheroes from Vixen to Black Panther Aaron McGruder's strip The Boondocks

Syndicated cartoonist and illustrator Tim Jackson offers an unprecedented look at the rich yet largely untold story of African American cartoon artists. This book provides a historical record of the people who created seventy-plus comic strips, many editorial cartoons, and illustrations for articles. The volume covers the mid-1880s, the early years of the self-proclaimed Black press, to 1968, when African American cartoon artists were accepted in the so-called mainstream. When the cartoon world was preparing to celebrate the one hundredth anniversary of the American comic strip, Jackson anticipated that books and articles published upon the anniversary would either exclude African American artists or feature only the three whose work appeared in mainstream newspapers after Dr. Martin Luther King Jr.'s assassination in 1968. Jackson was determined to make it impossible for critics and scholars to plead an ignorance of Black cartoonists or to claim that there is no information on them. He began in 1997 cataloging biographies of African American cartoonists, illustrators, and graphic designers, and showing samples of their work. His research involved searching historic newspapers and magazines as well as books and “Who's Who” directories. This project strives not only to record the contributions of African American artists, but also to place them in full historical context. Revealed chronologically, these cartoons offer an invaluable perspective on American history of the Black community during pivotal moments, including the Great Migration, race riots, the Great Depression, and both World Wars. Many of the greatest creators have already died, so Jackson recognizes the stakes in remembering them before this hidden, yet vivid, history is irretrievably lost.

Jada Sly, a hilarious and spunky artist and spy, explores New York City on a mission to find her mom in this "fast paced, fun" illustrated novel from an acclaimed author (School Library Connection). Ten-year-old Jada Sly is an artist and a spy-in-training. When she isn't studying the art from her idols like Jackie Ormes, the first-known African American cartoonist, she's chronicling her spy training and other observations in her art journal. Back home in New York City, after living in France for five years, Jada is ready to embark on her first and greatest spy adventure yet. She plans to scour New York City in search of her missing mother, even though everyone thinks her mom died in a plane crash. Except Jada, who is certain her mom was a spy, too. With the stakes high and danger lurking around every corner, Jada will use one spy technique after another to unlock the mystery of her mother's disappearance -- some with hilarious results. After all, she's still learning.

Coretta Scott King Illustrator Honor Book • Robert F. Sibert Honor Book An evocative picture book biography about the prolific life of Jackie Ormes, whose groundbreaking cartoons became some of the first empowering depictions of Black women in America! Jackie Ormes made history. She was the first Black woman cartoonist to be nationally syndicated in the United States. She was also a journalist, fashionista, philanthropist, and activist, and she used her incredible talent and artistry to bring joy and hope to people everywhere. But in post-World War II America, Black people were still being denied their civil rights, and Jackie found herself in a dilemma: How could her art stay true to her signature "Jackie joy" while remaining honest about the inequalities Black people had been fighting? Rising stars Traci N. Todd, author of the Coretta Scott King Honor Book Nina: A Story of Nina Simone, and Shannon Wright, co-creator of the bestselling graphic novel Twins, have crafted a gorgeous and heartfelt tribute to the indelible legacy of Jackie Ormes, whose life and work still influences illustrators and cartoonists today.

An illustrated history of one of the greatest success stories in the American beverage industry

Meet Bungleton Green—an anti-racist time traveler and the first-ever Black superhero, created more than a decade before characters such as Black Panther and Falcon. In 1942, almost a year after America entered the Second World War, Jay Jackson—a former railroad worker and sign painter, now working as a cartoonist and illustrator for the legendary Black newspaper the Chicago Defender—did something unexpected. He took the Defender’s stale and long-running gag strip Bungleton Green and remade it into a gripping, anti-racist science-fiction adventure comic. He teamed the bum- bling Green with a crew of Black teens called the Mystic Commandos, and together they battled the enemies of America and racial equality in the past, present, and future. Nazis, segregationist senators, Benedict Arnold, fifth columnists, eighteenth- century American slave traders, evil scientists, and a nation of racist Green Men all faced off against the Mystic Commandos and Green, who in the strip’s run would be transformed by Jackson into the first-ever Black superhero. Never before collected or republished, Jackson’s stories are packed with jaw-dropping twists and breathtaking action, and present a radical vision of a brighter American future.