Jack Londons Racial Lives

Jack London (1876-1916), known for his naturalistic and mythic tales, remains among the most popular and influential American writers in the world. Jack London's Racial Lives offers the first full study of the enormously important issue of race in London's life and diverse works, whether set in the Klondike, Hawaii, or the South Seas or during the Russo-Japanese War, the Jack Johnson world heavyweight bouts, or the Mexican Revolution. Jeanne Campbell Reesman explores his choices of genre by analyzing racial content and purpose and judges his literary artistry against a standard of racial tolerance. Although he promoted white superiority in novels and nonfiction, London sharply satirized racism and meaningfully portrayed racial others--most often as protagonists--in his short fiction. Why the disparity? For London, racial and class identity were intertwined: his formation as an artist began with the mixed "heritage" of his family. His mother taught him racism, but he learned something different from his African American foster mother, Virginia Prentiss. Childhood poverty, shifting racial allegiances, and a "psychology of want" helped construct the many "houses" of race and identity he imagined. Reesman also examines London's socialism, his study of Darwin and Jung, and the illnesses he suffered in the South Seas. With new readings of The Call of the Wild, Martin Eden, and many other works, such as the explosive Pacific stories, Reesman reveals that London employed many of the same literary tropes of race used by African American writers of his period: the slave narrative, double-consciousness, the tragic mulatto, and ethnic diaspora. Hawaii seemed to inspire his most memorable visions of a common humanity.

Provides a look at the personal influences and youthful inspirations that resulted in the creation of some of American literature's most cherished works with a special focus on London's thoughts about race relations as experienced by the characters in his books and the way they were portrayed.

Reesman explores London's choices of genre by analyzing racial content and purpose and judges his literary artistry against a standard of racial tolerance. Although he promoted white superiority in novels and nonfiction, London sharply satirized racism and meaningfully portrayed racial others, most often as protagonists, in his short fiction.

Award-winning western historian James L. Haley paints a vivid portrait of Jack London--adventurer, social reformer, and the most popular American writer of his generation

Jack London has long been recognized as one of the most colorful figures in American literature. He is America’s most widely translated author (into more than eighty languages), and although his works have been neglected until recently by academic critics in the United States, he is finally winning recognition as a major figure in American literary history. The breadth and depth of new critical study of London’s work in recent decades attest to his newfound respectability. London criticism has moved beyond a traditional concerns of realism and naturalism as well as beyond the timeworn biographical focus to engage such theoretical approaches as race, gender, class, post-structuralism, and new historicism. The range and intellectual energy of the essays collected here give the reader a new sense of London’s richness and variety, especially his treatment of diverse cultures. Having in the past focused more on London’s personal "world,” we are now afforded an opportunity to look more closely at his art and the numerous worlds it uncovers.

A revelatory look at the life of the great American author—and how it shaped his most beloved works Jack London was born a working class, fatherless Californian in 1876. In his youth, he was a boundlessly energetic adventurer on the bustling West Coast—an oyster pirate, a hobo, a sailor, and a prospector by turns. He spent his brief life rapidly accumulating the experiences that would inform his acclaimed bestselling books The Call of theWild, White Fang, and The Sea-Wolf. The bare outlines of his story suggest a classic rags-to-riches tale, but London the man was plagued by contradictions. He chronicled nature at its most savage, but wept helplessly at the deaths of his favorite animals. At his peak the highest paid writer in the United States, he was nevertheless forced to work under constant pressure for money. An irrepressibly optimistic crusader for social justice and a lover of humanity, he was also subject to spells of bitter invective, especially as his health declined. Branded by shortsighted critics as little more than a hack who produced a couple of memorable dog stories, he left behind a voluminous literary legacy, much of it ripe for rediscovery. In Jack London: An American Life, the noted Jack London scholar Earle Labor explores the brilliant and complicated novelist lost behind the myth—at once a hard-living globe-trotter and a man alive with ideas, whose passion for seeking new worlds to explore never waned until the day he died. Returning London to his proper place in the American pantheon, Labor resurrects a major American novelist in his full fire and glory.

'Every voice raised against racism chips away at its power. We can't afford to stay silent. This book is an attempt to speak' The book that sparked a national conversation. Exploring everything from eradicated black history to the inextricable link between class and race, Why I'm No Longer Talking to White People About Race is the essential handbook for anyone who wants to understand race relations in Britain today. THE NO.1 SUNDAY TIMES BESTSELLER WINNER OF THE BRITISH BOOK AWARDS NON-FICTION NARRATIVE BOOK OF THE YEAR 2018 FOYLES NON-FICTION BOOK OF THE YEAR BLACKWELL'S NON-FICTION BOOK OF THE YEAR WINNER OF THE JHALAK PRIZE LONGLISTED FOR THE BAILLIE GIFFORD PRIZE FOR NON-FICTION LONGLISTED FOR THE ORWELL PRIZE SHORTLISTED FOR A BOOKS ARE MY BAG READERS AWARD

From which vain speculations, Bassett turned idly to review all that had occurred since that day on the beach of Ringmanu when he first heard the sound and plunged into the jungle after it. Sagawa had protested. He could see him yet, his queer little monkeyish face eloquent with fear, his back burdened with specimen cases, in his hands Bassett’s butterfly net and naturalist’s shot-gun, as he quavered, in Bêche-de-mer English: “Me fella too much fright along bush. Bad fella boy, too much stop’m along bush..FROM THE BOOKS.

"This splendid volume does more than reinstate Jack London as a leading voice of the American cultural left. Jonah Raskin documents how London struggled to reconcile his political and his personal desires, creating memorable art but failing to save himself. One of the world's most popular writers comes alive, in all his passion and agony."—Michael Kazin, author of A Godly Hero: The Life of William Jennings Bryan "Interest in Jack London never flags. This first-rate anthology places London at the epicenter of the American radical tradition."—Kevin Starr, University of Southern California "In this well conceptualized anthology, Jonah Raskin has resurrected works that have been unavailable for decades, making The Radical Jack London a very timely presence for the twenty-first century. Raskin's own writing is forceful and engaging, and he is unblinkingly honest about London as person and as writer, never succumbing to romanticizing or whitewashing the picture of either."—H. Bruce Franklin, John Cotton Dana Professor of English and American Studies, Rutgers University "Jack London always knew how to bang a righteous drum of social indignation, and in The Radical Jack London he can make your heart pound even today."—Paul Berman, author of Power and the Idealists and editor of Carl Sandburg: Selected Poems

As a young man in the summer of 1897, Jack London joined the Klondike gold rush. From that seminal experience emerged these gripping, inimitable wilderness tales, which have endured as some of London’s best and most defining work. With remarkable insight and unflinching realism, London describes the punishing adversity that awaited men in the brutal, frozen expanses of the Yukon, and the extreme tactics these adventurers and travelers adopted to survive. As Van Wyck Brooks observed, “One felt that the stories had been somehow lived–that they were not merely observed–that the author was not telling tales but telling his life.” This edition is unique to the Modern Library, featuring twenty-three carefully chosen stories from London’s three collected Northland volumes and his later Klondike tales. It also includes two maps of the region, and notes on the text.