Jack Johnson American Negro Athlete

"A collection of essays about the intersection of sports, race, and the media in the 20th century and beyond"--

The original essays in this comprehensive collection examine the lives and sports of famous and not-so-famous African American male and female athletes from the nineteenth century to today. Here are twenty insightful biographies that furnish perspectives on the changing status of these athletes and how these changes mirrored the transformation of sports, American society, and civil rights legislation. Some of the athletes discussed include Marshall Taylor (bicycling), William Henry Lewis (football), Jack Johnson, Satchel Paige, Jesse Owens, Joe Lewis, Alice Coachman (track and field), Althea Gibson (tennis), Wilma Rudolph, Bill Russell, Jim Brown, Arthur Ashe, Michael Jordan, Tiger Woods, and Venus and Serena Williams.

Discusses the life and boxing career of Jack Johnson.

In this vivid biography Geoffrey C. Ward brings back to life the most celebrated — and the most reviled — African American of his age. Jack Johnson battled his way out of obscurity and poverty in the Jim Crow South to win the title of heavyweight champion of the world. At a time when whites ran everything in America, he took orders from no one and resolved to live as if color did not exist. While most blacks struggled simply to exist, he reveled in his riches and his fame, sleeping with whomever he pleased, to the consternation and anger of much of white America. Because he did so the federal government set out to destroy him, and he was forced to endure prison and seven years of exile. This definitive biography portrays Jack Johnson as he really was--a battler against the bigotry of his era and the embodiment of American individualism.

In 1936 athlete Jesse Owens won four gold medals at the Berlin Olympics and, two years later, boxer Joe Louis won a crushing victory to become heavyweight champion of the world. Despite their fame and success, both men would find themselves barred from certain hotels and would have to eat outside restaurants because of the colour of their skin. However. by their example, they gave hope to millions of black people around the world as they became the first black superstars. In Donald McRae's William Hill prize-winning dual biography, he compiles a brilliant portrait of the two men, who became close friends despite their very different career paths: within days of Olympic glory, Owens was banned from competing again, and was forced to spend his days racing against horses to earn a living before becoming a spokesman for the sporting ideal. Meanwhile Louis won and lost a fortune, eventually battling with drug addiction and mental illness. His vivid account of their lives away from the public eye, and the era in which they lived, is compelling and tragic.

Vietnam and the Colonial Condition of French Literature explores an aspect of modern French literature that has been consistently overlooked in literary histories: the relationship between the colonies—their cultures, languages, and people—and formal shifts in French literary production. Starting from the premise that neither cultural identity nor cultural production can be pure or homogenous, Leslie Barnes initiates a new discourse on the French literary canon by examining the work of three iconic French writers with personal connections to Vietnam: André Malraux, Marguerite Duras, and Linda Lê. In a thorough investigation of the authors’ linguistic, metaphysical, and textual experiences of colonialism, Barnes articulates a new way of reading French literature: not as an inward-looking, homogenous, monolingual tradition, but rather as a tradition of intersecting and interdependent peoples, cultures, and experiences. One of the few books to focus on Vietnam’s position within francophone literary scholarship, Barnes challenges traditional concepts of French cultural identity and offers a new perspective on canonicity and the division between “French” and “francophone” literature.

"[The dramatist] has used his hero, a fighter based on the first Black heavyweight champion of the world, Jack Johnson ... as a symbol in part of Black aspiration"--Back cover.

NEW YORK TIMES BESTSELLER • “An explosive and absorbing discussion of race, politics, and the history of American sports.”—Ebony From Jackie Robinson to Muhammad Ali and Arthur Ashe, African American athletes have been at the center of modern culture, their on-the-field heroics admired and stratospheric earnings envied. But for all their money, fame, and achievement, says New York Times columnist William C. Rhoden, black athletes still find themselves on the periphery of true power in the multibillion-dollar industry their talent built. Provocative and controversial, Rhoden’s $40 Million Slaves weaves a compelling narrative of black athletes in the United States, from the plantation to their beginnings in nineteenth-century boxing rings to the history-making accomplishments of notable figures such as Jesse Owens, Althea Gibson, and Willie Mays. Rhoden reveals that black athletes’ “evolution” has merely been a journey from literal plantations—where sports were introduced as diversions to quell revolutionary stirrings—to today’s figurative ones, in the form of collegiate and professional sports programs. He details the “conveyor belt” that brings kids from inner cities and small towns to big-time programs, where they’re cut off from their roots and exploited by team owners, sports agents, and the media. He also sets his sights on athletes like Michael Jordan, who he says have abdicated their responsibility to the community with an apathy that borders on treason. The power black athletes have today is as limited as when masters forced their slaves to race and fight. The primary difference is, today’s shackles are invisible. Praise for Forty Million Dollar Slaves “A provocative, passionate, important, and disturbing book.”—The New York Times Book Review “Brilliant . . . a beautifully written, complex, and rich narrative.”—Washington Post Book World “A powerful call for more black athletes to give back to their communities.”—Los Angeles Times

While the accomplishments and influence of Jack Johnson, Joe Louis, Jesse Owens, Jackie Robinson, and Muhammad Ali are doubtless impressive solely on their merits, these luminaries of the Black sporting experience did not emerge spontaneously. Their rise was part of a gradual evolution in social and power relations in American culture between the 1890s and 1940s that included athletes such as jockey Isaac Murphy, barnstorming pilot Bessie Coleman, and golfer Teddy Rhodes. The contributions of these early athletes to our broader collective history, and their heroic confrontations with the entrenched racism of their times, helped bring about the incremental changes that after 1945 allowed for sports to be more fully integrated. Before Jackie Robinson details and analyzes the lives of these lesser-known but important athletes within the broader history of Black liberation. These figures not only excelled in their given sports but also transcended class and racial divides in making inroads into popular culture despite the societal restrictions placed on them. They were also among the first athletes to blur the line between athletics, entertainment, and celebrity culture. This volume presents a more nuanced account of early Black American athletes’ lives and their ongoing struggle for acceptance, relevance, and personal and group identity.