Its Been Beautiful

Soul! was where Stevie Wonder and Earth, Wind & Fire got funky, where Toni Morrison read from her debut novel, where James Baldwin and Nikki Giovanni discussed gender and power, and where Amiri Baraka and Stokely Carmichael enjoyed a sympathetic forum for their radical politics. Broadcast on public television between 1968 and 1973, Soul!, helmed by pioneering producer and frequent host Ellis Haizlip, connected an array of black performers and public figures with a black viewing audience. In It's Been Beautiful, Gayle Wald tells the story of Soul!, casting this influential but overlooked program as a bold and innovative use of television to represent and critically explore black identity, culture, and feeling during a transitional period in the black freedom struggle.

Shortlisted for the J. Anthony Lukas Prize The story of art collective Gran Fury--which fought back during the AIDS crisis through direct action and community-made propaganda--offers lessons in love and grief. In the late 1980s, the AIDS pandemic was annihilating queer people, intravenous drug users, and communities of color in America, and disinformation about the disease ran rampant. Out of the activist group ACT UP (AIDS Coalition to Unleash Power), an art collective that called itself Gran Fury formed to campaign against corporate greed, government inaction, stigma, and public indifference to the epidemic. Writer Jack Lowery examines Gran Fury's art and activism from iconic images like the "Kissing Doesn't Kill" poster to the act of dropping piles of fake bills onto the trading floor of the New York Stock Exchange. Lowery offers a complex, moving portrait of a collective and its members, who built essential solidarities with each other and whose lives evidenced the profound trauma of enduring the AIDS crisis. Gran Fury and ACT UP's strategies are still used frequently by the activists leading contemporary movements. In an era when structural violence and the devastation of COVID-19 continue to target the most vulnerable, this belief in the power of public art and action persists.

Shortlisted for the J. Anthony Lukas Prize The story of art collective Gran Fury—which fought back during the AIDS crisis through direct action and community-made propaganda—offers lessons in love and grief. In the late 1980s, the AIDS pandemic was annihilating queer people, intravenous drug users, and communities of color in America, and disinformation about the disease ran rampant. Out of the activist group ACT UP (AIDS Coalition to Unleash Power), an art collective that called itself Gran Fury formed to campaign against corporate greed, government inaction, stigma, and public indifference to the epidemic. Writer Jack Lowery examines Gran Fury’s art and activism from iconic images like the “Kissing Doesn’t Kill” poster to the act of dropping piles of fake bills onto the trading floor of the New York Stock Exchange. Lowery offers a complex, moving portrait of a collective and its members, who built essential solidarities with each other and whose lives evidenced the profound trauma of enduring the AIDS crisis. Gran Fury and ACT UP’s strategies are still used frequently by the activists leading contemporary movements. In an era when structural violence and the devastation of COVID-19 continue to target the most vulnerable, this belief in the power of public art and action persists.

SOMETIMES IT WAS BEAUTIFUL is a very different kind of book in the annals of work published in the American and African-African tradition. It is a true to life story told by PT Armstrong, a man whose incredible life began as the son of an impoverished sharecropper in Texas but who survived those slave-like beginnings to experience the kind of adventures that only a handful of people are still alive to talk about. Despite such life-threatening adversities as severe poverty and Jim Crow racismÑwhen we worked as a ÒmuleskinnerÓ-- Armstrong tended to be Òlucky in love.Ó In SOMETIMES IT WAS BEAUTIFUL, he balances his report on the hardships of life for a young black man during the middle years of the twentieth century in America with tales of a young man constantly in search of love. Whether strongly erotic, humorous, or sad, the story of his quest for love is an unflinchingly honest one. The memoir employs dialect that is true to the era and place.

UPDATED TO INCLUDE THE 2021/22 SEASON THE INSTANT SUNDAY TIMES TOP TEN BESTSELLER The behind-the-scenes story of the Marcelo Bielsa revolution at Leeds United and their first season back in the Premier League after sixteen years of hurt. FEATURING FRESH PERSONAL INSIGHT FROM MARCELO BIELSA On 27th February 2022, after 170 matches in charge, promotion to the Premier League and some of the most exhilarating football the English game has ever seen, Leeds United parted company with their most beloved and successful manager in a generation: Marcelo Bielsa. His parting gift was to embrace the crowds of adoring fans who turned up to say thank you as he left the club's training ground for the final time. In And it was Beautiful, The Athletic's Phil Hay chronicles Leeds United's glorious first season back in the top flight - which saw them finish ninth - after a chaotic sixteen-year absence. Phil pulls back the curtain on the hallmarks that now define the Marcelo Bielsa era, from his gruelling training schedule - including his infamous 'murderball' sessions - to innovative tactical methods that elevated Championship regulars into Premier League stars. Bielsa performed miracles, turning football into high art and making an extraordinary cultural impact on the city of Leeds. The result is a unique and fitting tribute to a Leeds United icon.

“I was here. I saw beauty. I embraced it.”—Kara Tippetts How do you live out extravagant love in the everyday moments? How do you celebrate grace when your life turns out differently than the one you dreamed? Kara Tippetts discovered how to find joy in the small moments of life. She learned how to hold tight to hope even while battling intense physical and emotional pain. And she lived out the truth that God can redeem any story. In her final book, Kara offers gentle reflections on living and dying well. She invites us to cultivate soft hearts even when we face great disappointment. Her ideas for living are hard-won, wrestled with in the crucible of family, illness, and faith. And her constant reminder is that whether we are in the midst of dark days or mundane moments Jesus is always there, life is surprisingly beautiful, and God is forever good.

William, age 50, is barely going through the motions, trapped in the unspeakable hell unique to parents who outlive their children. After watching in helpless horror as a train kills his beloved only child, he is fired from his job, and his wife, as ruined by suffocating sadness as her husband, moves in with her sister. Meanwhile, William's treasured daughter-in-law seeks oblivion in the arms of a local carpenter, and nothing seems able to break through his pain.

A powerful new collection from poet, essayist, and frequent New Yorker contributor Lia Purpura Lia Purpura has won national acclaim as both a poet and an essayist. The exquisitely rendered poems in this, her fourth collection, reach back to an early affinity for proverbs and riddles and the proto-poetry found in those forms. Taking on epic subjects—time and memory, metamorphosis and indeterminacy, the complicated nature of beauty, wordless states of being—each poem explores a bright, crisp, singular moment of awareness or shock or revelation. Purpura reminds us that short poems, never merely brief nor fragmentary, can transcend their size, like small dogs, espresso, a drop of mercury.

In Black Power TV, Devorah Heitner chronicles the emergence of Black public affairs television starting in 1968. She examines two local shows, New York's Inside Bedford-Stuyvesant and Boston's Say Brother, and the national programs Soul! and Black Journal. These shows offered viewers radical and innovative programming: the introspections of a Black police officer in Harlem, African American high school students discussing visionary alternatives to the curriculum, and Miriam Makeba comparing race relations in the United States to apartheid in South Africa. While Inside Bedford-Stuyvesant and Say Brother originated from a desire to contain Black discontent during a period of urban uprisings and racial conflict, these shows were re-envisioned by their African American producers as venues for expressing Black critiques of mainstream discourse, disseminating Black culture, and modeling Black empowerment. At the national level, Soul! and Black Journal allowed for the imagining of a Black nation and a distinctly African American consciousness, and they played an influential role in the rise of the Black Arts Movement. Black Power TV reveals how regulatory, activist, and textual histories are interconnected and how Black public affairs television redefined African American representations in ways that continue to reverberate today.

AN INSTANT #1 NEW YORK TIMES BESTSELLER Beautiful World, Where Are You is a new novel by Sally Rooney, the bestselling author of Normal People and Conversations with Friends. Alice, a novelist, meets Felix, who works in a warehouse, and asks him if he’d like to travel to Rome with her. In Dublin, her best friend, Eileen, is getting over a break-up, and slips back into flirting with Simon, a man she has known since childhood. Alice, Felix, Eileen, and Simon are still young—but life is catching up with them. They desire each other, they delude each other, they get together, they break apart. They have sex, they worry about sex, they worry about their friendships and the world they live in. Are they standing in the last lighted room before the darkness, bearing witness to something? Will they find a way to believe in a beautiful world?