Israeli Culture In Perspective

Join six Israeli teenagers as they meet in an unexpected way, and become friends despite their different cultures. Each one describes his or her family background, customs, and connection to general Israeli culture. Nadav, Shmulik, Ori, and Ziva discover that they are related. Together with their Ethiopian-Israeli friend, Yityish, they discover the place where their family History in Israel began. Along the way, they meet Mahmoud and learn about Arab-Israeli culture. Learn about the many different Israeli cultures and about fascinating aspects of Israeli life. Discover the wide variety of Israeli foods. Try your hand at an Israeli cookie recipe and an arts and crafts project. And follow along with Nadav, Shmulik, Ori, Ziva, Yityish, and Mahmoud as they learn about what makes each of them unique, and what they have in common!

Offers a complete sociological perspective of Jews and Jewish life in Israel from 1948 to the present.

Israeli Culture in Perspective is an in-depth look at the different cultures of Israel with an emphasis on current culture. The young reader is presented with an overview of a variety of regional cultures that developed historically and analyzes how the cultural history shapes the Israeli current culture. The book is written in a lively and interesting style with a variety of Israeli cultural groups including: Sephardic Jews, Ashkenazic Jews, haredi Jews Ethiopian Jews, and Arabs. The book discusses the Israeli languages, foods, music/dance, art/literature, religions, holidays, lifestyle, and most importantly contemporary culture in the country today. The book has been developed to address many of the Common Core specific goals, higher level thinking skills, and progressive learning strategies from informational texts for middle grade and junior high level students.

Covering topical issues concerning the nature of the Israeli state, this engaging work presents essays that combine a variety of comparative schemes, both internal to Jewish civilization and extending throughout the world, such as: modern Jewish society, politics and culture historical consciousness in the twentieth century colonialism, anti-colonialism and postcolonial state-building. With its open-ended, comparative approach, Israel in History provides a useful means of correcting the biases found in so much scholarship on Israel, be it sympathetic or hostile. This book will appeal to scholars and students with research interests in many fields, including Israeli Studies, Middle East Studies, and Jewish Studies.

Musical culture in Jewish communities in early modern Italy was much more diverse than researchers originally thought. An interdisciplinary reassessment, Music and Jewish Culture in Early Modern Italy evaluates the social, cultural, political, economic, and religious circumstances that shaped this community, especially in light of the need to recognize individual experiences within minority populations. Contributors draw from rich materials, topics, and approaches as they explore the inherently diverse understandings of music in daily life, the many ways that Jewish communities conceived of music, and the reception of and responses to Jewish musical culture. Highlighting the multifaceted experience of music within Jewish communities, Music and Jewish Culture in Early Modern Italy sheds new light on the place of music in complex, previously misunderstood environments.

A unique Israeli national culture—indeed, the very nature of "Israeliness"—remains a matter of debate, a struggle to blend vying memories and backgrounds, ideologies and wills. Identifying popular music as an important site in this wider cultural endeavor, this book focuses on the three major popular music cultures that are proving instrumental in attempts to invent Israeliness: the invented folk song repertoire known as Shirei Eretz Israel; the contemporary, global-cosmopolitan Israeli rock; and the ethnic-oriental musica mizrahit. The result is the first ever comprehensive study of popular music in Israel. Motti Regev, a sociologist, and Edwin Seroussi, an ethnomusicologist, approach their subject from alternative perspectives, producing a truly interdisciplinary, sociocultural account of music as a feature and a force in the shaping of Israeliness. A major ethnographic undertaking, describing and analyzing the particular history, characteristics, and practices of each music culture, Popular Music and National Culture in Israel maps not only the complex field of Israeli popular music but also Israeli culture in general.

The volume brings together a collection of essays on Jewish-related subjects to celebrate Emanuela Trevisan Semi’s career and research authored by some former students, friends and colleagues on the occasion of her retirement. Drawing upon the many academic interests and research of Trevisan Semi, one of the most important European scholars of Jewish and Israel Studies, the volume discusses the diversity of Jewish culture both in the diaspora and in Israel. The contributors here wrote their pieces understanding Jewish culture as inscribed in a set of different, yet interrelated, homelands and diasporas, depending on the time and space we refer to, and what this means for communities and individuals living in places as different as West Africa, Poland, Morocco, and Israel and the Occupied Palestinian Territories. At the same time, they discuss the notion of diaspora as being crucial in the formation of the Jewish cultural identity both before and after the birth of the State of Israel.

Surveying the evolution of the Jewish people and its culture and thought throughout the ages, this book describes the momentous results of Jewry's encounter with European Modernism. It traces how, over the last two-and-a-half centuries, pluralism and secularism first took hold in the Jewish world and then expanded until they are now the dominant feature and the driving force in contemporary Judaism. These issues are illuminated with a wide selection of works from the Jewish literature and thought.

By analyzing its position within the struggles for recognition and reception of different national and ethnic cultural groups, this book offers a bold new picture of Israeli literature. Through comparative discussion of the literatures of Palestinian citizens of Israel, of Mizrahim, of migrants from the former Soviet Union, and of Ethiopian-Israelis, the author demonstrates an unexpected richness and diversity in the Israeli literary scene, a reality very different from the monocultural image that Zionism aspired to create. Drawing on a wide body of social and literary theory, Mendelson-Maoz compares and contrasts the literatures of the four communities she profiles. In her discussion of the literature of the Palestinian citizens of Israel, she presents the question of language and translation, and she provides three case studies of particular authors and their reception. Her study of Mizrahi literature adopts a chronological approach, starting in the 1950s and proceeding toward contemporary Mizrahi writing, while discussing questions of authenticity and self-determination. The discussion of Israeli literature written by immigrants from the former Soviet Union focuses both on authors who write Israeli literature in Russian and of Russian immigrants writing in Hebrew. The final section of the book provides a valuable new discussion of the work of Ethiopian-Israeli writers, a group whose contributions have seldom been previously acknowledged. The picture that emerges from this groundbreaking book replaces the traditional, homogeneous historical narrative of Israeli literature with a diversity of voices, a multiplicity of origins, and a wide range of different perspectives. In doing so, it will provoke researchers in a wide range of cultural fields to look at the rich traditions that underlie it in new and fresh ways.