Island Paradise

Four best friends—Check. One unforgettable week in Kauai—Check. Sun, surf, and hula girls in bikinis—Check. A creepy mansion on the forbidden side of the island…. Check? Sam and Colby’s vacation in paradise goes from enchanting, to weird, to deadly, when Trey, an old acquaintance, insists they can’t leave without a visit to the legendary Nā Pali Coast. It turns out Trey has been living at the infamous Belle Estate, owned by a wealthy and eccentric widow—who locals believe is a witch. The only thing odder than how a twenty-three-year-old college kid from Utah ended up living in a remote and isolated mansion on the North Shore of Kauai is that he is romantically involved with a woman old enough to be their grandmother. Belle Estate’s walls hold an eerie sway over all who enter, and a dark, shadowy presence seems to be following them around the grounds. When an unfavorable change of plans forces them to stay overnight, Sam and Colby are in for the most terrifying encounter of their lives.

A colonial discourse has perpetuated the literary notion of islands as paradisal. This study explores how the notions of island paradise have been represented in European literature, the oral and literary indigenous traditions of the Caribbean and Sri Lanka, a colonial literary influence in these islands, and the literary experience after independence in these nations. Persistent themes of colonial narratives foreground the aesthetic and ignore the workforce in a representation of island space as idealized, insular, and vulnerable to conquest; an ideal space for management and control. English landscape has been replicated in islands through literature and in reality - the 'Great House' being an ideological symbol of power. Island Paradise: The Myth investigates how these entrenched notions of paradise, which islands have traditionally represented metonymically, are contested in the works of four postcolonial authors: Jamaica Kincaid, Lawrence Scott, Romesh Gunesekera, and Jean Arasanayagam, from the island nations of the Caribbean and Sri Lanka. It analyzes texts which focus on gardens, island space, and houses to examine how these motifs are used to re-vision colonial/contested sites. This book examines the relationship between landscape and identity and, with reference to Homi K. Bhabha, considers how these writers offer an alternative space for negotiating the ambivalence of hybridity.

Chronicles the highly controversial practice of rescuing endangered island species by killing their predators, explaining how rats and other animals introduced to the Bering Sea midway by shipwrecks have decimated native bird populations.

Stranded on an exotic island in the south Pacific, Mary-Kate is enchanted with the island, the people she meets and their slower way of life. Too bad she isn’t as enchanted with the island’s stern owner. Her attempts to leave are constantly delayed. Then just when she’s about to change her mind about wanting to leave, the way is clear. Now what’s a woman to do–leave the man she’s fallen for behind, or stay where she’s not wanted?

Just one month after his 21st birthday, Peter Rudiak-Gould moved to Ujae, a remote atoll in the Marshall Islands located 70 miles from the nearest telephone, car, store, or tourist, and 2,000 miles from the closest continent. He spent the next year there, living among its 450 inhabitants and teaching English to its schoolchildren. At first blush, Surviving Paradise is a thoughtful and laugh-out-loud hilarious documentation of Rudiak-Gould’s efforts to cope with daily life on Ujae as his idealistic expectations of a tropical paradise confront harsh reality. But Rudiak-Gould goes beyond the personal, interweaving his own story with fascinating political, linguistic, and ecological digressions about the Marshall Islands. Most poignant are his observations of the noticeable effect of global warming on these tiny, low-lying islands and the threat rising water levels pose to their already precarious existence. An Eat, Pray, Love as written by Paul Theroux, Surviving Paradise is a disarmingly lighthearted narrative with a substantive emotional undercurrent.

In a true story of a quarter-life crisis, the author shares his experiences living on the remote Pacific island of Yap, covering such topics as loincloth-tying, monkey-diapering, and the effects of global capitalism.

"Tahiti, the island paradise" by Nicholas Senn. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

A house by the sea should be a house of dreams. Where windows and doors are thrown open to the ocean, and gusts of cool, salty air turn us all into kids again--buoyant and joyful. Spending childhood days on the beach and in the magical, romantic chaos of her family's rambling house internationally renowned interior designer Celerie Kemble has a deep-rooted connection to the sun and surf. However, in the summer of 2004, Kemble laid eyes on a wild swath of jungle in the Dominican Republic next to minty-blue water and an endless stretch of golden sand, she fell madly in love. Over many years, she designed a home away from home there, an island retreat--a clubhouse and a grouping of family homes and guesthouses--suffused with light and air, full of indoor and outdoor rooms for relaxation. In her latest book, Island Whimsy, Kemble recounts the deeply personal and creative journey of designing Playa Grande and bringing this labor of love to life. The chapters of this book are organized around the different ways Kemble sought to braid her family's story into the larger landscape of Playa Grande and to provide inspiration, joy, and respite to all who come. "Fantasy" looks at the way she used whimsical, dreamlike elements--from the latticework cabanas by the pool to the lamb statues on the property who "mow" the lawns--throughout the property to create a sense of play and possibility. "Light, Salt, Air" describes how she went about bringing the most precious elements of the beach into the homes themselves, creating a feeling of flow and permeability, and reminding visitors constantly of where they are. "In the Jungle" looks at the design cues she took from the flora and fauna of the tropical rainforest surrounding Playa Grande to create an alluring tension between chaos and refinement. "Sweet & Dark" examines the surprising color combinations that tango into life in the tropics--whether in the form of tribal prints in hot Gauguin colors mixed with Jordan-almond pastels or handmade objects like a papier-mâché lobster mask that brings a shout of spirit to a room. Finally, "Texture" focuses on the powerful impact that thoughtfully layered materials--from rough, local coquina stone and painted antique wicker to the smooth polished cotton of Dutch wax prints--have on a space. Throughout this lovingly crafted book, ideas abound for anyone decorating a sunny home or fantasizing about spending time in one. Kemble shares inspiration for creating a sense of openness to the sea, sand, and sky; offering places to wash sandy feet or perfect viewing spots for a sunset-saturated drink; and infusing spaces with invitation, welcome, and magic.