Introducing New Gods

The religious imagination of the Greeks, Robert Garland observes, was populated by divine beings whose goodwill could not be counted upon, and worshipers faced a heavy burden of choice among innumerable deities to whom they might offer their devotion. These deities--and Athenian polytheism itself--remained in constant flux as cults successively came into favor and waned. Examining the means through which the Athenians established and marketed cults, this handsomely illustrated book is the first to illuminate the full range of motives--political and economic, as well as spiritual--that prompted them to introduce new gods.

Dubbed “Nietzsche without his hammer” by literary critic James Wood, the Romanian philosopher E. M. Cioran is known as much for his profound pessimism and fatalistic approach as for the lyrical, raging prose with which he communicates them. Unlike many of his other works, such as On the Heights of Despair and Tears and Saints, The New Gods eschews his usual aphoristic approach in favor of more extensive and analytic essays. Returning to many of Cioran’s favorite themes, The New Gods explores humanity’s attachment to gods, death, fear, and infirmity, in essays that vary widely in form and approach. In “Paleontology” Cioran describes a visit to a museum, finding the relatively pedestrian destination rife with decay, death, and human weakness. In another chapter, Cioran explores suicide in shorter, impressionistic bursts, while “The Demiurge” is a shambolic exploration of man’s relationship with good, evil, and God. All the while, The New Gods reaffirms Cioran’s belief in “lucid despair,” and his own signature mixture of pessimism and skepticism in language that never fails to be a pleasure. Perhaps his prose itself is an argument against Cioran’s near-nihilism: there is beauty in his books.

When powerful siblings discover a terrifying truth, will they embrace a new destiny or turn to darkness? Ashaya Blacksun has had a weight lifted from her shoulders. Freed by her father's abdication of his crown, the former princess's delight over choosing her own path is barely dimmed by her strange and haunting dreams. But when her beloved twin brother doesn't return home from a ranging expedition, the unconventional young woman fears something has gone terribly wrong. Born into royalty, Sirich Blacksun quietly seethes that he's no longer heir to the throne. Still determined to maintain a position of leadership, he sets out to investigate the disturbing news of carnage in the south. But when he crosses paths with a powerful figure straight out of lore, the temptation to ignore his beloved father's bold vision in favor of his own ambition becomes increasingly difficult to resist. Defying tradition by sneaking off to find her missing twin, Ashaya's travels over deadly terrain are plagued by intensifying visions that point to a dark fate. And as Sirich's strange new companion shows him a new way forward, the frustrated would-be king faces a frightening choice. As these scions of nobility grapple with a new reality, will their quest for truth end in tragedy? The Crimson Gods is the first book in the sweeping Crimson Gods medieval fantasy series. If you like fierce characters, ancient fables, and stunning twists, then you'll love Chris M. Christian's breathtaking epic. Buy The Crimson Gods to taste the blood of deities today!

Don't miss this new volume featuring the greatest New Gods stories by aWho's Who of all-star creators! Recognized as one of Jack Kirby's greatestcreations, the New Gods now play an integral role in the DC Universe. Rediscoverthe classic tales of young Scott Free, Darkseid, Orion and more in thissoftcover collecting stories from Mister Miracle Special, Jack Kirby's FourthWorld #2-20, and Orion #3-4, #6-8, #10, #12, #15, #18-19! Plus, anever-before-published short story by writer Mark Millar with art by Steve Ditko& Mick Gray!

The New Gods return in this collection of stories that reimagined Jack Kirby’s famous creations for a new era! Writer Mark Evanier, former assistant to New Gods creator Jack Kirby, teams with artist Paris Cullins to revive Orion, Darkseid, Metron, Kalibak, and more in this collection of key late-80s stories, set in the wake of Cosmic Odyssey. Stories include Orion leading an expedition to Earth and the six-part “Bloodline Saga.” Collects New Gods #1-14.

This interpretation of Plato's Apology of Socrates argues that Plato's Socrates offers a sincere defence against the charges he faces. In doing so the book offers an exhaustive historical and philosophical interpretation of and commentary on the text.

A mysterious force is slaughtering both New Gods and villains of Apokolips alike - and when Mister Miracle's wife, Big Barda, is killed, he harnesses the dread power of the Anti-Life Equation on a search for answers by any means necessary. What he and others will discover will change the very galaxy

Collecting four classic series of the 1970s, this volume takes the reader from the streets of Metropolis to the far-flung worlds of New Genesis and Apokolips, as cosmic-powered heroes and villains struggle for supremacy.

Sacred centers -- The difference race makes: Native American Religions, Hinduism, and Judaism -- American Christianity, part 1: backwards neighbors -- American Christianity, part 2: American Christianities as dangerous threats -- Stigma, stupidity, and exclusion: "cults" and Muslims -- List of episodes referenced

Despite all the hype surrounding the "New Atheism," the United States remains one of the most religious nations on Earth. In fact, 95% of Americans believe in God--a level of agreement rarely seen in American life. The greatest divisions in America are not between atheists and believers, or even between people of different faiths. What divides us, this groundbreaking book shows, is how we conceive of God and the role He plays in our daily lives. America's Four Gods draws on the most wide-ranging, comprehensive, and illuminating survey of American's religious beliefs ever conducted to offer a systematic exploration of how Americans view God. Paul Froese and Christopher Bader argue that many of America's most intractable social and political divisions emerge from religious convictions that are deeply held but rarely openly discussed. Drawing upon original survey data from thousands of Americans and a wealth of in-depth interviews from all parts of the country, Froese and Bader trace America's cultural and political diversity to its ultimate source--differing opinions about God. They show that regardless of our religious tradition (or lack thereof), Americans worship four distinct types of God: The Authoritative God--who is both engaged in the world and judgmental; The Benevolent God--who loves and helps us in spite of our failings; The Critical God--who catalogs our sins but does not punish them (at least not in this life); and The Distant God--who stands apart from the world He created. The authors show that these four conceptions of God form the basis of our worldviews and are among the most powerful predictors of how we feel about the most contentious issues in American life. Accessible, insightful, and filled with the voices of ordinary Americans discussing their most personal religious beliefs, America's Four Gods provides an invaluable portrait of how we view God and therefore how we view virtually everything else.