Into The Slave Nebula

It was carnival time on Earth. Prosperity was at its peak; science had triumphed over environment; all human needs were taken care of by computers, robots and androids. There was nothing left for humans to do but enjoy, themselves . . . to seek pleasure where they found it, without inhibitions and without thinking of the price. Then an android died - in a senseless, brutal murder. And young Derry Horn was shocked out of his boredom and alienation. His life of flabby ease had not prepared him for a fantastically dangerous mission to outlying, primitive stars - but now, at last, he had a reason for living. And even when he found himself a prisoner of ruthless slavers, even when he learned the shocking truth about what the androids really were and where they came from . . . even when he saw all the laws of the orderly, civilised universe he knew turned upside-down and inside-out . . . he fought on. For that universe had to be shattered and reborn - even if Derry Horn and the Earth he had irrevocably left behind died in the process! (First published 1968)

Octavia E. Butler meets Marvel’s Black Panther in The Deep, a story rich with Afrofuturism, folklore, and the power of memory, inspired by the Hugo Award–nominated song “The Deep” from Daveed Diggs’s rap group Clipping. Yetu holds the memories for her people—water-dwelling descendants of pregnant African slave women thrown overboard by slave owners—who live idyllic lives in the deep. Their past, too traumatic to be remembered regularly is forgotten by everyone, save one—the historian. This demanding role has been bestowed on Yetu. Yetu remembers for everyone, and the memories, painful and wonderful, traumatic and terrible and miraculous, are destroying her. And so, she flees to the surface escaping the memories, the expectations, and the responsibilities—and discovers a world her people left behind long ago. Yetu will learn more than she ever expected about her own past—and about the future of her people. If they are all to survive, they’ll need to reclaim the memories, reclaim their identity—and own who they really are. The Deep is “a tour de force reorientation of the storytelling gaze…a superb, multilayered work,” (Publishers Weekly, starred review) and a vividly original and uniquely affecting story inspired by a song produced by the rap group Clipping.

'Le Guin's words are magical. Drink this magic up. Drown in it. Dream it' David Mitchell, author of CLOUD ATLAS In this stunning collection of four intimately interconnected novellas, Ursula K. Le Guin returns to the great themes that have made her one of America's most honored and respected authors. At the far end of our universe, on the twin planets of Werel and Yeowe, all humankind is divided into 'assets' and 'owners', tradition and liberation are at war, and freedom takes many forms. Here is a society as complex and troubled as any on our world, peopled with unforgettable characters struggling to become fully human. For the disgraced revolutionary Abberkam, the callow 'space brat' Solly, the haughty soldier Teyeo, and the Ekumen historian and Hainish exile Havzhiva, freedom and duty both begin in the heart, and success as well as failure has its costs.

The Iralians were humanoid and techically free citizens of the Galactic Empire. But as slaves they were prized above all others, for they had the unique capacity to transmit acquired knowledge through heredity. And so when the space mercenary Wanderer was hired by GLASS (Galactic League for the Abolition and Supression of Slavery) to take a cargo of Iralians home it was going to be a simple task! For one thing, they'd be hunted by interstellar slavers for their priceless passengers. For another, the Iralians themselves had other ideas which included mutiny and high treason. And for the third and worst, they were too close to the Horsehead Nebula, whose capacity for warping time, space and the dimensions was a permanent Red Alert for all spacecraft.

Poul Anderson's 'The Golden Slave' is a captivating tale set in the backdrop of ancient Rome, blending historical accuracy with elements of fantasy. The novel follows the journey of a young slave, Elva, who discovers her mysterious origins and embarks on a quest for freedom. Andersons narrative style is characterized by vivid descriptions and engaging dialogue, transporting readers to a vividly rendered ancient world where magic and political intrigue collide. The seamless integration of fantastical elements with historical detail makes 'The Golden Slave' a unique and compelling read for fans of historical fiction and fantasy alike. As Elva navigates the complex social hierarchy of Rome, readers are drawn into a mesmerizing tale of courage, betrayal, and self-discovery. Poul Anderson's expertise in crafting immersive worlds and compelling characters shines through in this masterfully woven story, making 'The Golden Slave' a must-read for anyone seeking a blend of history and fantasy.

Some days it doesn't pay to get out of your command chair. The Death Fleet is on course for Earth, and Pier Norlin and the crew of the Preceptor are determined to stop them. True to his duty as an imperial officer, even if a self-appointed one, Norlin is determined to carry the warning of impending invasion to Emperor Arian. The reality, though, is that the empire is corrupt and the emperor is a perverted, sadistic madman. Hailed as a conquering hero after he survives one of Arian's "war games," Norlin discovers he's a target for both those determined to stay in power and the factions seeking to overthrow the government.

Oh hi there, I'm the narrator; someone forced against his will to tell you this story.Um, what to say... Well, this is about slaves, a race known as the Tarians are used and discarded at the hands of their malevolent masters. Oh and there are these two brothers, Akrillis is a heroic paladin, while Vanakis is a selfish bastard.After an eye-opening event, Akrillis seeks to help the slaves condemned to die in the bowels of misery. Now he must convince his brother to fight for a cause other than himself, of which Vanakis couldn't care less about.As hostilities continue to intensify, Akrillis finds it more and more challenging to juggle the seemingly impossible task of finding salvation for millions of slaves, and keeping his uninterested young brother in check.So come join me on this journey across the galaxy, or don't, whatever.

Under his own name and numerous pseudonyms, John Brunner (1934–1995) was one of the most prolific and influential science fiction authors of the late twentieth century. During his exemplary career, the British author wrote with a stamina matched by only a few other great science fiction writers and with a literary quality of even fewer, importing modernist techniques into his novels and stories and probing every major theme of his generation: robotics, racism, drugs, space exploration, technological warfare, and ecology. In this first intensive review of Brunner's life and works, Jad Smith carefully demonstrates how Brunner's much-neglected early fiction laid the foundation for his classic Stand on Zanzibar and other major works such as The Jagged Orbit, The Sheep Look Up, and The Shockwave Rider. Making extensive use of Brunner's letters, columns, speeches, and interviews published in fanzines, Smith approaches Brunner in the context of markets and trends that affected many writers of the time, including Brunner's uneasy association with the "New Wave" of science fiction in the 1960s and '70s. This landmark study shows how Brunner's attempts to cross-fertilize the American pulp tradition with British scientific romance complicated the distinctions between genre and mainstream fiction and between hard and soft science fiction and helped carve out space for emerging modes such as cyberpunk, slipstream, and biopunk.

This bio-bibliography of the golden age of the science fiction field includes 308 biographies compiled from questionnaires sent to the authors, and chronological lists of 483 writers' published works. This facsimile reprint of the 1975 edition includes a title index, introduction, and minor corrections. A now-classic guide to the major and minor SF writers active in the early 1970s.

In what N. Katherine Hayles describes as "this enormously ambitious posthumous volume," renowned scholar George Slusser offers a definitive version of the argument about the history of science fiction that he developed throughout his career: that several important ideas and texts, routinely overlooked in other critical studies, made significant contributions to the creation of modern science fiction as it developed into a truly global literature. He explores how key thinkers like René Descartes, Benjamin Constant, Thomas DeQuincey, Guy du Maupassant, J.D. Bernal, and Ralph Waldo Emerson influenced and are reflected in twentieth-century science fiction stories from the United States, Great Britain, France, Germany, Poland, and Russia. The conclusion begins with Slusser’s overview of global science fiction in the twenty-first century and discusses recent developments in countries like China, Romania, and Israel. Hayles’s foreword provides a useful summation of the book’s contents, while science fiction writer Gregory Benford contributes an afterword providing a personal perspective on the life and thoughts of his longtime friend. The book was edited by Slusser’s former colleague Gary Westfahl, a distinguished scholar in his own right.