Into The Fray

From 1961 to 1989, a committed group of documentary journalists from the National Broadcasting Company (NBC) reported the stories of AmericaÆs overseas conflicts. Stuart Schulberg supplied film evidence to prosecute Nazi war criminals and established documentary units in postwar Berlin and Paris. NBC newsman David Brinkley created the template for prime-time news in 1961 and bore the scars to prove it. In 1964 Ted Yates and Bob Rogers produced a documentary warning of the pitfalls in Vietnam. Yates was later shot and killed in Jerusalem on the first day of the Six-Day War while producing a documentary for NBC News. In Into the Fray, Tom Mascaro vividly recounts the characters and experiences that helped create a unique, colorful documentary film crew based at the Washington bureau of NBC News. From the Kennedy era through the Reagan years, the journalists covered wars, rebellions, the Central Intelligence Agency, covert actions, the Pentagon, military preparedness, and world and American cultures. They braved conflicts and crises to tell the stories that Americans needed to see and hear, and in the process they changed the face of journalism. Mascaro also looks at the social changes in and around the unit itself, including the struggles and triumphs of women and African Americans in the field of television documentary. Into the Fray is the story of adventure, loyalty to reason, and life and death in the service of broadcast journalism.

In modern times the relationship between the church and academy has been strained and tension-filled. Mainstream church culture has often been skeptical of Bible scholars, depicting them as self-serving intellectuals trying to out-think God by devising new and controversial interpretations. Just as well, academics have often leveled harsh critiques against church culture, painting pastors and laity as anti-intellectual pseudo-spiritualists. Entering the Fray argues that, in spite of the wide gap between the academic and ecclesiastical worlds, the modern church should be aware of the key discussions taking place among biblical scholars. To be sure, the average churchgoer has not been tuned in to scholarly conversations concerning matters such as the Messianic Secret, Q, the Historical Jesus, the pistis Christou debate, and related topics. In fact, they may have purposefully tuned out! Some, however, are simply unaware that any such dialogue has taken place, and beyond the internet, may not have the first clue as to how to explore the details. This primer seeks to function as that "first clue" by helping congregants, pastors, and students of the Bible enter into the fray of scholarly discussions that, over the last few hundred years, have shaped both the academy and church.

National leaders often worry that civil wars might spread, but also seem to have little grasp on which civil wars will in fact draw in other states. An ability to understand which civil wars are most likely to draw in outside powers and when this is likely to happen has important policy implications as well as simply answering a scholarly question. Joining the Fray takes existing explanations about which outside states are likely to intervene militarily in civil wars and adds to them explanations about when states join and why. Building on his earlier volume, Is this a Private Fight or Can Anybody Join?, Zachary C. Shirkey looks at how the decision to join a civil war can be intuitively understood as follows: given that remaining neutral was wise when a war began something must change in order for a country to change its beliefs about the benefits of fighting and join the war. This book studies what these changes are, focusing in particular on revealed information and commitment problems.

The study of the New South has in recent decades been greatly enriched by research into gender, reshaping our understanding of the struggle for woman suffrage, the conflicted nature of race and class in the South, the complex story of politics, and the role of family and motherhood in black and white society. This book brings together nine essays that examine the importance of gender, race, and culture in the New South, offering a rich and varied analysis of the multifaceted role of gender in the lives of black and white southerners in the troubled decades of the late nineteenth and early twentieth centuries. Ranging widely from conservative activism by white women in 1920s Georgia to political involvement by black women in 1950s Memphis, many of these essays focus on southern women’s increasing public activities and high-profile images in the twentieth century. They tell how women shouldered responsibilities for local, national, and international interests; but just as nineteenth-century women’s status could be at risk from too much public presence, women of the New South stepped gingerly into the public arena, taking care to work within what they considered their current gender limitations. The authors—both established and up-and-coming scholars—take on subjects that reflect wide-ranging, sophisticated, and diverse scholarship on black and white women in the New South. They include the efforts of female Home Demonstration Agents to defeat debilitating diseases in rural Florida and the increasing participation of women in historic preservation at Monticello. They also reflect unique personal stories as diverse as lobbyist Kathryn Dunaway’s efforts to defeat the Equal Rights Amendment in Georgia and Susan Smith’s depiction by the national media as a racist southerner during coverage of her children’s deaths. Taken together, these nine essays contribute to the picture of women increasing their movement into political and economic life while all too often still maintaining their gendered place as determined by society. Their rich insights provide new ways to consider the meaning and role of gender in the post–Civil War South.

In the earliest days of the Christian church, the gospel spread out from Jerusalem in a burst of incredible stories. A man who could calm a stormy sea with a word, who healed the lame and the blind, who raised the ire of the religious leaders, and who even raised people from the dead. Compare this organic, even entertaining, method of spreading the Good News to how we are often encouraged to evangelize today, with clever arguments and our defenses already up in anticipation of rebuttal. Somewhere along the way, we've lost the plot to the greatest story ever told. Now Matt Mikalatos invites us back into God's story, both to find our place in it and to rediscover the wonder that the apostles saw in their listeners as they told the story of Jesus, the Messiah they knew personally and loved fiercely. As they lose themselves in modern retellings of the events of the book of Acts, readers will find that sharing the story is easier and more rewarding than they ever imagined.

In 1974, women in a feminist consciousness-raising group in Eugene, Oregon, formed a mock organization called the Ladies Sewing Circle and Terrorist Society. Emblazoning its logo onto t-shirts, the group wryly envisioned female collective textile making as a practice that could upend conventions, threaten state structures, and wreak political havoc. Elaborating on this example as a prehistory to the more recent phenomenon of “craftivism”—the politics and social practices associated with handmaking—Fray explores textiles and their role at the forefront of debates about process, materiality, gender, and race in times of economic upheaval. Closely examining how amateurs and fine artists in the United States and Chile turned to sewing, braiding, knotting, and quilting amid the rise of global manufacturing, Julia Bryan-Wilson argues that textiles unravel the high/low divide and urges us to think flexibly about what the politics of textiles might be. Her case studies from the 1970s through the 1990s—including the improvised costumes of the theater troupe the Cockettes, the braided rag rugs of US artist Harmony Hammond, the thread-based sculptures of Chilean artist Cecilia Vicuña, the small hand-sewn tapestries depicting Pinochet’s torture, and the NAMES Project AIDS Memorial Quilt—are often taken as evidence of the inherently progressive nature of handcrafted textiles. Fray, however, shows that such methods are recruited to often ambivalent ends, leaving textiles very much “in the fray” of debates about feminized labor, protest cultures, and queer identities; the malleability of cloth and fiber means that textiles can be activated, or stretched, in many ideological directions. The first contemporary art history book to discuss both fine art and amateur registers of handmaking at such an expansive scale, Fray unveils crucial insights into how textiles inhabit the broad space between artistic and political poles—high and low, untrained and highly skilled, conformist and disobedient, craft and art.

From Lake Chad to Iraq, nongovernmental organizations (NGOs) provide relief around the globe, and their scope is growing every year. Policy makers and activists often assume that humanitarian aid is best provided by these organizations, which are generally seen as impartial and neutral. In Above the Fray, Shai M. Dromi investigates why the international community overwhelmingly trusts humanitarian NGOs by looking at the historical development of their culture. With a particular focus on the Red Cross, Dromi reveals that NGOs arose because of the efforts of orthodox Calvinists, demonstrating for the first time the origins of the unusual moral culture that has supported NGOs for the past 150 years. Drawing on archival research, Dromi traces the genesis of the Red Cross to a Calvinist movement working in mid-nineteenth-century Geneva. He shows how global humanitarian policies emerged from the Red Cross founding members’ faith that an international volunteer program not beholden to the state was the only ethical way to provide relief to victims of armed conflict. By illustrating how Calvinism shaped the humanitarian field, Dromi argues for the key role belief systems play in establishing social fields and institutions. Ultimately, Dromi shows the immeasurable social good that NGOs have achieved, but also points to their limitations and suggests that alternative models of humanitarian relief need to be considered.

The beginning of the present century glorious as it was for British arms abroad was a dark time to those who lived by their daily labor at home.

This volume engages the work of Walter Brueggemann, most of which has been published by Fortress Press. The volume centers on the character of God in the text of the Old Testament as a site of theological tension and even ambivalence. Biblical faith never experiences God as entirely above the fray but rather as entangled in history, astonishingly transformative, and impinged upon by the voices of the suffering. Brueggemann's monumental Theology of the Old Testament addresses this fact with great theological insight and rigor, and the internationally renowned biblical scholars writing here engage and extend his insights into the "unsettled Character . . . at the center of the text."

There is no question that strong foundational skills are essential to successful, joyful reading. In this book, Julia Lindsey focuses on strategies for decoding and chunking words--and ways to teach them efficiently to help children read more deeply during whole-class, small-group and one-on-one instruction. You'll find: 1) need-to-know essentials of how reading works and develops; 2) principles of high-quality foundational skills instruction--including connections to content learning, culturally responsive practices, and engaged reading; and 3) clear-cut, teacher-approved, research-based "instructional swaps" to improve your early reading instruction.