Intimate Desires

Hannah is trying to get on with her life, but unexpected obstacles - a hot cop and a dead body are making it a challenge! With her short and regrettable marriage over, she is thrilled to enter her very own cafe each morning, and determined to keep men on the sideline for a while. Business is good, and her customers need her for their morning jolt of caffeine as well as her vivacious personality. Those who call the streets their home also depend on her kindness and compassion for an occasional warm drink or bite to eat. But for some of those unfortunate souls, Hannah’s cafe is turning out to be the wrong place to be found! One by one, three men have been found dead in the alley behind her bistro. The causes of death are different, but the scenes are spookily similar. And to her, they all mean one thing: a murderer is in her midst. Enter a handsome alpha male - Chicago Police Detective Sam Jeffers. His charm and undeniable physical appeal awaken desires in Hannah that she thought she had put on hold. And the persistence and determination that make him an effective homicide detective are wearing down her resolve... Will their feelings for each other have a chance to grow before the murderer gets even closer? Enjoy Intimate Desires - book one in The Love and Danger Series!

In this groundbreaking book, Dr. David Schnarch, one of the foremost experts on sexuality and relationships, explains why normal healthy couples in long-term relationships have sexual desire problems, regardless of how much they love each other or how well they communicate. In-depth examples of couples he has counselled reveal his unique understanding of common-but-difficult sexual desire problems that affect couples of all ages. Combining compassion and clinical wisdom, Dr. Schnarch explains how to use his revolutionary Four Points of Balance approach to resolve low desire, mismatched desire, sexual boredom, and the emotional gridlock that accompanies these problems. Intimacy and Desire provides a roadmap for how couples can transform common sexual desire problems into self-exploration and personal development that leads to psychological and spiritual growth, stronger relationships, and more powerful and meaningful desire for each other. It provides time-proven comprehensive solutions that help couples reconnect with each other sexually, and take their intimacy and passion to new, previously unexplored heights.

Ingrid Bergman's engaging screen performance as Sister Mary Benedict in The Bells of St. Mary's made the film nun a star and her character a shining standard of comparison. She represented the religious life as the happy and rewarding choice of a modern woman who had a "complete understanding" of both erotic and spiritual desire. How did this vibrant and mature nun figure come to be viewed as girlish and naive? Why have she and her cinematic sisters in postwar popular film so often been stereotyped or selectively analyzed, so seldom been seen as women and religious? In Veiled Desires--a unique full-length, in-depth study of nuns in film--Maureen Sabine explores these questions in a groundbreaking interdisciplinary study covering more than sixty years of cinema. She looks at an impressive breadth of films in which the nun features as an ardent lead character, including The Bells of St. Mary's (1945), Black Narcissus (1947), Heaven Knows, Mr. Allison (1957), Sea Wife (1957), The Nun's Story (1959), The Sound of Music (1965), Change of Habit (1969), In This House of Brede (1975), Agnes of God (1985), Dead Man Walking (1995), and Doubt (2008). Veiled Desires considers how the beautiful and charismatic stars who play chaste nuns, from Ingrid Bergman and Audrey Hepburn to Susan Sarandon and Meryl Streep, call attention to desires that the veil concealed and the habit was thought to stifle. In a theologically and psychoanalytically informed argument, Sabine responds to the critics who have pigeonholed the film nun as the obedient daughter and religious handmaiden of a patriarchal church, and the respectful audience who revered her as an icon of spiritual perfection. She provides a framework for a more complex and holistic picture of nuns on screen by showing how the films dramatize these women's Christian call to serve, sacrifice, and dedicate themselves to God, and their erotic desire for intimacy, agency, achievement, and fulfillment.

Claiming Our Deepest Desires integrates the spirituality of marriage with the practical experience of marriage. M. Bridget Brennan and Jerome L. Shen, a married couple, invite readers to reflect on God's call to marriage, the nature of the call, and the acceptance. Readers contemplate true love, intimacy, and how love is expressed and received in their marriage. The book addresses attitudes that are helpful for dealing with obstacles and fears that hinder intimacy. The rhythms, cycles, and stages in a marriage are discussed to provide awareness for a married couple. The wants, needs, and requirements for the relationship are acknowledged. The authors delve into some specific aspects of marriage by considering the process of making decisions as a couple, discussing making life choices, and different perspectives on the use of time and money. One chapter is devoted to love making. Communication and conflict resolution are brought up as well as the call to mission. The book ends by focusing on the hopes, dreams, and Vision that we have for marriage and how that motivates us to live better and more joy-filled lives today. Claiming Our Deepest Desires is for adults in healthy committed married relationships, who wish to grow in love and intimacy to realize the full promise of marriage. Ideally spouses will read, reflect on, and discuss the book together. It can be used by individuals, small groups, or as a supplemental text to university-level courses. Chapters are Call to Marriage," *What Is Love and Intimacy? - *Growing in Love and Intimacy, - *The Dynamics of Relationship, - *Making Decisions on Life Choices, Time, and Money, - *Making Love in a Sexually Charged World, - *Conflict and Communication, - *Mission: Fruit of a Vibrant Marriage, - and *The Fruit of Love Is Joy. - Exercises and reflection questions are provided at the end of each chapter. M. Bridget Brennan is the director of marriage ministry at St. Francis Xavier Church on the campus of St. Louis University. She serves as a consultant with the St. Louis Archdiocesan Office of Laity and Family Life. She is founder and president of The Cana Institute. She also serves as an adjunct instructor at Aquinas Institute School of Theology and St. Louis Community College. Jerome L. Shen served as director of fundamental research for DuPont Protein Technology International for several years. Presently he serves as visiting professor of chemistry at Southern Illinois University, Edwardsville, Illinois. Bridget and Jerry travel throughout the United States presenting retreats and workshops for married couples. In addition, they direct marriage preparation seminars for first-time marriages, second-time marriages, and inter-faith marriages. "

As Turkey pushes for its place in the global pecking order and embraces neoliberal capitalism, the nation has seen a period of unprecedented shifts in political, religious, and gender and sexual identities for its citizens. In New Desires, New Selves, Gul Ozyegin shows how this social transformation in Turkey is felt most strongly among its young people, eager to surrender to the seduction of sexual modernity, but also longing to remain attached to traditional social relations, identities and histories. Engaging a wide array of upwardly-mobile young adults at a major Turkish university, Ozyegin links the biographies of individuals with the biography of a nation, revealing their creation of conflicted identities in a country which has existed uneasily between West and East, modern and traditional, and secular and Islamic. For these young people, sexuality, gender expression, and intimate relationships in particular serve as key sites for reproducing and challenging patriarchy and paternalism that was hallmark of earlier generations. As Ozyegin evocatively shows, the quest for sexual freedom and an escape from patriarchal constructions of selfless femininity and protective masculinity promise both personal transformations and profound sexual guilt and anxiety. A poignant and original study, New Desires, New Selves presents a snapshot of cultural change on the eve of rapid globalization in the Muslim world.

Hannah is trying to get on with her life, but unexpected obstacles - a hot cop and a dead body are making it a challenge!With her short and regrettable marriage over, she is thrilled to enter her very own cafe each morning, and determined to keep men on the sideline for a while. Business is good, and her customers need her for their morning jolt of caffeine as well as her vivacious personality. Those who call the streets their home also depend on her kindness and compassion for an occasional warm drink or bite to eat.But for some of those unfortunate souls, Hannah's cafe is turning out to be the wrong place to be found! One by one, three men have been found dead in the alley behind her bistro. The causes of death are different, but the scenes are spookily similar. And to her, they all mean one thing: a murderer is in her midst. Enter a handsome alpha male - Chicago Police Detective Sam Jeffers. His charm and undeniable physical appeal awaken desires in Hannah that she thought she had put on hold. And the persistence and determination that make him an effective homicide detective are wearing down her resolve...Will their feelings for each other have a chance to grow before the murderer gets even closer?Enjoy Intimate Desires - book one in The Love and Danger Series!

Despite rhythm and blues culture’s undeniable role in molding, reflecting, and reshaping black cultural production, consciousness, and politics, it has yet to receive the serious scholarly examination it deserves. Destructive Desires corrects this omission by analyzing how post-Civil Rights era rhythm and blues culture articulates competing and conflicting political, social, familial, and economic desires within and for African American communities. As an important form of black cultural production, rhythm and blues music helps us to understand black political and cultural desires and longings in light of neo-liberalism’s increased codification in America’s racial politics and policies since the 1970s. Robert J. Patterson provides a thorough analysis of four artists—Kenneth “Babyface” Edmonds, Adina Howard, Whitney Houston, and Toni Braxton—to examine black cultural longings by demonstrating how our reading of specific moments in their lives, careers, and performances serve as metacommentaries for broader issues in black culture and politics.

A reissue of Bernadette Mayer's classic fugitive intergenre text

René Girard shows that all desires are contagious—and the desire to be thin is no exception. In this compelling new book, Girard ties the anorexia epidemic to what he calls mimetic desire: a desire imitated from a model. Girard has long argued that, far from being spontaneous, our most intimate desires are copied from what we see around us. In a culture obsessed with thinness, the rise of eating disorders should be no surprise. When everyone is trying to slim down, Girard asks, how can we convince anorexic patients to have a healthy outlook on eating? Mixing theoretical sophistication with irreverent common sense, Girard denounces a “culture of anorexia” and takes apart the competitive impulse that fuels the game of conspicuous non-consumption. He shows that showing off a slim physique is not enough—the real aim is to be skinnier than one’s rivals. In the race to lose the most weight, the winners are bound to be thinner and thinner. Taken to extremes, this tendency to escalation can only lead to tragic results. Featuring a foreword by neuropsychiatrist Jean-Michel Oughourlian and an introductory essay by anthropologist Mark R. Anspach, the volume concludes with an illuminating conversation between René Girard, Mark R. Anspach, and Laurence Tacou.

Ingrid Bergman’s engaging screen performance as Sister Mary Benedict in The Bells of St. Mary’s made the film nun a star and her character a shining standard of comparison. She represented the religious life as the happy and rewarding choice of a modern woman who had a “complete understanding” of both erotic and spiritual desire. How did this vibrant and mature nun figure come to be viewed as girlish and naïve? Why have she and her cinematic sisters in postwar popular film so often been stereotyped or selectively analyzed, so seldom been seen as women and religious? In Veiled Desires—a unique full-length, in-depth look at nuns in film—Maureen Sabine explores these questions in a groundbreaking interdisciplinary study covering more than sixty years of cinema. She looks at an impressive breadth of films in which the nun features as an ardent lead character, including The Bells of St. Mary’s (1945), Black Narcissus (1947), Heaven Knows, Mr. Allison (1957), Sea Wife (1957), The Nun’s Story (1959), The Sound of Music (1965), Change of Habit (1969), In This House of Brede (1975), Agnes of God (1985), Dead Man Walking (1995), and Doubt (2008). Veiled Desires considers how the beautiful and charismatic stars who play chaste nuns, from Ingrid Bergman and Audrey Hepburn to Susan Sarandon and Meryl Streep, call attention to desires that the veil concealed and the habit was thought to stifle. In a theologically and psychoanalytically informed argument, Sabine responds to the critics who have pigeonholed the film nun as the obedient daughter and religious handmaiden of a patriarchal church, and the respectful audience who revered her as an icon of spiritual perfection. Sabine provides a framework for a more complex and holistic picture of nuns onscreen by showing how the films dramatize these women’s Christian call to serve, sacrifice, and dedicate themselves to God, and their erotic desire for intimacy, agency, achievement, and fulfillment.