Interior Alchemy

Here are tricks for creating cutting-edge interior design from tile original style setter at New York's trendsetting ABC Carpet & Home. The recent issue of Metropolitan Home magazine featured a New York apartment furnished with beautiful finds scavenged from flea markets. America has developed a yen for the vintage. Whether covering an entire wall with a salon-style arrangement of pictures creating the "attic" look; throwing together a grand canopied bed faked with gilded molding and draperies to evoke thc "exotic"; or choosing to go "spare" by displaying carefully selected objects, including old tools, glass boxes, or botanical prints, style setter Rebecca Purcell shows how anyone can create expressive rooms that make a statement. Full-color photographs in each chapter show how these fabulous styles were produced in different homes. Chapters include do-it-yourself projects for finishing touches, including tassels, aging fabrics and metals, valances and draperies, wall washing and stenciling, picture matting, and more.

Explores the homes of 18 global creatives who take an eccentric, whimsical, curated and clever approach to their living space.

The Palace of Eternal Joy (Yongle gong) is a mammoth cult site dedicated to one of late imperial China’s most popular deities, Lu Dongbin. In one of the first book-length studies of a Chinese sacred site, Paul Katz focuses on the Palace’s role in the development of Lu's legend. This highly innovative approach takes into account the various "histories" of the Palace presented in different texts and surpasses previous scholarship by stressing the ways in which the site both reflected and produced cultural diversity. Katz breaks new ground by analyzing the texts in terms of the textuality--the processes by which they were produced, transmitted, and understood. The study begins with a detailed description of the Palace of Eternal Joy and a brief account of its history. The reader is then introduced to the cult of Lu Dongbin. Special consideration is given to various hagiographical traditions, particularly those that influenced the growth of his cult at Yongle. Throughout late imperial China, a growing number of worshipers (among them scholar-officials, Taoist priests, artisans, and dramatists) created an ever-burgeoning variety of images of Lu, ranging from a patron god of ink-makers and prostitutes to a member of that powerful yet rambunctious group of spirits known as the Eight Immortals. In this context, the author explores the Perfect Realization Taoist movement's adoption of Lu's cult during the Jin and Yuan dynasties and highlight the social and religious factors that led to Lu's immense popularity in north China during the late imperial era. Katz next looks at the four type of inscriptions found at the Palace (commemorative, official, hagiographical, and poetic) and identifies the Palace patrons who worshiped there and contributed to its growth. In the description and analysis of the Palace murals that follow, he divides these works into two types: those painted to provide a setting for, and even an object of, Taoist rituals performed at the Palace; and those used to instruct Perfect Realization Taoists and perhaps pilgrims. The final section traces the reception of the Palace texts among the people of Yongle and its environs. Here Katz examines the ways in which patrons tried to impose their representations of the Palace’s history and the cult of Lu Dongbin on other members of the community and assesses the extent to which these efforts succeeded. Images of the Immortal is richly informed by a wide reading in social, cultural, and literary theory as well as a thorough awareness of previous work in comparative and Chinese religion. Scholars of Taoism, Chinese popular religion, and art history will find it especially rewarding for its thought-provoking reinterpretation of an important religious figure and his cult.

For more than five centuries the shamanistic fox cult has attracted large portions of the Chinese population and appealed to a wide range of social classes. Deemed illicit by imperial rulers and clerics and officially banned by republican and communist leaders, the fox cult has managed to survive and flourish in individual homes and community shrines throughout northern China. In this new work, the first to examine the fox cult as a vibrant popular religion, Xiaofei Kang explores the manifold meanings of the fox spirit in Chinese society. Kang describes various cult practices, activities of worship, and the exorcising of fox spirits to reveal how the Chinese people constructed their cultural and social values outside the gaze of offical power and morality.

Isabelle Robinet's Taoist Meditation is the first and only scholarly study to discuss the ancient Mao-shan Taoist tradition of visionary meditation while, at the same time, helping to clarify the little understood relationship among the early Taoist classics, the Buddhist tradition, and the later Taoist religion. Most importantly, Taoist Meditation is a pioneering study that fully and accurately describes the unique visionary cosmology, bodily symbolism, astral journeys, internal alchemy, meditational techniques, and ritual practices of the Mao-shan or Shang-chi'ing (Great Purity) movement--one of the most important foundational traditions making up the overall Taoist religion. This English version of Robinet's work is more than a simple translation.Taoist Meditation presents a significantly expanded edition of the original French text which includes up-to-date bibliographies of Robinet's work and other Western scholarship on Taoism, additional illustrations, and a newly compiled list of textual citations.

Ten pilgrimages in the form of biographies of early saints, such as St. Benedict, St. Francis, and St. Anthony, provide solutions and guidance for the modern traveller attempting to determine what to see and do in Italy with suggestions for intention, itinerary, maps, and detailed directions to the prime places in that person's life. Original.

The weird and whimsical short stories in Strange Tales from Liaozhai show their author, Pu Songling (1640-1715), to be both an explorer of the macabre, like Edgar Allan Poe, and a moralist, like Aesop. In this first complete translation of the collection's 494 stories into English, readers will encounter supernatural creatures, natural disasters, magical aspects of Buddhist and Daoist spirituality, and a wide range of Chinese folklore. Annotations are provided to clarify unfamiliar references or cultural allusions, and introductory essays have been included to explain facets of Pu Songling's work and to provide context for some of the unique qualities of his uncanny tales.This is volume 5 of 6.