Indian Creek

"With a new afterword by the author"--Cover.

At the same time that Matt and Parker find the body of the dead man in the creek, they recognize George Evans, the owner of the antique shop where Parker's mother works.

Absorbing, thought-provoking observations from one of America's most popular fly-fishing authors on a week he spent fishing, hiking, and writing in the Oregon desert.

The temple mound and mortuary at Town Creek, in Montgomery County, is one of the few surviving earthen mounds built by prehistoric Native Americans in North Carolina. It has been recognized as an important archaeological site for almost sixty years and, as a state historic site, has become a popular destination for the public. This book is Joffre Coe's illustrated chronicle of the archaeological research conducted at Town Creek, a project with which Coe has been intimately involved for more than fifty years, since its inception as a WPA program in 1937. Written for visitors as well as for scholars, Town Creek Indian Mound provides an overview of the site and the archaeological techniques pioneered there, surveys the history of the excavations, and features more than 200 photographs and maps. The book carefully reconstructs the archaeological record, including plant and animal remains, pottery sherds, stone tools, and clay ornaments. In a concluding interpretive section, Coe reflects on what Town Creek and its artifacts tell us about this prehistoric Native American society. Originally published in 1995. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.

At its height the Creek Nation comprised a collection of multiethnic towns and villages with a domain stretching across large parts of Alabama, Georgia, and Florida. By the 1830s, however, the Creeks had lost almost all this territory through treaties and by the unchecked intrusion of white settlers who illegally expropriated Native soil. With the Jackson administration unwilling to aid the Creeks, while at the same time demanding their emigration to Indian territory, the Creek people suffered from dispossession, starvation, and indebtedness. Between the 1825 Treaty of Indian Springs and the arrival of detachment six in the West in late 1837, nearly twenty-three thousand Creek Indians were moved—voluntarily or involuntarily—to Indian territory. Rivers of Sand fills a substantial gap in scholarship by capturing the full breadth and depth of the Creeks’ collective tragedy during the marches westward, on the Creek home front, and during the first years of resettlement. Unlike the Cherokee Trail of Tears, which was conducted largely at the end of a bayonet, most Creeks were relocated through a combination of coercion and negotiation. Hopelessly outnumbered military personnel were forced to make concessions in order to gain the compliance of the headmen and their people. Christopher D. Haveman’s meticulous study uses previously unexamined documents to weave narratives of resistance and survival, making Rivers of Sand an essential addition to the ethnohistory of American Indian removal.

Buying his freedom after serving as a translator during the American Indian wars, Cow Tom builds a remarkable life and legacy that is sustained by his courageous granddaughter.

Reconstructing the human and natural environment of the Creek Indians in frontier Georgia, Mississippi, Alabama, and Tennessee, Robbie Ethridge illuminates a time of wrenching transition. Creek Country presents a compelling portrait of a culture in crisis, of its resiliency in the face of profound change, and of the forces that pushed it into decisive, destructive conflict. Ethridge begins in 1796 with the arrival of U.S. Indian Agent Benjamin Hawkins, whose tenure among the Creeks coincided with a period of increased federal intervention in tribal affairs, growing tension between Indians and non-Indians, and pronounced strife within the tribe. In a detailed description of Creek town life, the author reveals how social structures were stretched to accommodate increased engagement with whites and blacks. The Creek economy, long linked to the outside world through the deerskin trade, had begun to fail. Ethridge details the Creeks' efforts to diversify their economy, especially through experimental farming and ranching, and the ecological crisis that ensued. Disputes within the tribe culminated in the Red Stick War, a civil war among Creeks that quickly spilled over into conflict between Indians and white settlers and was ultimately used by U.S. authorities to justify their policy of Indian removal.

Based on a handwritten manuscript more than 150 years old, Creek Indian History is a primary resource containing accounts of significant Indian/white encounters in early Alabama history--from the Indian perspective. Written in the early 1800s by George Stiggins, the son of a Creek mother and a white father, this volume recounts the origins and ways of life of the tribes of the Creek Confederacy and their viewpoints on such key events of the Creek War as Burnt Corn and Fort Mims. Stiggins was William Weatherford's brother-in-law, and thus his explanation of Weatherford's controversial role in the Creek War has special value. William Wyman's notes and introduction put the Stiggins account in historical perspective and traces its circuitous route to publication.

A confederate soldier, pioneer merchant, rancher, newspaper publisher, and town builder, George Washington Grayson also served for six decades as a leader of the Creek Nation. His life paralleled the most tumultuous events in Creek Indian and Oklahoma history, from the aftermath of the Trail of Tears through World War I. As a diplomat representing the Creek people, Grayson worked to shape Indian policy. As a cultural broker, he explained its ramifications to his people. A self-described progressive who advocated English education, constitutional government, and economic development, Grayson also was an Indian nationalist who appreciated traditional values. When the Creeks faced allotment and loss of sovereignty, Grayson sought ways to accommodate change without sacrificing Indian identity. Mary Jane Warde bases her portrait of Grayson on a wealth of primary and secondary sources, including the extensive writings of Grayson himself.