Inca Land

The following pages represent some of the results of four journeys into the interior of Peru and also many explorations into the labyrinth of early writings which treat of the Incas and their Land.

"The builders were not in search of fields. There is so little arable land here that every square yard of earth had to be terraced in order to provide food for the inhabitants. They were not looking for comfort or convenience. Safety was their primary consideration. They were sufficiently civilized to practice intensive agriculture, sufficiently skillful to equal the best masonry the world has ever seen, sufficiently ingenious to make delicate bronzes, and sufficiently advanced in art to realize the beauty of simplicity. What could have induced such a people to select this remote fastness of the Andes, with all its disadvantages, as the site for their capital, unless they were fleeing from powerful enemies."

Travis Lee begins his new career, as an insurance investigator, by doing a job in Venezuela, and then takes his son, Chris, on a vacation to visit Machu Picchu, in Peru. But with Travis, a vacation is never just a vacation,its an adventure.

Inca Land is a collection of photos and illustrations of Peru by adventurer Hiram Bingham. Bingham has been cited as one possible basis for the "Indiana Jones" character. He rediscovered the Inca citadel of Machu Picchu in 1911 with the guidance of local Indigenous farmers. Machu Picchu has become one of the major tourist attractions in South America. In 2006, Machu Picchu was named one of the New Seven Wonders of the World.

DigiCat Publishing presents to you this special edition of "Inca Land: Explorations in the Highlands of Peru" by Hiram Bingham. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

In The Shape of Inca History, Susan Niles considers the ways in which the Inca concept of history informed their narratives, rituals, and architecture. Using sixteenth-century chronicles of Inca culture, legal documents from the first generation of conquest, and field investigation of architectural remains, she strategically explores the interplay of oral and written histories with the architectural record and provides a new and exciting understanding of the lives of the royal families on the eve of conquest.Niles focuses on the life of Huayna Capac, the Inca king who ruled at the time of the first European incursions on the Andean coast. Because he died just a few years before the Spaniards overturned the Inca world, eyewitness accounts of his deeds as recorded by the invaders can be used to separate fact from propaganda. The rich documentary sources telling of his life include extraordinarily detailed legal records that inventory lands on his estate in the Yucay Valley. These sources provide a basis—unique in the Andes—for reconstructing the social and physical plan of the estate and for dating its construction exactly.Huayna Capac's country palace shows a design different from that devised by his ancestors. Niles argues that the radical stylistic and technical innovations documented in the buildings themselves can be understood by referring to the turbulent political atmosphere prevalent at the time of his accession. Illustrated with numerous photographs and reconstruction drawings, The Shape of Inca History breaks new ground by proposing that Inca royal style was dynamic and that the design of an Inca building can best be interpreted by its historical context. In this way it is possible to recreate the development of Inca architectural style over time.