In The Spooklight

IN THE SPOOKLIGHT is a collection of 115 horror movie review columns by Stoker nominated author and film critic Michael Arruda, covering movies from the silent era up until today. The column "In the Spooklight" has appeared monthly in the pages of THE OFFICIAL NEWSLETTER OF THE HORROR WRITERS ASSOCIATION since the summer of 2000. If you love horror movies, you're sure to enjoy Arruda's take on the genre. It's informative, humorous, and most of all, it's a heck of a lot of fun. Make a movie monster happy.

The people who live in the Ozark country of Missouri and Arkansas were, until very recently, the most deliberately unprogressive people in the United States. Descended from pioneers who came West from the Southern Appalachians at the beginning of the nineteenth century, they made little contact with the outer world for more than a hundred years. They seem like foreigners to the average urban American, but nearly all of them come of British stock, and many families have lived in America since colonial days. Their material heirlooms are few, but like all isolated illiterates they have clung to the old songs and obsolete sayings and outworn customs of their ancestors. Sophisticated visitors sometimes regard the “hillbilly” as a simple child of nature, whose inmost thoughts and motivations may be read at a glance. Nothing could be farther from the truth. The hillman is secretive and sensitive beyond anything that the average city dweller can imagine, but he isn’t simple. His mind moves in a tremendously involved system of signs and omens and esoteric auguries. He has little interest in the mental procedure that the moderns call science, and his ways of arranging data and evaluating evidence are very different from those currently favored in the world beyond the hilltops. The Ozark hillfolk have often been described as the most superstitious people in America. It is true that some of them have retained certain ancient notions which have been discarded and forgotten in more progressive sections of the United States. It has been said that the Ozarker got his folklore from the Negro, but the fact is that Negroes were never numerous in the hill country, and there are many adults in the Ozarks today who have never even seen a Negro. Another view is that the hillman’s superstitions are largely of Indian origin, and there may be a measure of truth in this; the pioneers did mingle freely with the Indians, and some of our best Ozark families still boast of their Cherokee blood. My own feeling is that most of the hillman’s folk beliefs came with his ancestors from England or Scotland. I believe that a comparison of my material with that recorded by British antiquarians will substantiate this opinion.

Pull up a rocking chair and sit a spell. Soak in these tales of Southern Gothic horror: A witchdoctor's niece tells him a life-altering secret, an investigator who keeps a 100% confession rate.... These are stories where the setting itself becomes a character-fog laced cemeteries, sulfur rich marshes-housing creatures that defy understanding and where the grotesque and macabre are celebrated. The true horror is in what you can't see...until it's sitting right next to you. Eden Royce delivers a sultry and spicy dose of Southern Gothic. The stories are rich in flavor and clever in metaphor, the horrors completely surreal or-far more unnerving-all too possible. She brings a refreshing perspective to the table that paranormal lovers are sure to enjoy. -B.D. Bruns, author ofThe Gothic Shift You can feel the warm thick air, the rich history and legends, the desperation of the impoverished, and the deep horror of the betrayed. -Roma Gray, author of Gray Shadows Under a Harvest Moon"

Ride shotgun with the author of Haunted Ozarks on this scary road trip across Missouri’s stretch of the “Main Street of America.” Alongside the nostalgic appeal of Route 66 lurk ghostly roadside hitchhikers, the Goatman of Rolla, amusement park spirits, the Civil War–dead, and the shadows thrown by the mighty Thunderbird. Spanning three hundred dangerously curving miles, the stretch of the Mother Road in Missouri earned the title of “Bloody 66,” and some of its stopping places are marked by equally grim history. The Lemp Mansion saw family members commit suicide one by one. Springfield’s Pythian Castle was an orphanage before becoming a military hospital and housing World War II prisoners of war. Follow Janice Tremeear as she takes a detour down Zombie Road, peers into the matter of the Joplin Spook Light and even stays overnight in Missouri’s most haunted locations to discover what makes the Show Me State such a lively place for the dead.

Ghosts and other supernatural phenomena are widely represented throughout modern culture. They can be found in any number of entertainment, commercial, and other contexts, but popular media or commodified representations of ghosts can be quite different from the beliefs people hold about them, based on tradition or direct experience. Personal belief and cultural tradition on the one hand, and popular and commercial representation on the other, nevertheless continually feed each other. They frequently share space in how people think about the supernatural. In Haunting Experiences, three well-known folklorists seek to broaden the discussion of ghost lore by examining it from a variety of angles in various modern contexts. Diane E. Goldstein, Sylvia Ann Grider, and Jeannie Banks Thomas take ghosts seriously, as they draw on contemporary scholarship that emphasizes both the basis of belief in experience (rather than mere fantasy) and the usefulness of ghost stories. They look closely at the narrative role of such lore in matters such as socialization and gender. And they unravel the complex mix of mass media, commodification, and popular culture that today puts old spirits into new contexts.

"Missouri is a place of great diversity and amazing beauty, stretching from the Mississippi River to the forests and rolling hills of the Ozarks, with caves, rives, and rugged woodland in between. Out of this land comes scores of ghostly tales, from documented haunting to folk stories that have been passed along from one generation to the next."--Page 4 of cover

From Native American societies to the Civil War to the crime spree of Bonnie and Clyde, Joplin’s history leaves spirited legends in its wake . . . The barrier between Joplin’s boisterous past and its present is as flimsy as a swinging saloon door. Lisa Livingston-Martin kicks it wide open in this ghostly history. In her expert company, tour a hotel with a reputation made from equal parts opulence and tragedy. Visit that house of horrors, the Stefflebeck Bordello, where guests regularly got the axe and were disposed of in mine shafts. Navigate through angry lynch mobs and vengeful patrols of Civil War spirits. Catch a glimpse of Bonnie and Clyde. Keep your wits about you—it’s haunted Joplin. Includes photos! “There may be as many non-living residents of Joplin as there are live ones, according to Haunted Joplin.” —The Morning Sun

It’s been three years since the global uprising of the world's robots, three long years in which ordinary people waged a guerilla war that saved humankind from the brink of annihilation. But a horrific new enemy has emerged, and the resistance is called to fight once again. And in a world where humanity and technology are pushed to the breaking point, their one hope may reside with their former enemy—Archos R-14.

Hauntings lurk and spirits linger in the Show Me State Reader, beware! Turn these pages and enter the world of the paranormal, where ghosts and ghouls alike creep just out of sight. Author Troy Taylor shines a light in the dark corners of Missouri and scares those spirits out of hiding in this thrilling collection. From a headless ghost who stalks the aptly named “Murder Rocks”, to a large hairy monster that roams the banks of the Missouri River, there’s no shortage of bone-chilling tales to keep you up at night. It’s even rumored that the devil himself came to St. Louis in 1949, but nobody knows for sure if he ever left. Around the campfire or tucked away on a dark and stormy night, this big book of ghost stories is a hauntingly good read.