In The Sphere Of Silence

Once Chime had been the most promising mage in the land, feted and celebrated for her potential and future role in the kingdom. Then Iris, her young competitor, made a stunning leap in skill and turned Chime's world upside down. Now no longer the most powerful, no longer promised to a prince-- and still unable to harness her magic properly-- Chime was set adrift. As was the new king's cousin-- and former heir-- Lord Muller. Yet when the neighboring kingdom threatened war, Muller and Chime were tasked with uncovering the plot. Both were flawed, yet unwilling to accept a lesser destiny than they had once known. Could this quest be the opportunity for redemption-- or would it lead them to their deaths? Award-winning author Catherine Asaro, creator of The Skolian Empire, creates her first full-length fantasy novel in a world rich with magic and power. Fans who caught a glimpse of the kingdom of Aronsdale in "Moonglow" from the Charmed Destinies collection are...

"You have the right to remain silent." These words, drawn from the Supreme Court's famous decision in Miranda v. Arizona, have had a tremendous impact on the public imagination. But what a strange right this is. Of all the activities that are especially worthy of protection, that define us as human beings, foster human potential, and symbolize human ambition, why privilege silence? This thoughtful and iconoclastic book argues that silence can be an expression of freedom. A defiant silence demonstrates determination, courage, and will. Martyrs from a variety of faith traditions have given up their lives rather than renounce their god. During the Vietnam era, thousands of anonymous draft resisters refused to take the military oath that was a prelude to participating in what they believed was an immoral war. These silences speak to us. They are a manifestation of connection, commitment, and meaning. This link between silence and freedom is apparent in a variety of different contexts, which Seidman examines individually, including silence and apology, silence and self-incrimination, silence and interrogation, silence and torture, and silence and death. In discussing the problem of apology, for example, the author argues that although apology plays a crucial role in maintaining the illusion of human connection, the right to not apologize is equally crucial. Similarly, prohibition against torture--so prominent in national debate since the events of Guantanamo and Abu Ghraib--is best understood as a right to silence, essential in preserving the distinction between mind and body on which human freedom depends.

Journalists face constant intimidation. Whether it takes the extreme form of beheadings, death threats, government censorship or simply political correctness—it casts a shadow over their ability to tell a story. When the Danish newspaper Jyllands-Posten published the cartoons of the prophet Muhammad nine years ago, Denmark found itself at the center of a global battle about the freedom of speech. The paper's culture editor, Flemming Rose, defended the decision to print the 12 drawings, and he quickly came to play a central part in the debate about the limitations to freedom of speech in the 21st century. In The Tyranny of Silence, Flemming Rose writes about the people and experiences that have influenced his understanding of the crisis, including meetings with dissidents from the former Soviet Union and ex-Muslims living in Europe. He provides a personal account of an event that has shaped the debate about what it means to be a citizen in a democracy and how to coexist in a world that is increasingly multicultural, multireligious, and multiethnic.

Hadrian Marlowe, a man revered as a hero and despised as a murderer, chronicles his tale in the galaxy-spanning debut of the Sun Eater series, merging the best of space opera and epic fantasy. It was not his war. The galaxy remembers him as a hero: the man who burned every last alien Cielcin from the sky. They remember him as a monster: the devil who destroyed a sun, casually annihilating four billion human lives—even the Emperor himself—against Imperial orders. But Hadrian was not a hero. He was not a monster. He was not even a soldier. On the wrong planet, at the right time, for the best reasons, Hadrian Marlowe starts down a path that can only end in fire. He flees his father and a future as a torturer only to be left stranded on a strange, backwater world. Forced to fight as a gladiator and navigate the intrigues of a foreign planetary court, Hadrian must fight a war he did not start, for an Empire he does not love, against an enemy he will never understand.

All Alan Dundas wanted, when he started digging into the ancient clay river bed on his land, was a watering hole for his stock. In 1900s Australia, the land without a history, the last thing he expected to find was a dome of golden metal beneath his land. Or a series of traps barring his entrance, each deadlier than the last, which drove him in single-minded determination to get to the bottom of the mystery, heedless of what he might find, or what threats he might bring to life out of the silence of the past.

The political regime in Myanmar used to be a seemingly monopolistic structure where power was exclusively in the Army’s hands. A marginal external influence was exercised by businessmen with close ties to the regime while the country is also exposed to the influence of powerful regional states. Since the General Elections in November 2010, the establishment of the Republic of the Union of Myanmar with a parliamentary democracy (which remains under some control of the Army, but with notable civilian representation) is the most noticeable change in Myanmar politics for decades as it may shift the state away from the Army monopoly, although concrete changes remain to be demonstrated.

This journal is a practical tool of the book "In The Sphere Of Silence" by Vijay Eswaran

These lectures discuss cognitive modelling in language-based meaning construction. It puts forward a unified analytical framework for several linguistic phenomena, including different types of constructions, traditional implicature and speech acts, and figures of speech like metaphor, metonymy, hyperbole, and irony.