In The City Journal

An argument that operational urban planning can be improved by the application of the tools of urban economics to the design of regulations and infrastructure. Urban planning is a craft learned through practice. Planners make rapid decisions that have an immediate impact on the ground—the width of streets, the minimum size of land parcels, the heights of buildings. The language they use to describe their objectives is qualitative—“sustainable,” “livable,” “resilient”—often with no link to measurable outcomes. Urban economics, on the other hand, is a quantitative science, based on theories, models, and empirical evidence largely developed in academic settings. In this book, the eminent urban planner Alain Bertaud argues that applying the theories of urban economics to the practice of urban planning would greatly improve both the productivity of cities and the welfare of urban citizens. Bertaud explains that markets provide the indispensable mechanism for cities’ development. He cites the experience of cities without markets for land or labor in pre-reform China and Russia; this “urban planners’ dream” created inefficiencies and waste. Drawing on five decades of urban planning experience in forty cities around the world, Bertaud links cities’ productivity to the size of their labor markets; argues that the design of infrastructure and markets can complement each other; examines the spatial distribution of land prices and densities; stresses the importance of mobility and affordability; and critiques the land use regulations in a number of cities that aim at redesigning existing cities instead of just trying to alleviate clear negative externalities. Bertaud concludes by describing the new role that joint teams of urban planners and economists could play to improve the way cities are managed.

Manufacturing Decline argues that antigovernment conservatives capitalized on--and perpetuated--Rust Belt cities' misfortunes by stoking racial resentment. Jason Hackworth traces how the conservative movement has used the imagery and ideas of urban decline since the 1970s to advance their cause.

Fill up this paperback journal with your thoughts, words, sketches, and more! On the left-hand side you'll find blank pages whereas on the right-hand side there are lined pages. Perfect for note-taking, sketching quick ideas, or outlining that novel you've been dreaming of writing.

Journal your time in the city! Here's the Dragon Dragon City Journal deal: You wander the world having adventures, exploring citie and such. Dragon Dragon offers you 200 pages to document your experiences. That's it. Simple. Beautiful. True. To help keep things organized, we've given each journal a unique city name. Wherever you go in this life, a Dragon Dragon City Journals can help make the going better and the remembering easier!

A New York City creative journal. 100 blank pages in a 9" x 6" book. Dream, remember, care, visit, travel, gritty, beauty. Everything that is the city.

A keyword listing of serial titles currently received by the National Library of Medicine.

First broadcast on HBO in 1998, Sex and the City quickly became a mainstream success. Following four women who navigate the promise and peril of social, political, and sexual relationships in New York, the series caused a stir in the popular media. Academia also responded with a remarkable body of criticism for such an apparently trivial program. But more than ten years after the show ended, there is still much more to say about this cultural phenomenon that spawned two film sequels. In Talking Dirty on Sex and the City: Romance, Intimacy, Friendship, Beatriz Oria explores the discourses surrounding the series from a sociological point of view. Specifically, this book focuses on the conventions of the romantic comedy genre and how its familiar fictional world articulates issues of intimacy, gender identity, and interpersonal relationships. Oria considers how generic conventions employed by the show affect discourses on intimacy and how interpersonal relationships at the turn of the century have not only been represented but also fashioned through a relevant popular-culture text. The author also explores such elements as romantic versus democratic love, the representation of female sexuality, and new family models. With an interdisciplinary approach, this book touches on many different areas, including sociology, psychology, gender studies, and media studies. Aimed at a broad academic audience, Talking Dirty on Sex and the City will also appeal to longtime fans, who are no doubt still gossiping about the show.

Amongst intellectuals and activists, neoliberalism has become a potent signifier for the kind of free-market thinking that has dominated politics for the past three decades. Forever associated with the conviction politics of Ronald Reagan and Margaret Thatcher, the free-market project has since become synonymous with the 'Washington consensus' on international development policy and the phenomenon of corporate globalization, where it has come to mean privatization, deregulation, and the opening up of new markets. But beyond its utility as a protest slogan or buzzword as shorthand for the political-economic Zeitgeist, what do we know about where neoliberalism came from and how it spread? Who are the neoliberals, and why do they studiously avoid the label? Constructions of Neoliberal Reason presents a radical critique of the free-market project, from its origins in the first half of the 20th Century through to the recent global economic crisis, from the utopian dreams of Friedrich von Hayek through the dogmatic theories of the Chicago School to the hope and hubris of Obamanomics. The book traces how neoliberalism went from crank science to common sense in the period between the Great Depression and the age of Obama. Constructions of Neoliberal Reason dramatizes the rise of neoliberalism and its uneven spread as an intellectual, political, and cultural project, combining genealogical analysis with situated case studies of formative moments throughout the world, like New York City's bankruptcy, Hurricane Katrina, and the Wall Street crisis of 2008. The book names and tracks some of neoliberalism's key protagonists, as well as some of the less visible bit-part players. It explores how this adaptive regime of market rule was produced and reproduced, its logics and limits, its faults and its fate.