In The Aftermath Of Genocide

This book traces the reverberations of genocide, forced displacement, and a legacy of loss in Bosnia and abroad.

How do the people of a morally shattered culture and nation find ways to go on living? Cambodians confronted this challenge following the collective disasters of the American bombing, the civil war, and the Khmer Rouge genocide. The magnitude of violence and human loss, the execution of artists and intellectuals, the erasure of individual and institutional cultural memory all caused great damage to Cambodian arts, culture, and society. Author Boreth Ly explores the “traces” of this haunting past in order to understand how Cambodians at home and in the diasporas deal with trauma on such a vast scale. Ly maintains that the production of visual culture by contemporary Cambodian artists and writers—photographers, filmmakers, court dancers, and poets—embodies traces of trauma, scars leaving an indelible mark on the body and the psyche. Her book considers artists of different generations and family experiences: a Cambodian-American woman whose father sent her as a baby to the United States to be adopted; the Cambodian-French filmmaker, Rithy Panh, himself a survivor of the Khmer Rouge, whose film The Missing Picture was nominated for an Oscar in 2014; a young Cambodian artist born in 1988—part of the “post-memory” generation. The works discussed include a variety of materials and remnants from the historical past: the broken pieces of a shattered clay pot, the scarred landscape of bomb craters, the traditional symbolism of the checkered scarf called krama, as well as the absence of a visual archive. Boreth Ly’s poignant book explores obdurate traces that are fragmented and partial, like the acts of remembering and forgetting. Her interdisciplinary approach, combining art history, visual studies, psychoanalysis, cultural studies, religion, and philosophy, is particularly attuned to the diverse body of material discussed, including photographs, video installations, performance art, poetry, and mixed media. By analyzing these works through the lens of trauma, she shows how expressions of a national trauma can contribute to healing and the reclamation of national identity.

While many works have been published on different aspects of the Holocaust and genocides, their aftermath and impact on society still require further research and discussion in scholarly literature. This book illuminates unknown aspects of the aftermath of the Holocaust and genocides, and discusses trials of Holocaust and genocide perpetrators, commemoration of the victims, attempts to revive Jewish national life, and outbreaks of post-World War II anti-Semitism. It also analyzes the representation of the Holocaust and genocides in literature, press and film. The volume includes thirteen articles, which are based on recently discovered archival materials, and provides new approaches to the research of the Armenian genocide, the Holodomor, ethnic cleansing and the Holocaust.

Between 1960 and 1996, Guatemala's civil war claimed 250,000 lives and displaced one million people. Since the peace accords, Guatemala has struggled to address the legacy of war, genocidal violence against the Maya, and the dismantling of alternative projects for the future. War by Other Means brings together new essays by leading scholars of Guatemala from a range of geographical backgrounds and disciplinary perspectives. Contributors consider a wide range of issues confronting present-day Guatemala: returning refugees, land reform, gang violence, neoliberal economic restructuring, indigenous and women's rights, complex race relations, the politics of memory, and the challenges of sustaining hope. From a sweeping account of Guatemalan elites' centuries-long use of violence to suppress dissent to studies of intimate experiences of complicity and contestation in richly drawn localities, War by Other Means provides a nuanced reckoning of the injustices that made genocide possible and the ongoing attempts to overcome them. Contributors. Santiago Bastos, Jennifer Burrell, Manuela Camus, Matilde González-Izás, Jorge Ramón González Ponciano, Greg Grandin, Paul Kobrak, Deborah T. Levenson, Carlota McAllister, Diane M. Nelson, Elizabeth Oglesby, Luis Solano, Irmalicia Velásquez Nimatuj, Paula Worby

Nicole Fox investigates the ways memorials can shape the experiences of survivors decades after massacres have ended. She examines how memorializations can both heal and hurt, especially when they fail to represent all genders, ethnicities, and classes of those afflicted.

Memories of Mass Repression presents the results of researchers working with the voices of witnesses. Its stories include the witnesses, victims, and survivors; it also reflects the subjective experience of the study of such narratives. The work contributes to the development of the field of oral history, where the creation of the narrative is considered an interaction between the text of the narrator and the listener. The contributors are particularly interested in ways in which memory is created and molded. The interactions of different, even conflicting, memories of other individuals, and society as a whole are considered. In writing the history of genocide, -emotional- memory and -objective- research are interwoven and inseparable. It is as much the historian's task to decipher witness account, as it is to interpret traditional written sources. These sometimes antagonistic narratives of memory fashioned and mobilized within public and private arenas, together with the ensuing conflicts, paradoxes, and contradictions that they unleash, are all part of efforts to come to terms with what happened. Mining memory is the only way in which we can hope to arrive at a truer, and less biased historical account of events. Memory is at some level selective. Most believers in political movements turned out to be the opposite of what they promised. When given a proper forum, stories that are in opposition to dominant memories, or in conflict with our own memories, can effectively battle collective forgetting. This volume offers the reader a vision of the subjective side of history without falsifying the objective reality of human survival.

Winner of the 2021 Raphael Lemkin Book Award from the Institute for the Study of Genocide​ Honorable Mention, 2020 CALACS Book Prize​ Beyond Repair? explores Mayan women’s agency in the search for redress for harm suffered during the genocidal violence perpetrated by the Guatemalan state in the early 1980s at the height of the thirty-six-year armed conflict. The book draws on eight years of feminist participatory action research conducted with fifty-four Q’eqchi’, Kaqchikel, Chuj, and Mam women who are seeking truth, justice, and reparation for the violence they experienced during the war, and the women’s rights activists, lawyers, psychologists, Mayan rights activists, and researchers who have accompanied them as intermediaries for over a decade. Alison Crosby and M. Brinton Lykes use the concept of “protagonism” to deconstruct dominant psychological discursive constructions of women as “victims,” “survivors,” “selves,” “individuals,” and/or “subjects.” They argue that at different moments Mayan women have been actively engaged as protagonists in constructivist and discursive performances through which they have narrated new, mobile meanings of “Mayan woman,” repositioning themselves at the interstices of multiple communities and in their pursuit of redress for harm suffered.

Aftermath examines how genocide is remembered and represented in both popular and scholarly memory, integrating scholarship on the Holocaust with the study of other genocides through a comparative framework. Scholars from a range of disciplines reevaluate narratives of past conflicts to explore how the memory of genocide is mobilized in the aftermath, tracing the development and evolution of memory through the lenses of national identities, colonialism, legal history, film studies, gender, the press, literary studies, and other diverse approaches. (Series: History) [Subject: History, Genocide Studies]

In the aftermath of the 1994 genocide, Rwandan women faced the impossible—resurrecting their lives amidst unthinkable devastation. Haunted by memories of lost loved ones and of their own experiences of violence, women rebuilt their lives from “less than nothing.” Neither passive victims nor innate peacemakers, they traversed dangerous emotional and political terrain to emerge as leaders in Rwanda today. This clear and engaging ethnography of survival tackles three interrelated phenomena—memory, silence, and justice—and probes the contradictory roles women played in postgenocide reconciliation. Based on more than a decade of intensive fieldwork, Genocide Lives in Us provides a unique grassroots perspective on a postconflict society. Anthropologist Jennie E. Burnet relates with sensitivity the heart-wrenching survival stories of ordinary Rwandan women and uncovers political and historical themes in their personal narratives. She shows that women’s leading role in Rwanda’s renaissance resulted from several factors: the dire postgenocide situation that forced women into new roles; advocacy by the Rwandan women’s movement; and the inclusion of women in the postgenocide government. Honorable Mention, Aidoo-Snyder Book Prize, Women’s Caucus of the African Studies Association