In Other Lands

Georgia Peach Award Nominee • Florida Teens Read Award Nominee • ABC Best Books for Young Readers • Bank Street College Best Children’s Books of the Year • A Junior Library Guild Selection • Hugo & Locus award finalist In Other Lands is an exhilarating novel from bestselling author Sarah Rees Brennan about surviving four years in the most unusual of schools - friendship, falling in love, diplomacy, and finding your own place in the world — even if it means giving up your phone. Excerpt: The Borderlands aren’t like anywhere else. Don’t try to smuggle a phone or any other piece of technology over the wall that marks the Border — unless you enjoy a fireworks display in your backpack. (Ballpoint pens are okay.) There are elves, harpies, and — best of all as far as Elliot is concerned — mermaids. "What’s your name?" "Serene." "Serena?" Elliot asked. "Serene," said Serene. "My full name is Serene-Heart-in-the-Chaos-of-Battle." Elliot’s mouth fell open. "That is badass." Elliot? Who’s Elliot? Elliot is thirteen years old. He’s smart and just a tiny bit obnoxious. Sometimes more than a tiny bit. When his class goes on a field trip and he can see a wall that no one else can see, he is given the chance to go to school in the Borderlands. It turns out that on the other side of the wall, classes involve a lot more weaponry and fitness training and fewer mermaids than he expected. On the other hand, there’s Serene-Heart-in-the-Chaos-of-Battle, an elven warrior who is more beautiful than anyone Elliot has ever seen, and then there’s her human friend Luke: sunny, blond, and annoyingly likeable. There are lots of interesting books. There’s even the chance Elliot might be able to change the world. Chapter illustrations by Casey Nowak.

Alanna the knight, Numair the mage, Daine the wolf-speaker and more! Favorite and unfamiliar characters in 11 tales, including three brand new stories! Collected here for the first time are six tales from the land of Tortall, featuring both previously unknown characters as well as old friends. Filling some gaps of time and interest, these stories, some of which have been published before, will lead Tammy's fans, and new readers into one of the most intricately constructed worlds of modern fantasy. Also included are four other fantasy stories . . . one set in a remote desert, two in an unknown town, and one set in a very familiar locale: New York City, in the present day. Also, as a bonus, there is a non-fantasy story set in contemporary Idaho that proves that Pierce's ability to spin a tale is not limited to realms of dragons and magic.

“Immersive . . . bracingly ambitious . . . rewinds the story of life on Earth—from the mammoth steppe of the last Ice Age to the dawn of multicellular creatures over 500 million years ago.”—The Economist LONGLISTED FOR THE BAILLIE GIFFORD PRIZE • “One of those rare books that’s both deeply informative and daringly imaginative.”—Elizabeth Kolbert, author of Under a White Sky ONE OF THE BEST BOOKS OF THE YEAR: The New Yorker The past is past, but it does leave clues, and Thomas Halliday has used cutting-edge science to decipher them more completely than ever before. In Otherlands, Halliday makes sixteen fossil sites burst to life on the page. This book is an exploration of the Earth as it used to exist, the changes that have occurred during its history, and the ways that life has found to adapt―or not. It takes us from the savannahs of Pliocene Kenya to watch a python chase a group of australopithecines into an acacia tree; to a cliff overlooking the salt pans of the empty basin of what will be the Mediterranean Sea just as water from the Miocene Atlantic Ocean spills in; into the tropical forests of Eocene Antarctica; and under the shallow pools of Ediacaran Australia, where we glimpse the first microbial life. Otherlands also offers us a vast perspective on the current state of the planet. The thought that something as vast as the Great Barrier Reef, for example, with all its vibrant diversity, might one day soon be gone sounds improbable. But the fossil record shows us that this sort of wholesale change is not only possible but has repeatedly happened throughout Earth history. Even as he operates on this broad canvas, Halliday brings us up close to the intricate relationships that defined these lost worlds. In novelistic prose that belies the breadth of his research, he illustrates how ecosystems are formed; how species die out and are replaced; and how species migrate, adapt, and collaborate. It is a breathtaking achievement: a surprisingly emotional narrative about the persistence of life, the fragility of seemingly permanent ecosystems, and the scope of deep time, all of which have something to tell us about our current crisis.

To the Boys and Girls Who Will Read This Book You all want to cross the ocean in a big steamship, I'm sure. Perhaps some of you are looking forward to going by air some day. But there is an easier way to travel than that. It is the book way. Without the trouble of packing even an over-night bag, this book will take you to many far away and fascinating lands. Watty Piper hopes that it will do more than that. One of the pleasantest things about going to new places is making new friends, isn't it? The little folks from far away, whom you will meet in these pages, do not wear clothes like yours. They do not eat the same kind of food. But under their skins, you will find they are not so different from you after all. Surely you can be friends. And now we're off. A pleasant journey. WATTY PIPER. Text and illustrations introduce The Everyday Life Of Children In Various Countries Around The World. Written by the same man as "The Little Engine that Could".

A complete and current guide to international children's literature. The annotated bibliography contains over 700 titles from 29 different countries printed between 1950 and 1996. All titles are available in English; many have been translated and others have originated in other English-speaking countries. Indexes include Author-Title Index, Country of Origin Index, and Subject Index. Sponsored by the United States Board on Books for Young People (USBBY)

Bestselling author Tanya Huff presents an all-new world of action and intrigue, where survivors of a disastrous war have outlawed all magic in favor of shared knowledge—but all is not as it seems. Ryan Marsan was never meant to be Heir to the Lord Protector. But his brothers are dead, and for the first time in decades, the Black Flame that protects his people is flickering. Ryan must retrieve its fuel from the mage-destroyed wastes of the Broken Lands, leading Scholars with more knowledge, warriors with more experience, and an ambitious cousin with the morals of a cat. His authority rests with the weapon. The only mage-crafted artifice to survive the wars, it responds to the command of the heirs of Marsanport. While its capabilities are mysterious, its brutality is legend. Except Ryan soon discovers some mysteries are really omissions. The weapon is more than it appears and the Broken Lands will reveal secrets, lies, and the horrors of twisted sorcery. Even his companions hide more than he knows. With Marsanport’s future at risk, Ryan can only race forward, hoping to survive, keep his friends alive—and see truth where it is, not where he wants it to be...

One of TIME's 100 Must Read Books of 2020 and one of Good Housekeeping's Best Books of the Year “One of the smartest young writers of her generation.”—Book Riot Featuring a new afterword from the author, Morgan Jerkins' powerful story of her journey to understand her northern and southern roots, the Great Migration, and the displacement of black people across America. Between 1916 and 1970, six million black Americans left their rural homes in the South for jobs in cities in the North, West, and Midwest in a movement known as The Great Migration. But while this event transformed the complexion of America and provided black people with new economic opportunities, it also disconnected them from their roots, their land, and their sense of identity, argues Morgan Jerkins. In this fascinating and deeply personal exploration, she recreates her ancestors’ journeys across America, following the migratory routes they took from Georgia and South Carolina to Louisiana, Oklahoma, and California. Following in their footsteps, Jerkins seeks to understand not only her own past, but the lineage of an entire group of people who have been displaced, disenfranchised, and disrespected throughout our history. Through interviews, photos, and hundreds of pages of transcription, Jerkins braids the loose threads of her family’s oral histories, which she was able to trace back 300 years, with the insights and recollections of black people she met along the way—the tissue of black myths, customs, and blood that connect the bones of American history. Incisive and illuminating, Wandering in Strange Lands is a timely and enthralling look at America’s past and present, one family’s legacy, and a young black woman’s life, filtered through her sharp and curious eyes.

Peter Doig is well known for the exotic atmospheres and dreamy narratives that appear in his work. With an uncommonly rich color palette and a unique material sensibility, he has created some of the most resonant and evocative images in contemporary painting, placing him among the most inventive painters working today. But, as this extensive volume makes clear, he is also a sophisticated visual thinker, endlessly preoccupied with the process and history of painting. No Foreign Lands is the first publication to examine in depth the conceptual underpinnings of Doig's oeuvre. Particular attention is given to the importance of motifs, themes and variations in his work, explored in over 200 paintings and works on paper from the past 13 years, among them new works never before published.Born in Edinburgh in 1959, Peter Doig was raised in Canada and spent two decades in London before moving to Trinidad, where he now lives and works. Doig graduated from St. Martin's School of Art in 1983 and the Chelsea School of Art in 1990. He was nominated for the Turner Prize in 1994, and was included in the 2006 Whitney Biennial. In February 2013, his painting "The Architect's Home in the Ravine" sold for $12,000,000 at a London auction. The exhibition No Foreign Lands, which opened at the Scottish National Gallery before traveling to the Museum of Fine Arts, Montreal, showcases works created during the past ten years, much of which the artist spent in Trinidad. The Independent called the exhibition "a thrilling show," and The Observer praised it as "mesmerizing."

The perfect introduction to polar lands, featuring grumpy bears, record-breaking birds, polar pioneers and much more. This highly popular and long-running series has been revamped for a new generation of readers, with a clean, crisp redesign and colourful covers. The series explores questions that young readers ask about the world around them in an unrivalled child-friendly style. The conversational format is perfect for delivering solid information in a natural, amusing and imaginative way.

What would it be like to experience the ancient landscapes of the past as we experience the reality of nature today? To actually visit the Jurassic or Cambrian worlds, to wander among their spectacular flora and fauna, to witness their continental shifts? In Otherlands, the multi-talented palaeontologist Thomas Halliday gives us a breath-taking up close encounter with worlds that are normally unimaginably distant. Journeying backwards in time from the most recent Ice Age to the dawn of complex life itself, and across all seven continents, Halliday immerses us in sixteen lost ecosystems, each one rendered with a novelist's eye for detail and drama. Every description - whether the colour of a beetle's shell, the shambling rhythm of pterosaurs in flight or the lingering smell of sulphur in the air - is grounded in fact. We visit the birthplace of humanity on the shores of the great lake Lonyumun, in Pliocene-era Kenya; in the Miocene, we hear the crashing of the highest waterfall the world has ever known as it fills the evaporated Mediterranean Sea; we encounter forests of giant fungus nine metres tall in Devonian-era Scotland; and we gaze at the light of a full and enormous moon in the Ediacaran sky, when life hasn't yet reached land. To read Otherlands is to time travel, to see the last 550 million years not as an endless expanse of unfathomable time, but as a series of worlds, simultaneously fantastical and familiar.