In Humboldts Shadow

Introduction kihawahine : the future in the past -- Hawaiian feathered cloaks and Mayan sculptures : collecting origins -- The Haida crest pole and the Nootka eagle mask : hypercollecting -- Benin bronzes : colonial questions -- Guatemalan textiles : persisting global networks -- The Yup'ik flying-swan mask : the past in the future -- Epilogue : harnessing Humboldt.

French naturalist and medical doctor Aimé Bonpland (1773–1858) was one of the most important scientific explorers of South America in the early nineteenth century. From 1799 to 1804, he worked alongside Alexander von Humboldt as the latter carried out his celebrated research in northern South America, but he later returned to conduct his own research farther south. A Life in Shadow accounts for the entire span of Bonpland's remarkable and diverse career in South America—in Argentina, Paraguay (where he was imprisoned for nearly a decade), Uruguay, and southernmost Brazil—based on extensive archival material. The study reconnects Bonpland's divided records in Europe and South America and delves into his studies of rural resources in interior regions of South America, including experimental cultivation techniques. This is a fascinating account of a man—a doctor, farmer, rancher, scientific explorer, and political conspirator—who interacted in many revealing ways with the evolving societies and institutions of South America.

In the vein of Susan Orlean's The Orchid Thief and Deborah Feldman's Unorthodox, journalist Emily Brady journeys into a secretive subculture--one that marijuana built. Say the words "Humboldt County" to a stranger and you might receive a knowing grin. The name is infamous, and yet the place, and its inhabitants, have been nearly impenetrable. Until now. Humboldt is a narrative exploration of an insular community in Northern California, which for nearly 40 years has existed primarily on the cultivation and sale of marijuana. It's a place where business is done with thick wads of cash and savings are buried in the backyard. In Humboldt County, marijuana supports everything from fire departments to schools, but it comes with a heavy price. As legalization looms, the community stands at a crossroads and its inhabitants are deeply divided on the issue--some want to claim their rightful heritage as master growers and have their livelihood legitimized, others want to continue reaping the inflated profits of the black market. Emily Brady spent a year living with the highly secretive residents of Humboldt County, and her cast of eccentric, intimately drawn characters take us into a fascinating, alternate universe. It's the story of a small town that became dependent on a forbidden plant, and of how everything is changing as marijuana goes mainstream.

Alexander von Humboldt is one of the most celebrated figures of late-modern science, famous for his work in physical geography, botanical geography and climatology. This volume traces Humboldt's biographical identities through Germany's collective past to shed light on the historical instability of our scientific heroes.

This book critically examines how movies that feature real or imagined explorers and expeditions creatively feature the geography of Latin America. It focuses on how locales are scripted into film plots and artistically depicted, and demonstrates that place is as important as any character in a film, especially in this genre. Nineteen key films are analyzed. Some, like Aguirre, the Wrath of God, Fitzcarraldo, The Other Conquest, Embrace of the Serpent, and The Lost City of Z are based on the exploits of real explorers. Others are fictional, including Apocalypto, Indiana Jones and the Kingdom of the Crystal Skull, and Dora and the Lost City of Gold. The author also discusses the evolution of exploration-discovery films, including trends that will likely be found in forthcoming movies.

Michael Rosen shows how the redemptive hope of religion became the redemptive hope of historical progress. This was the heart of German Idealism: purpose lay not in God’s judgment but in worldly projects; freedom required not being subject to arbitrary authority, human or divine. Yet purpose and freedom never shed their theistic structure.

Tells the story of the exciting and challenging years in space flight, with two superpowers engaged in a titanic struggle to land one of their own people on the moon. This book explores the inspirations, ambitions, personalities, and experiences of the select few whose driving ambition was to fly to the moon.

Sequoia sempervirens, California coastal redwood, was Humboldt County's economic mainstay from the 1850s onwards. By the early 20th century, harvesting "red gold" was the major industry along California's North Coast, with Humboldt at the forefront of the industry. The first half of the 20th century saw technological changes in logging and milling. New uses for redwood included cigar boxes, "presto-logs," and core logs for plywood. The industry began reforestation practices, growing their own seedlings as early as 1907. World War I and the Great Depression impacted the industry, as did activism to preserve the redwoods. In the 1930s, the largest stand of old-growth redwoods was preserved, and the turmoil of the 1935 strike resulted in several strikers being killed in Eureka. This book explores Humboldt's early-20th-century lumber industry and day-to-day realities of life in the mills and woods in an era underrepresented in published logging history.

The biographer—so often in the shadows, kibitzing, casting doubt, proving facts—comes to the stage in this funny, poignant, endearing tale of how writers’ lives get documented. James Atlas, the celebrated chronicler of Saul Bellow and Delmore Schwartz, takes us back to his own childhood in suburban Chicago, where he fell in love with literature and, early on, found in himself the impulse to study writers’ lives. We meet Richard Ellmann, the great biographer of James Joyce and Atlas’s professor during a transformative year at Oxford. We get to know Atlas’s first subject, the “self-doomed” poet Delmore Schwartz. And we are introduced to a bygone cast of intellectuals such as Edmund Wilson and Dwight Macdonald (the “tall pines,” as Mary McCarthy once called them, cut down now, according to Atlas, by the “merciless pruning of mortality”) and, of course, the elusive Bellow, “a metaphysician of the ordinary.” Atlas revisits the lives and works of the classical biographers, the Renaissance writers of what were then called “lives,” Samuel Johnson and the obsessive Boswell, and the Victorian masters Mrs. Gaskell and Thomas Carlyle. And in what amounts to a pocket history of his own literary generation, Atlas celebrates the biographers who hoped to glimpse an image of them—“as fleeting as a familiar face swallowed up in a crowd.” (With black-and-white illustrations throughout)

In the late nineteenth century, Germans spearheaded a worldwide effort to preserve the material traces of humanity, designing major ethnographic museums and building extensive networks of communication and exchange across the globe. In this groundbreaking study, Glenn Penny explores the appeal of ethnology in Imperial Germany and analyzes the motivations of the scientists who created the ethnographic museums. Penny shows that German ethnologists were not driven by imperialist desires or an interest in legitimating putative biological or racial hierarchies. Overwhelmingly antiracist, they aspired to generate theories about the essential nature of human beings through their museums' collections. They gained support in their efforts from boosters who were enticed by participating in this international science and who used it to promote the cosmopolitan character of their cities and themselves. But these cosmopolitan ideals were eventually overshadowed by the scientists' more modern, professional, and materialist concerns, which dramatically altered the science and its goals. By clarifying German ethnologists' aspirations and focusing on the market and conflicting interest groups, Penny makes important contributions to German history, the history of science, and museum studies.