Imagining The Arabs

Who are the Arabs? When did people begin calling themselves Arabs? And what was the Arabs' role in the rise of Islam? Investigating these core questions about Arab identity and history by marshalling the widest array of Arabic sources employed hitherto, and by closely interpreting the evidence with theories of identity and ethnicity, Imagining the Arabs proposes new answers to the riddle of Arab origins and fundamental reinterpretations of early Islamic history. This book reveals that the time-honoured stereotypes which depict Arabs as ancient Arabian Bedouin are entirely misleading because the essence of Arab identity was in fact devised by Muslims during the first centuries of Islam. Arab identity emerged and evolved as groups imagined new notions of community to suit the radically changing circumstances of life in the early Caliphate. The idea of 'the Arab' was a device which Muslims utilised to articulate their communal identity, to negotiate post-Conquest power relations, and to explain the rise of Islam. Over Islam's first four centuries, political elites, genealogists, poetry collectors, historians and grammarians all participated in a vibrant process of imagining and re-imagining Arab identity and history, and the sum of their works established a powerful tradition that influences Middle Eastern communities to the present day.

A spirited defense of Arab identity from a time of political unrest In ninth-century Abbasid Baghdad, the social prestige attached to claims of Arab identity had begun to decline. In The Excellence of the Arabs, the celebrated litterateur Ibn Qutaybah locks horns with those members of his society who belittled Arabness and vaunted the glories of Persian heritage and culture. Instead, he upholds the status of Arabs and their heritage in the face of criticism and uncertainty. The Excellence of the Arabs is in two parts. In the first, Arab Preeminence, which takes the form of an extended argument for Arab privilege, Ibn Qutaybah accuses his opponents of blasphemous envy. In the second, The Excellence of Arab Learning, he describes the fields of knowledge in which he believed pre-Islamic Arabians excelled, including knowledge of the stars, divination, horse husbandry, and poetry. By incorporating extensive excerpts from the poetic heritage—“the archive of the Arabs”—Ibn Qutaybah aims to demonstrate that poetry is itself sufficient evidence of Arab superiority. Eloquent and forceful, The Excellence of the Arabs addresses a central question at a time of great social flux, at the dawn of classical Muslim civilization: What does it mean to be Arab? An English-only edition.

As its interests have become deeply tied to the Middle East, the United States has long sought to develop a usable understanding of the people, politics, and cultures of the region. In Imagining the Middle East, Matthew Jacobs illuminates how Ameri

A riveting, comprehensive history of the Arab peoples and tribes that explores the role of language as a cultural touchstone This kaleidoscopic book covers almost 3,000 years of Arab history and shines a light on the footloose Arab peoples and tribes who conquered lands and disseminated their language and culture over vast distances. Tracing this process to the origins of the Arabic language, rather than the advent of Islam, Tim Mackintosh-Smith begins his narrative more than a thousand years before Muhammad and focuses on how Arabic, both spoken and written, has functioned as a vital source of shared cultural identity over the millennia. Mackintosh-Smith reveals how linguistic developments--from pre-Islamic poetry to the growth of script, Muhammad's use of writing, and the later problems of printing Arabic--have helped and hindered the progress of Arab history, and investigates how, even in today's politically fractured post-Arab Spring environment, Arabic itself is still a source of unity and disunity.

Jews and Muslims in the Arab World highlights the effects of historical memory on the Arab-Israel conflict, demonstrating that both Jews and Arabs use stories of distant pasts to create their identities and shape their politics. Whether real or imagined, the past filtered through their collective memories has had and will continue to have enormous influence on how Jews and Arabs perceive themselves and each other. Jews and Muslims in the Arab World describes the ways in which the past is absorbed, internalized, and then processed among Jews and Arabs. The book stresses the importance of historical imagination on the current evolving political cultures, but does not claim that explanations from an ancient past shed light on every aspect of contemporary events.

By employing the innovative lenses of ‘thing theory’ and material culture studies, this collection brings together essays focused on the role played by Arabia’s things - from cultural objects to commodities to historical and ethnographic artifacts to imaginary things - in creating an Arabian identity over time. The Arabian identity that we convey here comprises both a fabulous Arabia that has haunted the European imagination for the past three hundred years and a real Arabia that has had its unique history, culture, and traditions outside the Orientalized narratives of the West. All Things Arabia aims to dispel existing stereotypes and to stimulate new thinking about an area whose patterns of trade and cosmopolitanism have pollinated the world with lasting myths, knowledge, and things of beauty. Contributors include: Ileana Baird, Marie-Claire Bakker, Joseph Donica, Holly Edwards, Yannis Hadjinicolaou, Victoria Hightower, Jennie MacDonald, Kara McKeown, Rana Al-Ogayyel, Ceyda Oskay, Chrysavgi Papagianni, James Redman, Eran Segal, Hülya Yağcıoğlu, and William Gerard Zimmerle.

Sexual desire has long played a key role in Western judgments about the value of Arab civilization. In the past, Westerners viewed the Arab world as licentious, and Western intolerance of sex led them to brand Arabs as decadent; but as Western society became more sexually open, the supposedly prudish Arabs soon became viewed as backward. Rather than focusing exclusively on how these views developed in the West, in Desiring Arabs Joseph A. Massad reveals the history of how Arabs represented their own sexual desires. To this aim, he assembles a massive and diverse compendium of Arabic writing from the nineteenth century to the present in order to chart the changes in Arab sexual attitudes and their links to Arab notions of cultural heritage and civilization. A work of impressive scope and erudition, Massad’s chronicle of both the history and modern permutations of the debate over representations of sexual desires and practices in the Arab world is a crucial addition to our understanding of a frequently oversimplified and vilified culture. “A pioneering work on a very timely yet frustratingly neglected topic. . . . I know of no other study that can even begin to compare with the detail and scope of [this] work.”—Khaled El-Rouayheb, Middle East Report “In Desiring Arabs, [Edward] Said’s disciple Joseph A. Massad corroborates his mentor’s thesis that orientalist writing was racist and dehumanizing. . . . [Massad] brilliantly goes on to trace the legacy of this racist, internalized, orientalist discourse up to the present.”—Financial Times

Recipient of the Governor General's Literary Award for Translation, Imagining the Middle East examines how Western perceptions of the Middle East were formed and how they have been used as a rationalization for setting policies and determining actions.

In this innovative study, Professor Tahar Labibseeks to understand how the 'Other' is viewed in Arab culture, and vice versa. Imagining the Arab Other examines how Turks, Europeans, Christians and Iranians have been represented in the arts, opinions and cultures of the Arab world. Conversely, it also explores the intellectual representation of 'The Arab' in other cultures. It demonstrates the central role of the Catholic Church in ascribing to the Arab peoples a set of characteristics associated with the 'Other'. Labib places this survey in the context of theoretical debates, started by Edward Said's 'Orientalism', on the construction of 'Other'. With its diversity of perspectives, Imagining the Arab Other offers a new way of understanding identity and cultural difference in the Middle East, one which goes beyond the Orientalist/Occidentalist paradigm.

Partition--the idea of separating Jews and Arabs along ethnic or national lines--is a legacy at least as old as the Zionist-Palestinian conflict. Challenging the widespread "separatist imagination" behind partition, Gil Hochberg demonstrates the ways in which works of contemporary Jewish and Arab literature reject simple notions of separatism and instead display complex configurations of identity that emphasize the presence of alterity within the self--the Jew within the Arab, and the Arab within the Jew. In Spite of Partition examines Hebrew, Arabic, and French works that are largely unknown to English readers to reveal how, far from being independent, the signifiers "Jew" and "Arab" are inseparable. In a series of original close readings, Hochberg analyzes fascinating examples of such inseparability. In the Palestinian writer Anton Shammas's Hebrew novel Arabesques, the Israeli and Palestinian protagonists are a "schizophrenic pair" who "have not yet decided who is the ventriloquist of whom." And in the Moroccan Jewish writer Albert Swissa's Hebrew novel Aqud, the Moroccan-Israeli main character's identity is uneasily located between the "Moroccan Muslim boy he could have been" and the "Jewish Israeli boy he has become." Other examples draw attention to the intricate linguistic proximity of Hebrew and Arabic, the historical link between the traumatic memories of the Jewish Holocaust and the Palestinian Nakbah, and the libidinal ties that bind Jews and Arabs despite, or even because of, their current animosity.