Images Of Mithra

This work presents six case-studies of objects from different periods and regions of antiquity that are labelled by variations of the name Mithra, including the Roman Mithras, Persian Mihr, and Bactrian Miiro. Each chapter places each object in its original context, before questioning its role in religious ritual, tradition, and belief

With a history of use extending back to Vedic texts of the second millennium BC, derivations of the name Mithra appear in the Roman Empire, across Sasanian Persia, and in the Kushan Empire of southern Afghanistan and northern India during the first millennium AD. Even today, this name has a place in Yazidi and Zoroastrian religion. But what connection have Mihr in Persia, Miiro in Kushan Bactria, and Mithras in the Roman Empire to one another? Over the course of the volume, specialists in the material culture of these diverse regions explore appearances of the name Mithra from six distinct locations in antiquity. In a subversion of the usual historical process, the authors begin not from an assessment of texts, but by placing images of Mithra at the heart of their analysis. Careful consideration of each example's own context, situating it in the broader scheme of religious traditions and on-going cultural interactions, is key to this discussion. Such an approach opens up a host of potential comparisons and interpretations that are often side-lined in historical accounts. What Images of Mithra offers is a fresh approach to the ways in which gods were labelled and depicted in the ancient world. Through an emphasis on material culture, a more nuanced understanding of the processes of religious formation is proposed in what is but the first part of the Visual Conversations series.

Winner of the the Roman and Tania Ghirshman Prize 2015 by the French Académie des Inscriptions et Belles-Lettres. This prize was established in 1973 by the donation made by Roman Ghirshman, one of the prominent French archaeologists of Pre-Islamic Iran. It is awarded annually for a publication in the field of Pre-Islamic Iranian Studies. In Intangible Spirits and Graven Images, Michael Shenkar investigates the perception of ancient Iranian deities and their representation in the Iranian cults. This ground-breaking study traces the evolution of the images of these deities, analyses the origin of their iconography, and evaluates their significance. Shenkar also explores the perception of anthropomorphism and aniconism in ancient Iranian religious imagery, with reference to the material evidence and the written sources, and reassesses the value of the Avestan and Middle Persian texts that are traditionally employed to illuminate Iranian religious imagery. In doing so, this book provides important new insights into the religion and culture of ancient Iran prior to the Islamic conquest.

Attilio Mastrocinque explains the mysteries of Mithras in a new way, as a transformation of Mazdean elements into an ideological and religious reading of Augustus' story. The author shows that the character of Mithras played the role of Apollo in favoring Augustus' victory and the birth of the Roman Empire.

In The Cult of Mithras in Late Antiquity David Walsh examines how and why the cult of Mithras vanished from the Roman Empire by the early 5th century C.E.

The Mysteries of Mithras presents a revival of this ancient Roman mystery religion, popular from the late second century B.C. Payam Nabarz reveals the history and tenets of Mithraism, its connections to Christianity, Islam, and Freemasonry, and the modern neo-pagan practice of Mithraism today. Included are seven of its initiatory rituals.

This volume sets forth a new explanation of the meaning of the cult of Mithraism, tracing its origins not, as commonly held, to the ancient Persian religion, but to ancient astronomy and cosmology.

Since its publication in Germany, Manfred Clauss's introduction to the Roman Mithras cult has become widely accepted as the most reliable, as well as the most readable, account of its elusive and fascinating subject. For the English edition the author has revised the work to take account of recent research and new archaeological discoveries. The mystery cult of Mithras first became evident in Rome towards the end of the first century AD. During the next two centuries, carried by its soldier and merchant devotees, it spread to the frontier of the western empire from Britain to Bosnia. Perhaps because of odd similarities between the cult and their own religion the early Christians energetically suppressed it, frequently constructing churches over the caves (Mithraea) in which its rituals took place. By the end of the fourth century the cult was extinct.Professor Clauss draws on the archaeological evidence from over 400 temples and their contents including over a thousand representations of ritual in sculpure and painting to seek an understanding of the nature and purpose of the cult, and what its mysteries and secret rites of initiation and sacrifice meant to its devotees. In doing so he introduces the reader to the nature of the polytheistic societies of the Roman Empire, in which relations and distinctions between gods and mortals now seem strangely close and blurred. He also considers the connections of Mithraicism with astrology, and examines how far it can be seen as a direct descendant of the ancient cult of Mitra, the Persian god of contract, cattle and light. The book combines imaginative insight with coherent argument. It is well-structured, accessibly written and extensively illustrated. Richard Gordon, the translator and himself a distinguished scholar of the subject, has provided a bibliography of further reading for anglophone readers.

Mithras explores the history and practices of the ancient mystery religion Mithraism, looking at both literary and material evidence for the god Mithras and the reception and allure of his mysteries in the present. The genesis and spread of Mithraism remain highly controversial. This book examines our current state of knowledge on the pre-classical Indo-Iranian god, Mitra, and argues that Mithraism was a product of Mitra’s encounter with the religious thought of the classical world. It then charts the life history of Mithraism in the Roman Empire, exploring the social background of its initiates and the reasons for their attraction to the religion. The rituals and beliefs of the cult are as mysterious as its origins; in studying Mithraic "caves" and paintings found in some Mithraic temples, we can better understand and reconstruct the rituals the Mithraists practiced. While "bull-slaying", or tauroctony, lies at the core of the Mithraic mythos, this volume explores other incidents in the god’s life depicted in ancient art, including his miraculous birth and his banquet with the sun, as well as the disconcerting lion-headed "enveloped god". After a fall from grace in the post-classical world, Mithras has resurrected himself in the present, establishing himself as one of the most recognisable if elusive gods of antiquity. Mithras provides a fascinating study of this complex god that will be of interest to scholars and students of Roman and Late Antique religion, mystery cults, as well as those working on society and religion in antiquity more broadly.