Images Of Ancient America

"Describes and displays many aspects of the civilization that arose in southern Mexico and northern Central America (Mesoamerica) thousands of years ago" in order to "help readers envision the lives of the people in the Book of Mormon"--jacket.

"For archaeologists, artists, art historians, and all lovers of art, expecially pre-Columbian art." -- Choice "... one of the better general pre-Columbian catalogues to appear in a long time." -- African Arts More than 150 examples of Olmec and Maya art are described in detail, discussed, and reproduced in magnificent full-color photographs. The collection is grouped into cultural and geographical sections to give a complete picture of the most significant civilizations of ancient Latin America.

Through 250 exquisite full-color and black-and-white photos, photographer David Muench presents a superb visual interpretation of what the North American continent was like before the arrival of Europeans. Printed on high-quality paper with excellent reproduction, this is a stunning collection that will appeal to photographers as well as nature lovers.

The real history of the New World and the visitors, from both East and West, who traveled to the Americas long before 1492 • Provides more than 300 photographs and drawings, including Celtic runes in New England, Gaelic inscriptions in Colorado, and Asian symbols in the West • Reinterprets many archaeological finds, such as the Ohio Serpent Mound • Reveals Celtic, Hebrew, Roman, early Christian, Templar, Egyptian, Chinese, and Japanese influences in North American artifacts and ruins As the myth of Columbus “discovering” America falls from the pedestal of established history, we are given the opportunity to discover the real story of the New World and the visitors, from both East and West, who traveled there long before 1492. Sharing his more than 25 years of research and travel to sites throughout North America, Carl Lehrburger employs epigraphy, archaeology, and archaeoastronomy to reveal extensive evidence for pre-Columbian explorers in ancient America. He provides more than 300 photographs and drawings of sites, relics, and rock art, including Celtic and Norse runes in New England, Phoenician and Hebrew inscriptions in the Midwest, and ancient Shiva linga and Egyptian hieroglyphs in the West. He uncovers the real story of Columbus and his motives for coming to the Americas. He reinterprets many well-known archaeological and astronomical finds, such as the Ohio Serpent Mound, America’s Stonehenge in New Hampshire, and the Crespi Collection in Ecuador. He reveals Celtic, Hebrew, Roman, early Christian, Templar, Egyptian, Chinese, and Japanese influences in famous stones and ruins, reconstructing the record of what really happened on the American continents prior to Columbus. He also looks at Hindu influences in Mesoamerica and sacred sexuality encoded in archaeological sites. Expanding upon the work of well-known diffusionists such as Barry Fell and Gunnar Thompson, the author documents the travels and settlements of trans-Atlantic and trans-Pacific explorers, miners, and settlers who made it to the Americas and left their marks for us to discover. Interpreting their sacred symbols, he shows how their teachings, prayers, and cosmologies reveal the cosmic order and sacred landscape of the Americas.

This volume accompanies a major international loan exhibition featuring more than three hundred works of art, many rarely or never before seen in the United States. It traces the development of gold working and other luxury arts in the Americas from antiquity until the arrival of Europeans in the early sixteenth century. Presenting spectacular works from recent excavations in Peru, Colombia, Panama, Costa Rica, Guatemala, and Mexico, this exhibition focuses on specific places and times—crucibles of innovation—where artistic exchange, rivalry, and creativity led to the production of some of the greatest works of art known from the ancient Americas. The book and exhibition explore not only artistic practices but also the historical, cultural, social, and political conditions in which luxury arts were produced and circulated, alongside their religious meanings and ritual functions. Golden Kingdoms creates new understandings of ancient American art through a thematic exploration of indigenous ideas of value and luxury. Central to the book is the idea of the exchange of materials and ideas across regions and across time: works of great value would often be transported over long distances, or passed down over generations, in both cases attracting new audiences and inspiring new artists. The idea of exchange is at the intellectual heart of this volume, researched and written by twenty scholars based in the United States and Latin America.

Errata slip inserted. Bibliography: p. 135-136.

This is a historical work on life in pre-Columbian America. It includes the theories of the origins of the indigenous peoples of America and the main developments in their political, cultural, and economic life. Although published about a century ago and presenting possibly outdated views, this work is still an interesting source of information and a great resource for historical research.