Images Books 1 And 2

Claude Debussy's Complete Images (Books 1 and 2), Urtext Edition. Reproduce the original intention of the composer as exactly as possible, without any added or changed material.

Molly Bang's brilliant, insightful, and accessible treatise is now revised and expanded for its 25th anniversary. Bang's powerful ideas—about how the visual composition of images works to engage the emotions, and how the elements of an artwork can give it the power to tell a story—remain unparalleled in their simplicity and genius. Why are diagonals dramatic? Why are curves calming? Why does red feel hot and blue feel cold? First published in 1991, Picture This has changed the way artists, illustrators, reviewers, critics, and readers look at and understand art.

Since its first publication over twenty years ago, Images of Organization has become a classic in the canon of management literature. The book is based on a very simple premise—that all theories of organization and management are based on implicit images or metaphors that stretch our imagination in a way that can create powerful insights, but at the risk of distortion. Gareth Morgan provides a rich and comprehensive resource for exploring the complexity of modern organizations internationally, translating leading-edge theory into leading-edge practice.

Extending the discussion of critical content analysis to the visual realm of picturebooks and graphic novels, this book provides a clear research methodology for understanding and analyzing visual imagery. Offering strategies for "reading" illustrations in global and multicultural literature, chapter authors explore and bring together critical theory and social semiotics while demonstrating how visual analysis can be used to uncover and analyze power, ideologies, inequity, and resistance in picturebooks and graphic novels. This volume covers a diverse range of texts and types of books and offers tools and procedures for interpreting visual images to enhance the understandings of researchers, teachers, and students as they engage with the visual culture that fills our world. These methods are significant not only to becoming a critical reader of literature but to also becoming a critical reader of visual images in everyday life.

A #1 New York Times bestseller, this innovative and wildly funny read-aloud by award-winning humorist/actor B.J. Novak will turn any reader into a comedian—a perfect gift for any special occasion! You might think a book with no pictures seems boring and serious. Except . . . here’s how books work. Everything written on the page has to be said by the person reading it aloud. Even if the words say . . . BLORK. Or BLUURF. Even if the words are a preposterous song about eating ants for breakfast, or just a list of astonishingly goofy sounds like BLAGGITY BLAGGITY and GLIBBITY GLOBBITY. Cleverly irreverent and irresistibly silly, The Book with No Pictures is one that kids will beg to hear again and again. (And parents will be happy to oblige.)

As in color or paint-by-number, each design is divided into dozens of spaces. Each space has number that corresponds to a sticker. Find the sticker, peel it, and place it in the right space. Watch as a full colored image emerges from the original unfinished illustration. Includes more than 40 nature themed images to sticker. Images range in difficulty. Perforated pages and spiral binding make it easy to use! Made for adults but kids can enjoy as well! 8.5" x 10" Keep your brain engaged while creating fun, beautiful art. Images from two books have been combined to create this 156 page Sticker by Number: Nature book! Brain Games - Sticker by Number: Nature, 104 pages - ISBN-13: 9781680229011 Brain Games - Sticker by Number: Country Garden, 52 pages - ISBN-13: 9781645580331

"Analogy, Attunement, and Attention brings together a uniquely contemporary and diverse set of voices to address the complex sets of relationships that the photograph creates between its viewers and their bodies, minds, and sense of the physical and metaphysical world. This volume examines our changing relationship to space and selfhood as mediated by the lens, the print, the screen, the computer, and the multitude of networked technologies built around the image"--