Im Not There

An examination of director Todd Haynes and his Bob Dylan biopic.

A memoir that tells the story of a person who changed genders chronicles the life of James, a critically acclaimed novelist, who eventually became Jenny, a happy and successful English professor.

I'm underneath the bed, hardly poking out my head. It's a squeeze and hurts my knees, but I don't care. Can you guess, do you know, why I whisper soft and low? Something out there is very scary. And it's coming this way.

For nearly thirty years, Greil Marcus has written a remarkable column called “Real Life Rock Top Ten.” It has been a laboratory where he has fearlessly explored and wittily dissected an enormous variety of cultural artifacts, from songs to books to movies to advertisements. Taken together, his musings, reflections, and sallies amount to a subtle and implicit theory of how cultural objects fall through time and circumstance and often deliver unintended consequences, both in the present and in the future. Real Life Rock reveals the critic in full: direct, erudite, funny, fierce, vivid, uninhibited, and possessing an unerring instinct for art and fraud. The result is an indispensable volume packed with startling arguments and casual brilliance.

A vanished child, a family in turmoil, and a fateful phone call that brings the torments of the past into the harrowing present . . . the New York Times bestselling author of Someone Is Watching weaves these spellbinding elements into a gripping novel of psychological suspense—a must-read for fans of Laura Lippman and Mary Higgins Clark. “I think my real name is Samantha. I think I’m your daughter.” Caroline Shipley’s heart nearly stops when she hears those words from the voice on the other end of the phone. Instantly, she’s thrust fifteen years into the past, to a posh resort in Baja, Mexico—and the fateful night her world collapsed. The trip is supposed to be a celebration. Caroline’s husband, Hunter, convinces her to leave their two young daughters, Michelle and Samantha, alone in their hotel suite while the couple enjoys an anniversary dinner in the restaurant downstairs. But returning afterward, Caroline and Hunter make a horrifying discovery: Two-year-old Samantha has vanished without a trace. What follows are days, weeks, and years of anguish for Caroline. She’s tormented by media attention that has branded her a cold, incompetent mother, while she struggles to save her marriage. Caroline also has to deal with the demands of her needy elder daughter, Michelle, who is driven to cope in dangerous ways. Through it all, Caroline desperately clings to the hope that Samantha will someday be found—only to be stung again and again by cruel reality. Plunged back into the still-raw heartbreak of her daughter’s disappearance, and the suspicions and inconsistencies surrounding a case long gone cold, Caroline doesn’t know whom or what to believe. The only thing she can be sure of is that someone is fiercely determined to hide the truth of what happened to Samantha. Praise for Joy Fielding’s Someone Is Watching “Someone Is Watching gripped me from the first to the very last page. Bailey Carpenter is a heroine who’s both victim and warrior woman, a fascinating sleuth who will linger with you long after you’ve finished this thrilling read.”—Tess Gerritsen “Fielding pens a spiraling tale of paranoia and suspense, as sultry as a Miami night.”—Jenny Milchman “An edge-of-your-seat read . . . With Fielding’s patented blend of complex characters and escalating suspense, she is in top form here.”—Karen Robards “Engrossing . . . The characters pulsate with life.”—Publishers Weekly (starred review) “A gripping, fast-paced psychological thriller . . . Fielding’s story of one woman’s search for justice, understanding, and internal peace is nothing short of arresting.”—Booklist (starred review)

As seen in Netflix's "Cracked Up: The Darrell Hammond Story", this groundbreaking memoir is a raw look inside the troubled life and mind of an American comic genius. By turns poignant and hilarious, Hammond takes readers from the set of Saturday Night Live, where he was the show’s longest-tenured cast member, to the drug-ridden streets of Harlem and into the twisting corridors of his own unflaggingly humorous consciousness. Mingling behind-the-scenes stories from television’s best-loved comedy series with a dark look inside a world-class funnyman, God If You’re Not Up There, I’m F*cked is a book sure to resonate with anyone who shares a talent for performance, a love of comedy, or a desire to know how an artist can climb from the deepest despair to the very top of his profession.

This edited collection assesses the complex historical and contemporary relationships between US and Australian cinema by tapping directly into discussions of national cinema, transnationalism and global Hollywood. While most equivalent studies aim to define national cinema as independent from or in competition with Hollywood, this collection explores a more porous set of relationships through the varied production, distribution and exhibition associations between Australia and the US. To explore this idea, the book investigates the influence that Australia has had on US cinema through the exportation of its stars, directors and other production personnel to Hollywood, while also charting the sustained influence of US cinema on Australia over the last hundred years. It takes two key points in time—the 1920s and 1930s and the last twenty years—to explore how particular patterns of localism, nationalism, colonialism, transnationalism and globalisation have shaped its course over the last century. The contributors re-examine the concept and definition of Australian cinema in regard to a range of local, international and global practices and trends that blur neat categorisations of national cinema. Although this concentration on US production, or influence, is particularly acute in relation to developments such as the opening of international film studios in Melbourne, Sydney, Adelaide and the Gold Coast over the last thirty years, the book also examines a range of Hollywood financed and/or conceived films shot in Australia since the 1920s.

NATIONAL BESTSELLER • A moving and powerful account by an acclaimed journalist that "informs the heart. [This] meticulous portrait of two boys in a Chicago housing project shows how much heroism is required to survive, let alone escape" (The New York Times). "Alex Kotlowitz joins the ranks of the important few writers on the subiect of urban poverty."—Chicago Tribune The story of two remarkable boys struggling to survive in Chicago's Henry Horner Homes, a public housing complex disfigured by crime and neglect.

Read and enjoy this riveting novel of a mother’s love and devotion. This is an inspirational, faith-filled story of the love of a mother and son though separated by evil. The two remain strong in faith. This will move your heart and spirit upon knowing the true power of forgiveness and the healing power love and faith can bring.

The Negro Motorist Green Book was a groundbreaking guide that provided African American travelers with crucial information on safe places to stay, eat, and visit during the era of segregation in the United States. This essential resource, originally published from 1936 to 1966, offered a lifeline to black motorists navigating a deeply divided nation, helping them avoid the dangers and indignities of racism on the road. More than just a travel guide, The Negro Motorist Green Book stands as a powerful symbol of resilience and resistance in the face of oppression, offering a poignant glimpse into the challenges and triumphs of the African American experience in the 20th century.