Icons Of Democracy

In a blend of history, biography, political science, and political theory, he offers examples of the finest democratic leadership as well as cautionary tales of prominent leaders whose styles were essentially aristocratic."--BOOK JACKET.

How much power does a president really have? Theories and arguments abound—pointlessly, Bruce Miroff says, if we don't understand the context in which presidents operate. Borrowing from Machiavelli, Miroff maps five fields of political struggle that presidents must traverse to make any headway: media, powerful economic interests, political coalitions, the high-risk politics of domestic policy, and the partisan politics of foreign policy. The prince readying for war, Machiavelli writes, must “learn the nature of the terrain, and know how mountains slope, how valleys open, how plains lie, and understand the nature of rivers and swamps.” So it is with presidents navigating the political landscape. The variability of political ground, and of the conflicts fought on it, is a core proposition of this study. The swift collapse of the Soviet Union, the terrorist attacks of 9/11, and the financial crisis of 2008—recent history offers a quick lesson in fortune’s role in the careers of presidents. Taking a historical perspective, which opens on an array of cases, Miroff explores the various ways in which a president's agenda is constrained or facilitated by political conditions on the ground. His book reveals how political identity is constructed and contested in the media through the ever-changing presidential spectacle; what happens when Democrats in the White House tangle with the titans of the economy; why presidents claiming to represent the entire nation have to manage political coalitions that direct rewards to their own followers; why domestic policy has become “tough terrain” for presidents; and how partisan polarization has reshaped presidential leadership in foreign policy, an area once considered “beyond politics.” Providing a new perspective on why and how presidents succeed or fail in each of these areas, this book is an indispensable resource for understanding the forces that shape presidencies and the power of a president to fight on such fraught terrain.

In 2018 India's prime minister, Narendra Modi, inaugurated the world's tallest statue: a 597-foot figure of nationalist leader Sardar Patel. Twice the height of the Statue of Liberty, it is but one of many massive statues built following India's economic reforms of the 1990s. In Gods in the Time of Democracy Kajri Jain examines how monumental icons emerged as a religious and political form in contemporary India, mobilizing the concept of emergence toward a radical treatment of art historical objects as dynamic assemblages. Drawing on a decade of fieldwork at giant statue sites in India and its diaspora and interviews with sculptors, patrons, and visitors, Jain masterfully describes how public icons materialize the intersections between new image technologies, neospiritual religious movements, Hindu nationalist politics, globalization, and Dalit-Bahujan verifications of equality and presence. Centering the ex-colony in rethinking key concepts of the image, Jain demonstrates how these new aesthetic forms entail a simultaneously religious and political retooling of the “infrastructures of the sensible.”

This appealing book fills in another dimension by tracing the evolution of American popular culture over the past two centuries. In a lengthy chronology of landmark events, this title provides an intriguing window on the social, economic, and political history of our democracy from the antebellum period to the present.

Revisits the largely forgotten story of how the McGovern campaign represented the zenith of sixties-style liberalism, and how its historic defeat still haunts Democrats to this day--and in the process identifies what Democrats must do before they can reassume their role as agents of progressive change.

By carefully tracing the public lives of Bunche, Clark, and Hansberry, Keppel shows how the mainstream media selectively appropriated the most challenging themes and goals of the struggle for racial equality so that difficult questions about the relationship between racism and American democracy could be softened, if not entirely evaded.

A gaunt woman stares into the bleakness of the Great Depression. An exuberant sailor plants a kiss on a nurse in the heart of Times Square. A naked Vietnamese girl runs in terror from a napalm attack. An unarmed man stops a tank in Tiananmen Square. These and a handful of other photographs have become icons of public culture: widely recognized, historically significant, emotionally resonant images that are used repeatedly to negotiate civic identity. But why are these images so powerful? How do they remain meaningful across generations? What do they expose--and what goes unsaid? InNo Caption Needed, Robert Hariman and John Louis Lucaites provide the definitive study of the iconic photograph as a dynamic form of public art. Their critical analyses of nine individual icons explore the photographs themselves and their subsequent circulation through an astonishing array of media, including stamps, posters, billboards, editorial cartoons, TV shows, Web pages, tattoos, and more. As these iconic images are reproduced and refashioned by governments, commercial advertisers, journalists, grassroots advocates, bloggers, and artists, their alterations throw key features of political experience into sharp relief. Iconic images are revealed as models of visual eloquence, signposts for collective memory, means of persuasion across the political spectrum, and a crucial resource for critical reflection. Arguing against the conventional belief that visual images short-circuit rational deliberation and radical critique, Hariman and Lucaites make a bold case for the value of visual imagery in a liberal-democratic society.No Caption Neededis a compelling demonstration of photojournalism's vital contribution to public life.

This supplementary text offers two readings per chapter organized in a debate-style format, representing opposing viewpoints. The straightforward, thought-provoking presentation facilitates class discussion. Debate topics include Public Opinion: The American People and War, Civil Liberties and War: Debating the USA Patriot Act, Debating the Deficit and the Size of Government, Economic Equality: A Threat to Democracy? and U.S. Foreign Policy After September 11: American Hegemony or International Cooperation?

Designed to accompany any American Government text, this engaging reader features a debate-style format that includes two readings--each representing opposing viewpoints--per chapter. The unique format and current content give this book a distinctive advantage over other readers. The Sixth Edition incorporates up-to-date chapter introductions and new debates, for a fresh look at the hot-button issues in modern American government.

What meaning does the American public attach to images of key black political, social, and cultural figures? Considering photography’s role as a means of documenting historical progress, what is the representational currency of these images? How do racial icons “signify”? Nicole R. Fleetwood’s answers to these questions will change the way you think about the next photograph that you see depicting a racial event, black celebrity, or public figure. In On Racial Icons, Fleetwood focuses a sustained look on photography in documenting black public life, exploring the ways in which iconic images function as celebrations of national and racial progress at times or as a gauge of collective racial wounds in moments of crisis. Offering an overview of photography’s ability to capture shifting race relations, Fleetwood spotlights in each chapter a different set of iconic images in key sectors of public life. She considers flash points of racialized violence in photographs of Trayvon Martin and Emmett Till; the political, aesthetic, and cultural shifts marked by the rise of pop stars such as Diana Ross; and the power and precarity of such black sports icons as Serena Williams and LeBron James; and she does not miss Barack Obama and his family along the way. On Racial Icons is an eye-opener in every sense of the phrase. Images from the book. (http://rutgerspress.rutgers.edu/pages/Fleetwood.aspx)