I Feel Bad About My Dick Lamentations Of Masculine Vanity And Lists Of Startling Pertinence

At a library used book sale, Ponicsán picked up a copy of Nora Ephron’s bestseller, “I Feel Bad About My Neck.” It inspired him over the next several years to answer her observations from the male point of view and over a different bodily part, and to direct it to Ephron’s audience. Part memoir, part parody, part social analysis. (Publisher’s note: This is not just a guy’s book, or an old guy’s book..It’s amusing and full of interesting tales and insights for any gender, and maybe let’s women take a look into the other gender’s view). “…light-hearted…waxing alternately philosophical and vinegary as he takes us on a trip through Hollywood’s movie business, the Watts riots, breakfast cereal, sex and invasive medical procedures. There are engaging digressions into the life of a script doctor, politics, porn, the benign-neglect style of parenting his folks practiced and the beauty of non-attachment. He moves it all along smoothly, never letting truth stand in the way of a good story…If you like charming stories, good writing and a few laughs, ignore the title and buy this book.” -Brady T. Brady, published short stories in the anthology Editor’s Choice III Fiction from U.S. Small Press and in the Hawaii Review and the San Francisco Reader, among others.

A beautifully packaged edition of one of García Márquez's most beloved novels, with never-before-seen color illustrations by the Chilean artist Luisa Rivera and an interior design created by the author's son, Gonzalo García Barcha. In their youth, Florentino Ariza and Fermina Daza fall passionately in love. When Fermina eventually chooses to marry a wealthy, well-born doctor, Florentino is devastated, but he is a romantic. As he rises in his business career he whiles away the years in 622 affairs—yet he reserves his heart for Fermina. Her husband dies at last, and Florentino purposefully attends the funeral. Fifty years, nine months, and four days after he first declared his love for Fermina, he will do so again.

This is a book for pacesetters -- church leaders who desire to help their churches break free of the things that turn them in on themselves. It is a masterly mix of biblical principle, objective analysis, and personal experience.

The Creator sat upon the throne, thinking. Behind him stretched the illimitable continent of heaven, steeped in a glory of light and color; before him rose the black night of Space, like a wall. His mighty bulk towered rugged and mountain-like into the zenith, and His divine head blazed there like a distant sun. At His feet stood three colossal figures, diminished to extinction, almost, by contrast -- archangels -- their heads level with His ankle-bone. When the Creator had finished thinking, He said, "I have thought. Behold!" He lifted His hand, and from it burst a fountain-spray of fire, a million stupendous suns, which clove the blackness and soared, away and away and away, diminishing in magnitude and intensity as they pierced the far frontiers of Space, until at last they were but as diamond nailheads sparkling under the domed vast roof of the universe. At the end of an hour the Grand Council was dismissed. They left the Presence impressed and thoughtful, and retired to a private place, where they might talk with freedom. None of the three seemed to want to begin, though all wanted somebody to do it.

When was the last time we truly paused to meditate and study the crucially important doctrine of the sovereignty of God? In this book A.W. Pink unpacks the theology of the sovereignty of God for us in a way few others have before or after him. Pink dives into Scripture not only to define the sovereignty of God; he goes on to help us apply the doctrine to various aspects of our lives. Pink passionately challenges us to wrestle with and accept a higher, deeper and broader view of our omniscient and omnipotent King.

The classic manifesto of the liberated woman, this book explores every facet of a woman's life.

What induced the British to adopt foreign coffee-drinking customs in the seventeenth century? Why did an entirely new social institution, the coffeehouse, emerge as the primary place for consumption of this new drink? In this lively book, Brian Cowan locates the answers to these questions in the particularly British combination of curiosity, commerce, and civil society. Cowan provides the definitive account of the origins of coffee drinking and coffeehouse society, and in so doing he reshapes our understanding of the commercial and consumer revolutions in Britain during the long Stuart century. Britain’s virtuosi, gentlemanly patrons of the arts and sciences, were profoundly interested in things strange and exotic. Cowan explores how such virtuosi spurred initial consumer interest in coffee and invented the social template for the first coffeehouses. As the coffeehouse evolved, rising to take a central role in British commercial and civil society, the virtuosi were also transformed by their own invention.