Hugh Of Amiens And The Twelfth Century Renaissance

Hugh of Amiens (c. 1085-1164) was an important intellectual figure in the twelfth century. During a long life he served as a cleric, Cluniac monk, abbot, and archbishop of Rouen. He wrote a number of works including poems, biblical exegesis, anti-heretical polemics, and most importantly one of the earliest collections of systematic theology, his Dialogues. This book examines all of Hugh's writings to uncover a better understanding not only of this individual, but also of the twelfth-century as a whole, especially the theological preoccupations of the period, including the development of systematic theology and views on the differences of the monastic and clerical ways of life.

Hugh of Amiens (c. 1085-1164) was an important intellectual figure in the twelfth century. During a long life he served as a cleric, Cluniac monk, abbot, and archbishop of Rouen. He wrote a number of works including poems, biblical exegesis, anti-heretical polemics, and most importantly one of the earliest collections of systematic theology, his Dialogues. This book examines all of Hugh's writings to uncover a better understanding not only of this individual, but also of the twelfth-century as a whole, especially the theological preoccupations of the period, including the development of systematic theology and views on the differences of the monastic and clerical ways of life.

Monasticism, in all of its variations, was a feature of almost every landscape in the medieval West. So ubiquitous were religious women and men throughout the Middle Ages that all medievalists encounter monasticism in their intellectual worlds. While there is enormous interest in medieval monasticism among Anglophone scholars, language is often a barrier to accessing some of the most important and groundbreaking research emerging from Europe. The Cambridge History of Medieval Monasticism in the Latin West offers a comprehensive treatment of medieval monasticism, from Late Antiquity to the end of the Middle Ages. The essays, specially commissioned for this volume and written by an international team of scholars, with contributors from Australia, Belgium, Canada, England, France, Germany, Italy, the Netherlands, Spain, Switzerland, and the United States, cover a range of topics and themes and represent the most up-to-date discoveries on this topic.

This important study of episcopal office and clerical identity in a socially and culturally dynamic region of medieval Europe examines the construction and representation of episcopal power and authority in the archdiocese of Reims during the sometimes turbulent century between 1050 and 1150. Drawing on a wide range of diplomatic, hagiographical, epistolary and other narrative sources, John S. Ott considers how bishops conceived of, and projected, their authority collectively and individually. In examining episcopal professional identities and notions of office, he explores how prelates used textual production and their physical landscapes to craft historical narratives and consolidate local and regional memories around ideals that established themselves as not only religious authorities but also cultural arbiters. This study reveals that, far from being reactive and hostile to cultural and religious change, bishops regularly grappled with and sought to affect, positively and to their advantage, new and emerging cultural and religious norms.

An annotated translation of Bonaventure’s Itinerarium mentis in Deum presenting both the Latin text side-by-side with a new English translation which attempts to avoid the use of Latin cognates while remaining critically faithful to Bonaventure’s text. Using endnotes to open the text, Regis Armstrong opens each chapter from the perspective of historical theology referring the reader to authors prior to Bonaventure, e.g. Augustine, the Victorines, Philip the Chancellor, Avicenna, as well as first-and-second-generation Franciscan authors. While maintaining Bonaventure’s architectonic approach, Armstrong studies each chapter as Bonaventure does by focusing on its unique character, e.g. by means of cosmology, epistemology, biblical theology, mystical theology. In a same way, the translator attempts to explain his translation of certain cognates into Anglo-Saxon English by citing contemporary linguistic tools, e.g., Brepolis Latin Texts.

Karl Valentin once asked: "How can it be that only as much happens as fits into the newspaper the next day?" He focussed on the problem that information of the past has to be organised, arranged and above all: selected and put into form in order to be perceived as a whole. In this sense, the process of selection must be seen as the fundamental moment – the “Urszene” – of making History. This book shows selection as highly creative act. With the richness of early medieval material it can be demonstrated that creative selection was omnipresent and took place even in unexpected text genres. The book demonstrates the variety how premodern authors dealt with "unimportant", unpleasant or unwanted past. It provides a general overview for regions and text genres in early medieval Europe.

6 Mixed Feelings in the Middle English Charlemagne Romances: Emotional Reconfiguration and the Failures of Crusading Practices in the Otuel Texts -- 7 Circularity and Linearity: The Idea of the Lyric and the Idea of the Book in the Cent Ballades of Jean le Seneschal -- 8 'What shal I calle thee? What is thy name?': Thomas Hoccleve and the Making of 'Chaucer'

Twenty-seven authors approach the diverse areas of the cultural, religious, and social life of the twelfth century. These essays form a basic resource for all interested in this pivotal century. A reprint of the first edition first published in 1982.

Remembering the Crusades and Crusading examines the diverse contexts in which crusading was memorialised and commemorated in the medieval world and beyond. The collection not only shows how the crusades were commemorated in the twelfth and thirteenth centuries, but also considers the longer-term remembrance of the crusades into the modern era. This collection is divided into three sections, the first of which deals with the textual, material and visual sources used to remember. Each contributor introduces a particular body of source material and presents case studies using those sources in their own research. The second section contains four chapters examining specific communities active in commemorating the crusades, including religious communities, family groups and royal courts. Finally, the third section examines the cultural memory of crusading in the Byzantine, Iberian and Baltic regions beyond the early years, as well as the trajectory of crusading memory in the Muslim Middle East. This book draws together and extends the current debates in the history of the crusades and the history of memory and in so doing offers a fresh synthesis of material in both fields. It will be essential reading for students of the crusades and memory.

Classical Rhetoric in the Middle Ages: The Medieval Rhetors and Their Art 400-1300, with Manuscript Survey to 1500 CE is a completely updated version of John Ward’s much-used doctoral thesis of 1972, and is the definitive treatment of this fundamental aspect of medieval and rhetorical culture.